Christa42

Who wants to win "Biggest Will Fan" this year for the Coldplaying Awards????

Ok who wants to win "Biggest Chris Fan" this year in the Coldplaying awards? Make yourself seen :p

He looks like Giant in that one pic with Chris

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Oh Lord <iframe style="width: 1px; height: 0px; border: medium none; position: absolute; visibility: hidden;" allowfullscreen="" class="twitter-tweet twitter-tweet-rendered" allowtransparency="true" scrolling="no" id="twitter-widget-0" frameborder="0"></iframe><blockquote class="twitter-tweet" lang="en"><p>Gotta study but it's hard to study when... <a href="http://t.co/vsPj4yaJ3O">pic.twitter.com/vsPj4yaJ3O</a></p>— Alycia // MIRACLES (@Coldplay_kid) <a href="https://twitter.com/Coldplay_kid/status/540536758266789890">December 4, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <script async="" src="//platform.twitter.com/widgets.js" charset="utf-8"></script><iframe style="display: none;" allowtransparency="true" scrolling="no" id="rufous-sandbox" frameborder="0"></iframe>

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Cannot handle the cuteness of that dog! <iframe width="560" height="315" src="//www.youtube.com/embed/_iAaEH_dR_Y" frameborder="0" allowfullscreen></iframe>

Mila Fürstová interview (pt 1) 3 December 2014 2:57 pm Exclusive interview with the creator of the Ghost Stories artwork The Ghost Stories art exhibition - featuring Mila Fürstová's original artwork for the album - opens in London tomorrow, and runs until 7 December. The free exhibition takes place at 17 Osborn St, Shoreditch, London and is open from 11am until 8pm. You can also buy the works from the Album Artists website. All proceeds will go towards Kids Company's incredible work with disadvantaged young people. Ahead of the exhibition, we called up Mila to find out more about her artwork. Hello Mila, how are you? I’m very good, thank you. How did you first get involved with Coldplay? It was my agent, Fraser, who runs Album Artists. He rang me about two years ago and said there was a very faint chance that Coldplay may like my work and I could be working with them. What did you say? I just thought, “Oh Fraser, you’re such a space cadet, where did you get that idea from?” And then he went off and quickly got together four of my pieces to take to the Bakery to show to Coldplay and I think it started from there. But at the same time, there was another background story because Phil Harvey and his wife already had two pieces of my work that they’d come across totally randomly in a gallery. And I think Fraser once delivered some work to them and he saw a large piece of mine in their house. A total coincidence. So how did it progress from “it might happen”? OK, so this was in the summer of 2012 and I had a few month old baby. I’d had this traumatic birth and I was hardly making any art and it was a very low point for me. And I was thinking “How can I even start making art again?” I was trying to take the baby to the studio and it just wasn’t happening. But the whole Coldplay thing sounded so, so exciting that I thought, I just so want to do that. I think there was communication between Fraser and Phil for some time until in the winter, Phil contacted me for the first time and he started telling me about the ideas for the artwork. How did that go? Oh he’s such an artistic guy and we had such cerebral conversations. I really enjoyed the creative part of that. We started coming out with first ideas. And actually even my very first sketch that I made after Phil described what they want was this woman floating in the sky / sea. So already the soul of it was already there. But we were still a long way from finding it properly. How did you find it? Well, we talked with Phil about ideas for a few months and then I think in spring, they said, “Would you like to come to the studio and meet the band?” So I did that and they were so lovely and welcoming and I just immediately felt, “Oh, I just want you for my friends!” And we sat around the table and Chris was like, “Oh Mila, you are so incredibly talented.” And I was blushing and trying to make a joke out of it. I said, “Oh Chris, you are very talented too!” But he didn’t cast me out straight away, which was a good sign. And then we started discussing everything. What was the starting point for the artwork? Chris’s initial idea was this photo that he had that he loved for many years of two sea lions under water. And I can see why, because they are almost a metaphor for a soul or a human in a special kind of state of mind. So he showed me this photo and I thought I’d work around that, that actually he wanted a sea lion under water and I’d need to get that into my work and that’s what the album cover would be. And I worked and worked around it. That’s not how the album cover ended up being, of course. No. The problem is, I’ve never really taken a commission successfully. It felt for me a little bit like an arranged marriage. And I thought, “Oh, I really want this arranged marriage to happen!” But I wasn’t falling in love, if you like. I was doing everything to try and please them. I produced an awful lot of sketches and it had some essence of the album already, but it wasn’t all there. And then Fraser and Phil had this really great idea where they said let’s just print a lot of your work out in large scale and put it around the Bakery studio. It was amazing. The studio basically turned into a gallery of my work! Ah yes, up the staircase and everywhere. Yes! I just thought what an amazing act from them. They thought OK, we’re gonna have a go and we are willing to embrace Mila’s work. And I think Chris especially was looking at the work for a long time, until he saw this one piece which was a blue angel with two wings, and he said he really liked that and asked if the wings would work on their own. I said they would and I printed just the wings and when we put them together, they looked a broken heart. And he said he really loved that. That’s when the baby was conceived. So it wasn’t designed to look like a broken heart? It just ended up that way? Yes. I think that’s probably the best thing about all art, including music, that you are following a thought and then something else happens, like some intervention from heaven, and it’s up to you to spot it. And I think that Chris spotted it. So that was great. Then he handed it over to me and he said, “Look, I love the wings and I want you to do whatever you feel is right.” He was giving me total freedom to be myself. I remember he called from LA and I said to him, “Oh Chris, are you sure you don’t want a particular motif?” And he was so magnanimous and very clever and it was an act of understanding of how art is made. So he gave me freedom. How did you get started? Well, they gave me the album before it was shared with anyone. So that was very lovely of them as well. I went away and had this template of the wings that I drew and then I started listening to the album and I just drew directly onto the wing plates. So that cover artwork didn’t exist until you’d heard the album? Exactly. It’s totally about the album. Etching involves working on metal plates. You cover it in wax and then you work on it. So I had the needle and I was listening. And it felt like walking into this dark room in which Chris is singing. And the darkness was the plate and I had the needle. So I tried to trace his feelings. And I tried to trust my intuition. I drew the wing gradually. I completed an entire wing, based on the whole album. There was something from each song. (Click for hi-res version) So if people look closely they should be able to tell which bit is about which song? Yes, exactly. And some images can work for two, because it feels to me like some of the songs are quite connected. And at this point A Sky Full Of Stars wasn’t on the album. That was added later. But already it appears in the wings through divine intervention, with the stars. And so I drew that one wing and sent it to Phil and Chris and they were lovely and they said “This is great, this is what we want” and then Phil said “And where is the other wing?” And I said, “What other wing?” I thought it would just be a mirror image of the same wing. So then I made the other wing! Did you do the left wing first? Actually, it’s the right wing. My drawing started with the couple that’s lying underneath the blanket of stars. Then I drew the walking man with the birds, because that last song totally captured me immediately. And also I have to say that so much work later was done by Tappin and Gofton. They have done the art direction for many of the band’s album covers before. So I was doing the basic metal print and I gave them so many choices of how they could have printed them and it was actually Mark and Simon from Tappin and Gofton who were presenting the band with how they felt the wings should be placed. So it was a big brainstorm. And they were great to me. Really supportive. So there was the wings and the background for them - the sea - is actually a very small etching plate and the stars are just drawn in by hand, and then it was all brought together digitally. So then the artwork for Magic and the others followed afterwards? Yes. They hadn’t been offering that from the beginning at all. I didn’t really know where we were going with everything. I didn’t know until the last minute that I was definitely going to be making the album cover. Then they said, “We really like the cover” and they said they’d really like to see some sketches for Magic. And I said, “Well, I never do sketches” but by then I already felt through the experience of the wings that I have this intimate creative relationship with them, so I was willing to do sketches because it felt like it’s not just their project it’s now my baby as well! I’m usually too impatient to do sketches - I just love drawing straight onto the plate, because it’s more fun for me not to know what’s coming - but that was something I did more and more as we went on. The detail is incredible in the Magic one. I drew three sketches for that. There’s one sketch which features a magician, but the band went for this one where’s there’s just a couple. It’s more poetic, I think. And then I think there’s a vinyl with Midnight, which actually has the etching of the three sea lions. That goes back before the wings when I was drawing the sea lions. This was when they became a bit more mine because they are see through and they are no longer sea lions, they’re these structures, and one of them has a man inside them, floating. At some point did they say they wanted you to do all the artwork for the whole album? It was gradual, really. It was like a relationship! You think, well this is going well, shall we go together a bit further? I felt I was really enjoying it. I was working from home and it was a really intimate small scale work. I was looking after my baby and then I was pregnant again, and I couldn’t travel or anything so it was my “me time”. I was drawing and in a way they were really helping me to be mother. Because having a baby, I never realised what hard work it would be! And I needed something that was me and actually this Coldplay thing ended up being intimately me. That’s a pretty good little side project away from parenting - creating the cover of a worldwide hit album! I know! I would not believe if you told me that! Look out for part two of our interview this week

<blockquote class="twitter-tweet" lang="en"><p>Installation shots by <a href="https://twitter.com/QuintinLake">@QuintinLake</a> <a href="http://t.co/ZsRlZ7QdTn">http://t.co/ZsRlZ7QdTn</a> <a href="https://twitter.com/coldplay">@coldplay</a> <a href="https://twitter.com/KidsCompanyUK">@KidsCompanyUK</a> <a href="https://twitter.com/MilaFurstova">@MilaFurstova</a> <a href="http://t.co/qT769VZCsk">pic.twitter.com/qT769VZCsk</a></p>— Album Artists (@AlbumArtists) <a href="https://twitter.com/AlbumArtists/status/540540879338242048">December 4, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

More tweets <blockquote class="twitter-tweet" lang="en"><p>In the darkness before the dawn <a href="https://twitter.com/hashtag/Midnight?src=hash">#Midnight</a> <a href="http://t.co/440JsaVdkn">pic.twitter.com/440JsaVdkn</a></p>— Rose Iris (@Esther_Goodman) <a href="https://twitter.com/Esther_Goodman/status/540532749246140416">December 4, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet" lang="en"><p>Mingling with Mr Champion <a href="http://t.co/kA2YB454AN">pic.twitter.com/kA2YB454AN</a></p>— Rose Iris (@Esther_Goodman) <a href="https://twitter.com/Esther_Goodman/status/540530630573187072">December 4, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet" lang="en"><p>Next one on my hitlist! Ghost Stories wings from the Mila Furstova for Coldplay exhibition <a href="http://t.co/HjpDfzkxN0">pic.twitter.com/HjpDfzkxN0</a></p>— Rose Iris (@Esther_Goodman) <a href="https://twitter.com/Esther_Goodman/status/540527848378101760">December 4, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" lang="en"><p>⭐THE VOICE FULL OF STARS⭐ Die brit. Superstars Coldplay live zu Gast <a href="https://twitter.com/TheVoiceGermany">@TheVoiceGermany</a>! Fr., 20:15 Uhr <a href="https://twitter.com/sat1">@sat1</a>! <a href="https://twitter.com/hashtag/TVOG?src=hash">#TVOG</a> <a href="http://t.co/X5FQMtxdmq">pic.twitter.com/X5FQMtxdmq</a></p>— The Voice of Germany (@TheVoiceGermany) <a href="https://twitter.com/TheVoiceGermany/status/540195150207934464">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

And Jonny for Best Beard in a Band! :dance::guitarist::bomb::clap::jonny::jonny::jonny::pornstash:

