As we approach the year's end, it's worth recapturing the release of Coldplay's new album with a review we haven't posted before:
When you aspire to be the biggest band in the world, one of things that you need to do, if you’re following the U2 model anyway, is to hire Brian Eno. If Eno could stop Bono singing about bullets ripping the desert sky, then perhaps he could stop Chris Martin worrying about puzzles missing pieces? Quite how much input or impact Eno ultimately had on “Viva la Vida” is debatable (he’s credited with ‘sonic landscapes’), but there are definite signs here that Coldplay are developing as a band. It’s not a dramatic change, and is certainly a case of evolution rather than revolution: for the most part Coldplay still sound unmistakeably like Coldplay.
They seem more self-confident though, as if have acknowledged to themselves that yes, they do want to entertain the largest number of people possible, and that actually, that’s ok. Radiohead, it should be remembered, from a similar position, drew a rather different conclusion. Coldplay are good with melody, and there are melodies aplenty on this album: “Viva La Vida”, “Violet Hill”, “Lost”, “Cemeteries of London”, “Lovers in Japan”… the lyrics might still be a touch woolly, but the tunes are huge and compelling, and with “Strawberry Swing”, the band even show a little bit of unexpected African swing.
Read the full review at WikiColdplay here
Recommended Comments