Y sacaste alguna conclusión? :wink3:

Hay algunas animaciones de comics de 3-4 minutos que se podrían usar para nuevas canciones de Coldplay... :rolleyes:

La verdad es que están bárbaros estos comics! :stunned:

y eso? :thinking:

 

 

rescato una frase: Expect a short, concise record with no fat and at least two top-division songs released independently

 

 

y ahora que lo leo todo de corrido me fijo la correlacion que tiene, las 'pistas' que son visibles cuando sabes el final :P boludeces xD recien estoy terminando 2007

Comics animados que vienen de extra con la película... ;)

 

 

Boludo! :kid:

che....en la entrada del 5/9/07 prospekt dice que es un no-musico confirmado

 

y en la entrada del 30/1/08 dice que en otros tiempos el hubiera tomado un mes para regrabar un tema....

 

 

en que quedamos? :thinking:

21, de Marzo... 1º día de otoño, es verdad! :P

 

Jajaja, felices 11 meses che! :D

Comics animados que vienen de extra con la película... ;)

 

 

Boludo! :kid:

 

 

:lol:

jaja es verdad...empezamos el otoño con mosquitos ?¿

 

 

thx freim! :)

Ehh... para mí que dice eso porque es productor, ingeniero de sonido, mezclador de temas, dj... ?¿?... o sea.. que no toca instrumentos pero hace música... ;)

me voy a tomar un laburito que voy a postear en unos minutos ;)

Dale! :)

Postear acá o en mundoforo? :rolleyes:

Ah! Yo sabía! :dozey:

The control room is tiny. Literally smaller than my bedroom. The live room isn’t much bigger. About the size of the rehearsal room we used to have pre-record deal.

Brian Eno sits behind his laptop towards the back of the control room. A benevolent schoolmaster with the unquestioning respect of his charges. When he speaks, we listen. Markus Dravs prowls around the room like a big cat in a zoo. A heavyweight boxer with a paintbrush.

Two very different people, both equally formidable. Together Brian and Markus have introduced a sense of discipline that never existed in previous album sessions. The atmosphere is tense and urgent.

I’ve never seen the band so willing to be led, to be pushed. Chris just burst into my little room upstairs at the studio. He’s been working on lyrics. Much more abstract, much more visual than before. This is reflected in the music too: less straightforward, more oblique.

There’s a long way to go, but the initial auspices are good.

 

One aspect of the recording process that I'll never get used to is tension.

Tension is an inherent part of recording. Without tension, there's no focus. Without focus, the work becomes shoddy and ineffectual. Tension means that people actually give a shit. I myself am not very good at dealing with tension. That's why I only spend short periods of time in the studio. I dip in and out. I'm too thin-skinned to thrive in the studio atmosphere.

If you place six strong-willed men in a small room for ten months, working ten to twelve hour days on something they all care about passionately, friction is inevitable. What is remarkable is that this friction very rarely ignites into flame.

The key is communication - on Monday we had a five hour meeting. We discussed our approach, our methods, our timetable, our goals and pretty much anything else that came into our minds. Brian drew up a list of all 25 pieces of music that have been worked on during this session. The four band members, Brian, Markus and I all shared our thoughts on each and every track: how close it was to completion, what needed to be added, what needed to be removed or replaced, what sounded new and exciting, what sounded tired and old. The meeting was a ruthless dissection of all the work done so far. Markus was particularly brutal (as usual).

Very little material got unreserved thumbs up from everyone. However, far from feeling dispirited, we all came out feeling a lot more confident. It feels a lot better to check the map and know which direction you're headed and how far you've got to go rather than wander around aimlessly and hope for the best.

 

We've been travelling light - an acoustic guitar, a couple of mics, a laptop and some headphones. We're recording in Barcelona - moving from church to church, setting up where we can: in front of the altar, under the pulpit. We've been playing at the feet of archangels. It's an odd scene: a host of saints look down impassively upon four unkept band members, circled around a single mic stand - singing loudly together as recorded guitars reverberate around the church.

They're laying down backing vocals. Brian often joints them: group - singing is one of his great joys. Markus operates the recording and playback on his computer, asking for countless takes until he is finally satisfied.

The sights, sounds and flavours of Latin America and Spain have definitely infused into this album. The band visited Argentina, Chile, Brazil and Mexico earlier this year. Chris then came up with the idea of recording in Spain. The music and lyrics have begun to reflect the strengthening Hispanic theme. No maracas or castanets, but a vibracy and colourfulness that owes much to the atmospheres of Buenos Aires and Barcelona. The effect is subtle but important.

 

All back in the same room after a month off. I’ve missed the buzz. We’re still a few months from finishing, but already the arguments about tracklisting have begun. The plan has always been to make a short record. No more than 42 minutes, 9 songs (give or take) selected from the following:

• Lost!
  
• Cemeteries Of London
  
• Violet Hill
  
• Poppy Fields
  
• 42
  
• Yes!
  
• Leftrightleftrightleft
  
• Rainy Day

To use a tired analogy, it’s like picking a football team. It’s not simply about individual talent, but overall cohesion and combined effectiveness.The bigger picture. An album that you can listen to from start to finish. The danger of this is that great songs may get left off the album because they don’t “fit”.

