my review:
There must have been some good ghost bringing me back to my computer on 6 - Dec.- 2014, high noon. Back to an open window right at that moment when one of the last returned single tickets for the Coldplay show in Munich, only a few hours later, suddenly popped up. After four weeks hopelessly trying to get tickets I still almost can’t believe I was there. So it’s easy to understand all those who did not get any tickets,they hope for vids and pics and are disappointed about less than 90 minutes show. To me in the end time is not really an issue. This Coldplay phenomenon is neither to explain in length nor in amount, there is no measuring jug for something unique like this.
Organisation
The sadness of getting no tickets for those limited Ghost Stories shows indeed is a torture for many fans, especially when you notice at the venue there were invited visitors who even not really knew the band, others who admitted they had bought from the scalpers, also from sellers who told them the event was for 400 people only. Those latest still were disappointed about a crowd of 1000, others did not know there do exist any fan forums at all - just to mention this about the “Information Age” and to agree, this "chosen" audience unfortunately did not exist of fans only.
The event organisation at the BMW Welt seemed to be missing in experience how to seperate leaving car lovers from entering concertvisitors. Online they had announced the museum would be “closed at 4:00 pm” because of the concert. A visible sign on the museum’s entry failed. People ignored the fences and were sent back person by person from the securities. At the same time inside the building the first concert visitors were sent out again for a ticket control, some could not get their jackets back from the wardrobe and had to stand out in the rain in their shirts for over half an hour. On this concertevening the song “Oceans” indeed was missing.
Location
That confusion was forgotten when we finally made it into the Auditorium. A small venue, a stage almost being disrespectful to distance. One of the security guys felt pity for us for “standing too close to those loudspeakers”. He told us stories about other artists and ended up with something like “you all here are interested in those (Coldplay) only anyway.“ Probably about this he was quite right, about the speakers he was wrong, the sound engineering was perfect.
Listening recently the GS live album and being back to a live concert now this reminded me what GS era was or still is. The whole thing, A.M.I.H. connecting to the high spirit of MX era (with Charlie Brown, Paradise,ETIAW), including the thrill of Clocks and so on. Between all those the new GS stuff never seemed displaced and the older songs never seemed to break the thread of those mysterious Ghost Stories.
The show
The setlist, the one from Royal Albert Hall in July,with little changes: without Don’t Panic, Everything’s Not Lost and Oceans, then the change for Christmaslights in the encore.
To me one more GS song except from the opener and the singles would have been welcome. The variable parts were placed very well with TheScientist and Til Kingdom Come. This Munich crowd (although they did come from U.K. , U.S., Italy, Romania, Australia and whereever else) apparently gave more heart to the classics, so the chorus during Ink indeed was missing, not to compare to that live version taped in Paris. So in the end this setlist was exactly the right one for this audience and this show.
An enthusiastic Viva going down into a dark and beautiful Midnight, that rises up again to a raging E.T.I.A.W., before it includes with Fix You four eras during four songs to one of the many highlights of this evening. Not to forget a very intensive and passionate performance of all four GS songs, especially True Love.
To be honest: if they really had played a big surprise like Ghost Story or Miracles for the first time, one of the rare O performances, a never played live song like Up With The Birds to this exclusive audience - would this not be harder to all those ticketless fans? Maybe not the most exotic setlist, on the other hand a fair one for sure.
To conclude
“Coldplay will celebrate the release of the upcoming Ghost Stories Live 2014 concert film and live album with a one-off concert at BMW Welt in Munich”, this is what it was announced. Whatever made them to play there and the policy of VIP-inviting might be a mystery and sometimes hard to understand. Still we seem to have a more commercial way of thinking like the band themselves. When we hear “release” we expect album merchandising, a bigger venue, Coldplay playing almost the complete new album maybe, plus adding a special like Ghost Story or All Your Friends, and of course the most famous classics.
I think the emphasis belongs to another word here, it is “celebrate”. Finally this is it what it turned out to. All songs played there made you feel that moment you want to hear nothing else but this song at this moment and nothing else. In ancient times before recording was invented music had this special quality we might be not aware of it anymore today: it was only there as long as it was played, by someone who was there to play it (anything else would have been a musical box). Maybe it is this special thing Coldplay make us feel again. This experience is not really to tin, not even in the best live tape. A look at the merchandise stall confirmed my impression. There were only some shirts to purchase, no live album campaigns or ads, nothing, and this some weeks before Christmas. It was clear what this evening was made for: pure music to reload energy or something “like getting some crack cocaine” - to quote Chris about the feeling playing live again after a few months. A dose of drug, one without unhealthy side effects, it is there too on the side of the crowd, a substance that consists of celebrating the moment, not of counting songs or minutes. Let's look forward to the next chance for it, any time.