The 2015 Grammy nominations will be announced on Friday and Coldplay's Ghost Stories is on all the prediction lists. Here is a blog from Yahoo for what categories they might be nominated in: For Pop and Dance: Full Link https://www.yahoo.com/music/grammy-predictions-pop-dance-104103361166.html "With the 2014 Grammy nominations being announced this Friday, Dec. 5, it’s time to deep-dive into the individual categories and predict who will come out on top. Here’s a look at which pop stars have a shot this year. BEST POP VOCAL ALBUM As likely finalists in the overall Album of the Year category, Sam Smith's In the Lonely Hour, Ed Sheeran's x, and Ariana Grande's My Everything are sure things here. Smith’s debut album has climbed as high as #2 on the Billboard 200. The Sheeran and Grande albums, both sophomore releases, both reached #1. Two other #1 albums — Coldplay's Ghost Stories and Katy Perry's PRISM — will probably round out the field. This would be Perry’s second album in a row to be nominated in this category. (Curiously, Perry has yet to bring home her first Grammy, despite 11 previous nominations.) Coldplay has has had an interesting Grammy history. The band’s first two studio albums won for Best Alternative Music Album. Its fourth album, Viva La Vida or Death and All His Friends, won for Best Rock Album. Now its sixth album is vying for a nomination for Best Pop Vocal Album. Has the band’s music changed that much, or has the music scene shifted around it?" Album of the year - Full link https://www.yahoo.com/music/grammy-predictions-the-big-four-categories-104085366351.html ALBUM OF THE YEAR Three albums seem like sure things to be nominated: Sam Smith's debut album, In the Lonely Hour; Beyoncé's fifth studio album, Beyoncé; and Ed Sheeran's sophomore album, x. Beyoncé is a longtime Grammy favorite (17 awards). Her album may get bonus points for its innovative, no build-up marketing strategy. Sheeran is fast becoming a Grammy favorite. He was nominated for Song of the Year two years ago and for Best New Artist last year. Miranda Lambert's Platinum, which was voted Album of the Year by the Country Music Association, also has a good shot. It was Lambert’s first #1 album on the all-genre Billboard 200. It even put her on the cover of Rolling Stone. The panel of Grammy insiders that selects the final nominees in the Big Four categories usually strives for diversity in its picks. Lambert is the strongest country representative. Ariana Grande's sophomore album, My Everything, may round out the field. The album, which has spawned three top 10 hits, consolidated her 2013 breakout success. (The only potential problem: I already have two pop albums — Smith’s and Sheeran’s — in the finals. Will the panelists want to have three?) That could also work against the Frozen soundtrack, which is the best-selling album so far this year. Another factor working against Frozen: recent Grammy history. In the past 20 years, just two soundtracks have received Album of the Year nominations — Waiting to Exhale and O Brother, Where Art Thou?. Both of those soundtracks were overseen by producers with long lists of album credits — Babyface and T Bone Burnett, respectively. By contrast, Frozen is the work of movie music pros who aren’t as well known in recording circles. U2 has a strong track record in this category: Four of the band’s last eight studio albums were nominated for Album of the Year; two of them won. But the album never recovered from the iTunes gaffe — where the album was placed in iTunes users’ music libraries without their consent. That criticism seemed overblown, but it left a mark. If the panel wants to include a rock (or rock-ish) album, there are many other choices. Among them: The Black Keys' Turn Blue, Beck's Morning Phase, Coldplay's Ghost Stories, Bruce Springsteen's High Hopes, Paul McCartney's New, Jack White's Lazaretto, Arcade Fire’s Reflektor, and Tom Petty & the Heartbreakers’ Hypnotic Eye. Record of the Year - Full link https://www.yahoo.com/music/grammy-predictions-the-big-four-categories-104085366351.html RECORD OF THE YEAR Sam Smith's gospel-tinged ballad “Stay With Me” is sure to be nominated. Meghan Trainor's “All About That Bass,” which calls for women to accept their bodies even if they don't conform to society's ideal, may be Smith's strongest competition. Taylor Swift's kiss-country-goodbye pop smash “Shake It Off” also has a very good shot. Swift's “We Are Never Ever Getting Back Together” was nominated in this category two years ago. Ariana Grande's “Problem” (featuring Iggy Azalea) is also likely to make the finals. It would be only the second all-female collaboration in Grammy history to receive a Record of the Year nom. The first was “The Boy is Mine” by Brandy & Monica in 1998. (Two other all-female collabos have a shot this year: Azalea’s “Fancy” (featuring Charli XCX) and “Bang Bang” by Jessie J, Grande, and Nicki Minaj.) KONGOS' alternative rock hit “Come With Me Now,” which became a leftfield pop hit, may round out the field. "Let It Go" from Frozen has a chance to become the first Oscar-winner for Best Song to be nominated for Record and/or Song of the Year since Eminem's “Lose Yourself” was nominated in both categories in 2003. I tend to think that Idina Menzel's hit single will just miss in the Record category, but that the song will come through in the Song category. Coldplay's “A Sky Full of Stars” (which was co-produced and co-written by Avicii) is also a strong candidate. The band won in this category with 2003’s “Clocks” and was nominated with 2008’s “Viva La Vida.” Song of the Year - Full link https://www.yahoo.com/music/grammy-predictions-the-big-four-categories-104085366351.html SONG OF THE YEAR For the most part, the same works are under consideration for both Record of the Year (which honors a specific recording) and Song of the Year (which honors the song itself). With that in mind, I can see the final five being “Stay With Me,” “All About That Bass,” “Let It Go,” “Shake It Off,” and “A Sky Full of Stars.”

