Scans of Coldplay's article in February's edition of Q magazine are up. You can enjoy them in full size here.
Meanwhile in the article Brian Eno has altered Coldplay's approach to making music, encouraging them to consider rhythm, experiment with time signatures and, during one eureka moment, transpose Glass Of Water's piano riff onto three different guitars. "It sounded very African, which we liked," says Guy Berryman.
Brian Eno beavers away on Famous Old Painters, employing a gizmo called a Midi Piano Bar to translate Chris Martin's signature piano riff onto a variety of other instruments. "We don't want piano all the way through," Eno says, flagging up another significant change in the sound of the as-yet-untitled album.
He also acknowledges that, "The band wanted to move away from a way of working that had built up on the previous three albums." So while X&Y germinated in the studio, this one draws on their live shows. "We've tried," says Eno, "to base this one around live performance."
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