I have to confess that, as a confirmed non-musician, this approach slightly worries me. My feeling is that the album should be made up of the nine best recordings. If that means eight thrash metal tracks and one ballad then so be it. However that’s not the way the band see it and I have to respect their integrity.

Expect a short, concise record, with no fat and at least two top-division songs released independently.

 

This is the album I always dreamed they would make. It's the sound of a band realizing their own strength. The sound of four men with total confidence in themselves and one another.

It's the sound of a songwriter at the peak of his ability. Lyrically and melodically, Chris seems to have broken through past constraints. There's a new confidence to venture beyond the limit of the known and comfortable. An urge to explore and discover. His energy is electrifying - sometimes intimidating. A manic bundle of love, passion, and rage. A veracious appetite for life, eagerly devouring every minute of every day. He knows that time is short.

Jonny, too, has explored a whole new universe of sounds magicking up a new world for each song. His guitars are all over this album. Will has manipulated, mashed and spliced beats and time signature to produce rhythms that lead rather than follow the song. Guy - always the tastemaker and musical authority of the band - has guided and shaped the whole process always pushing but unafraid to rein things in when necessary.

The four of them together make up a formidable unit, and this is the album people will remember them by.

 

The self-imposed deadline looms and new songs have arrived. Famous Old Painters and Glass Of Water. It's as if the pressure is a catalyst. The pressure to finish has triggered a new writing surge. However, the deadline still stands...

With two new songs to explore and record, there's a lot of extra work. But it can still be done. The sense of focus, in the studio, is palpable. Much credit must go to producer Marcus Dravs for pushing to the point of exhaustion but never beyond.

It feels like a very dense record. There are so many melodies and colours packed into a relatively short space (42 mins). As you'd expect with Brian Eno, there's experimentation, and exploration. But the music still has integrity. It's real and honest. There's no posturing or bombast.

The next few weeks will be intense. There's no doubt about that. I've already developed (a) a small patch of alapecia on my hand. Guy's got insomnia and Chris is up and down like a yo-yo. But when the deadline comes and the work is done, this will be the album I always dreamed we'd make.

 

The ups and downs come thick and fast at this point in proceedings. One minute we're all buzzing about the mix of Prospekt's March; the next we're crippled by doubt over the drum track for Lost! One minute we're over the moon about a new artwork idea; the next, we're all gloomy about our slow progress in designing the live show. Later today, we've got a meeting about coldplay.com and how to make it the best darn website out there.

So, as you can gather, there's a lot going on... we're trying to pull all the threads together and get these songs (and all the hoopla that goes with them) ready to present to the big wide world. The funny thing is (and this is always the case), the creative momentum just keeps gathering. There's no sense of consolidation or winding down. In a couple of hours, we've got a colliery brass band (tubes, trumpets, French horns etc) coming in from Brooklyn to reinvent the third verse of 'Famous Old Painters'. Hats off to producer Markus (Dravs) for finding a group of musicians playing a style of music unique to a small area of Northern England in New York City at 24 hours' notice.

And Chris just keeps on writing... he's shown me five new songs in the last two days. I seriously don't know when he sleeps.

 

Back home for a few days. A brief rest before the final push.

Another four or five weeks and we should be home and dry: another ten mixes + re-recording one of the songs from scratch. In times gone by I would have set aside a month to re-record a track. However, the week before Christmas, we recorded two tracks in four days - Lovers In Japan and Strawberry Swing. On the fifth day (Friday), Chris put down new lyrics (and new melodies) on two other tracks. It was far and away the most productive and exciting week we've ever had in the studio. I was buzzing all through Christmas.

Since then, mixing has been slow and painstaking but that's just the nature of the beast. So... give us another month or so and we might just have an album worthy of your patience.

PS - album title ≠ prospekt!

 

Album should be finished by the end of the week. I'll write up a tracklisting once we've finally decided what it's going to be.

PS - The actual title of the album is... 'Viva La Vida or Death And All His Friends'

We're finalising the tracklisting today.

aca..si hago esto en mundoforo seria al pedo..esto es mas como un chat :P

 

y que sabias? xD

Bueh... entonces... no intuje/sabía nada... :laugh3:

jajajaj

 

ahora quiero saber que pensaste xD

otro doble post freim xD

 

 

vas a leerlo? :p

Está pasando lo siguiente... :thinking:

 

Aclaración: Se están viendo doble posts que no son.

 

Yo sé que no los hago porque no estoy subiendo el doble en el contador... simple... ;)

Nada, pensé que ibas a postear algunas fotos por el cumple-mes... :rolleyes:

Estoy leyendo, gracias! :D

jaja es verdad...xq tino y romi vieron dobles posts...pero no se suman al contador ?¿

 

 

 

jaja regalo por aca? no se me ocurre nada xD

de nada....cuando termines, hablamos de la increible correlatividad de los textos de prospekt ?¿?¿?¿

 

 

 

 

POST 70000 del thread mas spammeado de coldplaying xD

EDIT: Post nº 70001 del thread... :cool: