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The Bling Thread!

alexdude1991
in The Lounge

Featured Replies

Haha nice thread! :lol:

 

Fix You:

When you try your best but you don't succeed

When you get what you want but not what you need

When you feel so tired but you can't sleep

Stuck in reverse

 

And the tears come streaming down your face

When you lose something you can't replace

When you love someone but it goes to waste

Could it be worse?

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

And high up above or down below

When you're too in love to let it go

But if you never try you'll never know

Just what you're worth

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

Tears stream down your face

when you lose something you cannot replace

Tears stream down your face

And I

 

Tears stream down your face

I promise you I will learn from my mistakes

Tears stream down your face

And I

 

Lights will guide you home

And ignite your bones

And I will try to fix you

  • Replies 336
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Popular Days

Facts about coldplay::: on norwegian.. its time to learn norwegian ;)

 

Coldplay er her!

 

Britiske Coldplay er aktuelle med nytt album og kommer til Oslo i november. Vi gir deg lytteparty, intervju og annet snacks!

 

Coldplays nye album «A Rush Of Blood To The Head» kommer i butikkene mandag 26. august. Men du kan høre albumet her, sammen med mange andre fans!

 

Behagelige Coldplay

Coldplay-medlemmene er alle svigermødres drømmegutter. Vokalist Chris Martin er sågar blitt kalt en Bono-light. Han er så åpen og ærlig som vi liker det, ikke fullt så sår som vår egen St. Thomas, men ikke langt unna. Her kommer små og store fakta om vokalisten Chris.

 

 

• Chris er 24 år

• Chris tror ikke at noen liker ham, og sier selv han er svært paranoid.

• For et år siden ba ham ut Nathalie Imbruglia. Og han tenker på henne ennå...

• Han har en bakgrunn som sterkt kristen.

• Han hørte mye på A-ha som ung.

• Han er alltid klar for å bekymre seg om en ny ting, noe han visstnok har etter sin far.

• Han er konstant redd for å kaste bort folks tid med dårlig musikk. Hans mål er å lage musikk som gir lytterne verdifulle, musikalske øyeblikk.

• Det siste albumet er laget som om hver dag er den siste.

• Chris mener at Coldplay aldri vil bli så pene som gutta i Westlife, ei heller kapre deres publikum.

 

Er du Coldplay-fan ligger alt tilrette for deg på nett!

 

VAKKER: Chris Martin i Coldplay mener Morten Harket er «avvæpnende vakker».

Foto: TOM MARTINSEN

 

FAN AV A-HA: Coldplays Chris Martin sier han og bandet er inspirert av a-ha.

Foto: ESPEN RØST

 

annonse

Chris Martin i Coldplay har beundret Morten Harket siden 80-tallet.

 

LES OGSÅ:

Musikk

Rekord for gitarkamerat

Tilbake fra åttitallet

Sponsing er rock 'n' roll.

SINDRE HALKJELSVIK

Onsdag 20.04.2005, 11:22

oppdatert 11:31

LONDON (Dagbladet.no): Det var i et radiointervju tirsdag at Chris Martin røpet respekten for musikken til a-ha.

 

Han var der for å snakke om Coldplays nye singel Speed of Sound og den nye plata som kommer i juni. Men Martin var ifølge avisa The Sun mer interessert i å snakke om a-ha. Særlig albumet «Hunting High and Low» som kom ut i 1985.

 

- Jeg var i Amsterdam her om dagen, og satte på «Hunting High and Low». Jeg husket der og da hvor mye jeg elsket denne plata. Det er bare helt utrolig låtskriving, sa Martin.

 

Og han stoppet ikke med det:

 

- Alle spør oss alltid om hva som har inspirert Coldplay, hvem vi har stjålet fra og hvilken musikk vi hørte på når vi vokste opp. Slike spørsmål minner deg om hva som har påvirket deg. De første bandene jeg elsket var a-ha og James (Manchester-band som startet i 1982, journ.anm).