Here is link to article not letting me post the whole thing http://www.rollingstone.com/music/features/is-u2-the-longestrunning-band-on-the-planet-20141104

And an article on Bands who have been together the longest -

<blockquote class="twitter-tweet" lang="en"><p><a href="https://twitter.com/hashtag/TBT?src=hash">#TBT</a> <a href="https://twitter.com/coldplay">@coldplay</a> have brought us years of joy so far and they'll be bringing even more at the <a href="https://twitter.com/hashtag/BBCMusicAwards?src=hash">#BBCMusicAwards</a> <a href="http://t.co/ZBsxWu8WTa">pic.twitter.com/ZBsxWu8WTa</a></p>— BBC Music (@bbcmusic) <a href="https://twitter.com/bbcmusic/status/540475697471303680">December 4, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet" lang="en"><p>The <a href="https://twitter.com/hashtag/BBCMusicAwards?src=hash">#BBCMusicAwards</a> are coming. Tune in live across <a href="https://twitter.com/BBCOne">@BBCOne</a>, <a href="https://twitter.com/BBCR1">@BBCR1</a>, <a href="https://twitter.com/BBCRadio2">@BBCRadio2</a> and on <a href="http://t.co/YYECTqY1GY">http://t.co/YYECTqY1GY</a>. <a href="https://t.co/weVh0VkWXB">https://t.co/weVh0VkWXB</a></p>— BBC Music (@bbcmusic) <a href="https://twitter.com/bbcmusic/status/539735056219004928">December 2, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

