Which New Coldplay Song Synopsis Sounds The Most Intriguing?

The 28th February 2008 has been one of the most fruitful days for new details of the songs on Coldplay's fourth album. The song synopsis for nine tracks was revealed via a Rolling Stone online article posted earlier today. Our question for you is... Which song synopsis sounds the most intriguing? Vote here

"Violet Hill": One of the strongest of the new songs, the band is considering giving it away as a special promotion in coming weeks and then leaving it off the album. Opening with a jagged distorted guitar riff, the song announces a new template: The stalking, bluesy beat fits nicely with Martin's earthy vocals and plaintive lyrics: "If you love me, won't you let me know?"

"42": The fact that the band is considering this song as the album's first real single underlines how far they're willing to a stray from their formula: It's an elaborate three-part piece, with swirling pianos, strings and beat loops that build to an uptempo climax, with some seriously stoner lyrics: "Those who are dead are not dead/They're just living in my head."

"Yes": Here, Martin's vocals take center stage like never before: Sounding more aggressive and strong than ever, they sit on top of an irresistible North African string-and-tablas arrangement and ache more convincingly than all the lilting falsetto in the world: "If you'd only, if you'd only say 'Yes'/I'm just so tired of this loneliness." It's the band's freshest song since "Parachutes."

"Death and All His Friends": A straight-up rock tune with a riff that sounds ripped from the Doobie Brothers, piano, and, in the last section, flute.

"Cemeteries of London": Notice the thematic pattern emerging from the title and lyrics? This one, with an electro loop and hand claps, doesn't sound as glum as its title portends.

"Life in Technicolor": Acoustic-guitar driven and jangly, this is one of the few tracks that seems built from the Coldplay template of songs like "Don't Panic," only a bit more, well, panicked: "Baby it's a violent world," Martin sings.

"Chinese Sleep Chant": Opening with a jagged guitar riff, the song quickly settles into a propulsive dance-track loop with low-mixed, angelic vocals.

"Strawberry Swing": This is one of several potential album cuts with Afro-pop and high-life influences: Here, distortion-free finger-picked guitars which sound straight out of Mali mix with a heavy bassline and psychedelic synths. "My Mum comes from Zimbabwe, so I spent a lot of time there," says Martin. "I used to work in a studio where people played that."

"Reign of Love": A lovely layered composition of piano, bass and organ that backs fairytale lyrics.