Here is something I found on Live 8 by writer Trent McMartin
After watching the Live 8 concerts last
month I was startled to notice the lack of
American rock bands performing the event. I
thought to myself they must have either turned
down the invitation, couldn't fit on to any of the
already full bills or there really are not any
significant, with the exception of a few, American
rock bands in mainstream music today. Linkin Park
and the Dave Matthews Band performed in
Philadelphia, Velvet Revolver in London and
Audioslave and Green Day played Berlin. These are
all current high selling American rock acts but
the headliners of the day were the U.K. acts like
Pink Floyd, U2, The Who, and Coldplay.
The debate between American rock and British rock
has been going on since The Beatles appeared on
the Ed Sullivan show for the first time over 40
years ago. U.K. writer Neil McCormick of The Daily
Telegraph recently wrote an article entitled "Why
British Bands Are the Best at Being Big." giving
his take on the British vs. American argument. In
the article McCormick stated "The history of rock
can be viewed as a kind of cultural interplay
between the US and the UK, with fantastic bands
from both sides of the pond influencing and
interacting with one another, often with an impact
far outreaching their sales."
In the 1960's, the U.K. had The Beatles, The
Rolling Stones, The Who and many other British
Invasion acts while the States had The Byrds, The
Beach Boys, and The Doors. Into the seventies and
the birth of stadium rock, the U.K boasted such
stadium fillers as Queen, Pink Floyd and Led
Zeppelin as well as punk rockers The Sex Pistols.
The Americans returned the favour with Aersomith,
KISS, The Eagles and their greatest punk band The
Ramones.
Aerosmith is sometimes called the greatest
American band off all-time having been around for
over thirty years experiencing success that only a
select few American rock acts experience.
Concerning Aerosmith's title of being America's
greatest rock band McCormick asked the question,
"Is that really the best America can do?" In the
recent Rolling Stone "Immortals" edition where
artists write about legendary rock and roll
performers of the past and present; current Velvet
Revolver guitarist Slash wrote "Aerosmith had an
aggressive, psychotic, drugged-out vibe, but at
the same time they had a Stones-y blues thing
going on. There was just nothing cooler than
Aerosmith coming out of America at that point.
What else was there? Foghat."
But it must be pointed out that America has had
its share of solo performers that rival the best
of the British bands. Artists such as Bob Dylan,
Prince, Bruce Springsteen, Elvis Presley, Marvin
Gaye, Aretha Franklin, Sam Cooke, Chuck Berry,
Stevie Wonder, Jimi Hendrix, Janis Joplin and many
more are equally if not greater than any act to
come out of the U.K.
Last year MSNBC released their version of the top
10 best rock bands ever putting the Beatles number
one followed by The Stones at number two and U2
and three. Out of the top ten, five were from the
U.K. (including U2 who are from Ireland), four
from the U.S. and one from Jamaica. The top
American act was the Grateful Dead who were more
of a live touring act than a hit making, sales
driven band. The Dead only had one top forty song
in their career (1987's Touch of Grey). The Velvet
Underground was next in which producer/musician
Brian Eno was quoted as saying "not many people
bought the Velvet's albums when they were
originally released, but everyone who did formed a
band". Which is true. The Velvet Underground and
Lou Reed were the forerunners of New York noise
rock and punk music.
In one of their many "greatest" lists over the
years, Rolling Stone's Top 500 Greatest Albums
featured six albums coming from U.K. artists in
the top ten, three of which came from The Beatles.
Only one American band had an entry in the top
ten, that being The Beach Boys' 1966 classic Pet
Sounds. The top ten went as follows: 1.) Sgt.
Pepper's Lonely Hearts Club Band, The Beatles, 2.)
Pet Sounds, The Beach Boys, 3.) Revolver, The
Beatles, 4.) Highway 61 Revisited, Bob Dylan, 5.)
Rubber Soul, The Beatles, 6.) What's Going On,
Marvin Gaye, 7.) Exile on Main Street, The Rolling
Stones, 8.) London Calling, The Clash, 9.) Blonde
on Blonde, Bob Dylan, 10.) The Beatles ("The White
Album"), The Beatles.
Not to be outdone, Spin magazine recently released
a 20th anniversary issue declaring Radiohead's OK
Computer the top album of the past twenty years.
The disc finished ahead of Public Enemy's It Takes
a Nation of Millions to Hold Us Back and Nirvana's
Nevermind. And a few years ago The Beatles ranked
number one on Spin's list of the top fifty
greatest bands of all-time followed by The Ramones
from the U.S.
American mainstream rock music may not have had as
many celebrated rock bands as the British over the
years but America's underground and indie scene
has always been an excellent source of talent and
innovation. In the late 80's and early 90's
Nirvana single handily took alternative indie rock
to the mainstream exposing a wealth of quality
acts that before would have been left to toil in
obscurity in the underground. Great American rock
acts such as The Red hot Chilli Peppers, Rage
Against the Machine, REM, Tool, Soundgarden, Sonic
Youth, Smashing Pumpkins, Stone Temple Pilots,
Pavement, Mudhoney, Fugazi, Alice in Chains,
Jane's Addiction, The Pixies and many more were
born out of the seedy clubs all to gain commercial
and critical success over the next decade or so.
These acts easily rivalled the best to come out of
Britain in the late 80's and 90's like The Smiths,
My Bloody Valentine, The Stone Roses, Radiohead,
Blur, Pulp, and Oasis.
Currently British band Coldplay have the number
one album in the U.S. selling 737,000 copies of X
& Y in its first week in the U.S. The album has
registered the second biggest selling first week
sales in the U.S. this year, topped only by 50
Cent's The Massacre, which sold a whopping million
in its first week. X & Y also went straight to
number one on the UK albums charts, becoming the
second biggest first week seller in British chart
history, behind Oasis' 1997 album Be Here Now.
And the debate rages on with Neil McCormick adding
fuel to the fire saying, "American pop culture may
dominate the worldwide media, but when it comes to
truly universal rock music, British bands are
still in a league of their own, superior to their
American counterparts in almost every respect."
That seems to be a preconceived assessment of the
situation especially since McCormick is from the
U.K. But after watching Live 8, the unofficial
sequel to 1985's Live Aid, you can't help but
think in some regards McCormick was right. Because
even though there were many emotional moments
during the concerts and many American acts
performed brilliantly, it seemed the U.K. acts
really led the way again as they did twenty years
ago.
Trent McMartin
http://www.antimusic.com/lowdown/