An Article from Mail Online with some wicked awesome pics of Jonny's Scruff Full Link - http://www.dailymail.co.uk/tvshowbiz/article-2860106/Chris-Martin-cuts-cheerful-figure-attends-art-work-exhibition-Coldplay-s-studio-album.html Chris Martin cuts a cheerful figure as he attends art work exhibition for Coldplay's studio album By Sharnaz Shahid and Becky Freeth for MailOnline Published: 20:50 EST, 3 December 2014 | Updated: 22:15 EST, 3 December 2014 He’s had a hectic schedule over the past few months, but on Wednesday evening Chris Martin decided to kick back with some friends. The 37-year-old managed to put aside some time to attend a private viewing of Coldplay: Ghost Stories, an exhibition of artwork by Mila Furstova. Dressed in a casual white top and black combats, the British crooner cut a cheerful figure as he mingled with fellow guests at the StolenSpace Gallery in London. Scroll down for video +6 Kicking back: Chris Martin attended a private viewing of Coldplay: Ghost Stories, an exhibition of artwork by Mila Furstova, on Wednesday evening He was accompanied by bandmate Jonny Buckland and his partner Chloe Lee Evans, as well as artist Mila, the person behind the band's latest studio album - a painting of a bird in flight. Other guests at the exclusive event included Guy Berryman and Edith Bowman, who rocked a chic black coat and leather knee-length boots. Meanwhile, Chris and his band mates are finally turning their hand to movie making after introducing a music video with multiple endings. +6 Keeping it simple: Dressed in a casual white top and black combats, the 37-year-old star cut a cheerful figure as he mingled with fellow guests at the StolenSpace Gallery in London +6 Atmospheric: He was accompanied by radio presenter Edith Bowman and artist Mila, the person behind the band's latest studio album - a painting of a bird in flight +6 Close pals: Bandmate Guy Berryman also made an appearance at the lavish art event The interactive visual accompanies their latest single Ink and proves the 18-year-old band are still as contemporary as the market-leading boyband competitors. Coldplay - made up of Chris, Guy Berryman, Jonny Buckland and Will Champion - has introduced the extra gimmick to the fourth single from 2014's best-selling album Ghost Stories, which will be their sixth. Coldplay's lead vocalist separated from his wife Gwyneth Paltrow in March, but reportedly began an on and off relationship with Hunger Games actress Jennifer Lawrence later that year. He sings: 'Got a tattoo that said "together through life, Carved in your name with my poker knife 'And you wonder when you wake up, will it be alright oh oh, Feels like there's something broken inside.' The video features more of an emotional tone after the accompaniment to the last single True Love saw Chris feature as a sumo-suited skateboarder. Coldplay performs at iHeart Radio Music Festival 2014 +6 Date night delight: Jonny Buckland took his partner Chloe Lee Evans to the special viewing +6 Beaming: The guests appeared to be in high spirits as they mingled with one another

Cannot wait to read the article. What an exciting night for all of you

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And now Greg James, that's it I'm dead <blockquote class="twitter-tweet" lang="en"><p>Greg and Ellen, everybody <a href="http://t.co/XSim6pDXSK">pic.twitter.com/XSim6pDXSK</a></p>— E (@openeyesignals) <a href="https://twitter.com/openeyesignals/status/540240838866259969">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

you go to the three little dots at bottom of tweet, click on "Embed Tweet" the tweet pops up highlighted, Copy/paste

Some tweets from Ellen <blockquote class="twitter-tweet" lang="en"><p>Woops <a href="http://t.co/ynhElIRMYl">pic.twitter.com/ynhElIRMYl</a></p>— E (@openeyesignals) <a href="https://twitter.com/openeyesignals/status/540225713966948352">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet" lang="en"><p>Is this real <a href="http://t.co/A3zFIaMuQj">pic.twitter.com/A3zFIaMuQj</a></p>— E (@openeyesignals) <a href="https://twitter.com/openeyesignals/status/540226676576497665">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet" lang="en"><p>Mila speeching <a href="http://t.co/8jPjCDqL8i">pic.twitter.com/8jPjCDqL8i</a></p>— E (@openeyesignals) <a href="https://twitter.com/openeyesignals/status/540227731599155200">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet" lang="en"><p>Guys. I. Guys. <a href="http://t.co/yJSoAkXTLs">pic.twitter.com/yJSoAkXTLs</a></p>— E (@openeyesignals) <a href="https://twitter.com/openeyesignals/status/540232222792757248">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script> <blockquote class="twitter-tweet" lang="en"><p>Esther too <a href="http://t.co/penPxpzhXU">pic.twitter.com/penPxpzhXU</a></p>— E (@openeyesignals) <a href="https://twitter.com/openeyesignals/status/540232813560479744">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>

And a red cheek!

Thank you batman, would not open up for me

<blockquote class="twitter-tweet" lang="en"><p>Busy... <a href="http://t.co/cwOnZQ9zBF">http://t.co/cwOnZQ9zBF</a></p>— Album Artists (@AlbumArtists) <a href="https://twitter.com/AlbumArtists/status/540220348365799427">December 3, 2014</a></blockquote> <script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>