 

Om Morten Harket sier Martin:

 

- Det var måten Morten Harket brukte å tre forskjellige ting inn på håndleddet. Jeg gjør det sjøl fortsatt. Han er den mest avvæpnende vakre mannen du noen gang kommer til å møte.

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WorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYouWorshipFixYou

wow!this is great idea of a thread! :lol:

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:freak:

From wikipedia in dutch :P

 

In 1996 is de band opgericht op de universiteit van Londen, wanneer vier studenten besluiten een band op te richten. De band begon onder de naam Starfish maar die naam werd al snel veranderd in Coldplay. De naam Coldplay is overgenomen van een bevriend bandje wat onder die naam optrad. De originele band Coldplay had de naam uit de gedichtenbundel "Child's Reflections, Cold Play" van de dichter Philip Horky.

 

Al kort na hun ontmoeting op de Londense universiteit raken de vier studenten bevriend en delen hun passie voor muziek. De band die ontstaat heeft de volgende leden: Chris Martin (tekstschrijver, zang, piano, gitaar), Jon Buckland (tekstschrijver, leadgitaar), Guy Berryman (basgitaar) en Will Champion (drums, nadat hij de gitaar daarvoor had ingeruild).

 

In 1998 wordt een EP met drie tracks uitgebracht in een oplage van maar liefst 500 exemplaren... Hierdoor werden ze dat jaar uitgenodigd voor een optreden op het “In the city”-festival van Manchester. Daar werden ze gescout door een platenmaatschappij die hen vervolgens aanbied een single uit te brengen. De eerste single van Coldplay is Brothers & Sisters (1999) op het Fierce Panda label. Deze single bereikte nummer 92 in de Engelse hitlijsten. Daarna gaat het hard met de band. Ze worden ontdekt door een grote platenmaatschappij en in 2000 wordt het album Parachutes uitgebracht met onder andere de singles Yellow, Trouble en Don't Panic. In 2002 volgt het album A rush of blood to the head, waarvan de single Clocks uit 2003 de definitieve doorbraak van Coldplay betekent bij het grote publiek. Door hun diepgaande songteksten zoals in "The Scientist", hun melancholische sound en door het emotionele stemgeluid van zanger Chris Martin heeft Coldplay nu vele fans. Door hun uitgebreide steun aan organisaties als Make trade fair toont Coldplay hun maatschappelijke betrokkenheid.

 

Op 6 juni 2005 is het nieuwe album van ‘’Coldplay’’ verschenen: X&Y, dat gelijk de eerste plaats in de Nederlandse hitlijsten bezette. Op 7 juli 2005 gaf Coldplay een uitverkocht concert in het Gelredome in Arnhem als onderdeel van hun Twisted Logic tour. Van X&Y zijn de singles Speed of sound (#6), Fix you (# tip) en Talk (#1) inmiddels verschenen.

 

 

Inmiddels heeft ‘’Coldplay’’ een prijzenkast met 4 Grammy Awards, 4 Brit Award en de nodige gouden en platina albums en singles. De teller voor de wereldwijde verkoop van hun albums staat inmiddels boven de 17 miljoen .

  • Author

i started this thread yo fo shizzle yaw, so this thread shizzle bizzle is mine

 

Snoop Dogg (born Cordozar Calvin Broadus Jr. on October 20, 1971 in Long Beach, California) is a rapper, record producer, and actor. Snoop is best known as a famous MC in the West Coast hip hop scene, and for being one of producer Dr. Dre's most notable protégés. His mother nicknamed him "Snoopy" as a child, and he took the stage name Snoop Doggy Dogg when he began recording. He changed his name to Snoop Dogg in 1996, when he left his original record label, Death Row Records, and signed with No Limit Records. Several of his cousins, including RBX, Nate Dogg, and Daz Dillinger, are also hip hop artists and often collaborate with Snoop. As a rapper, he is perhaps best known for his “lazy drawl” — a slurred, distinctively calm, laid-back, and rhythmically-complex lyrical delivery[1].

 

Contents [hide]

1 Biography

1.1 Early years

1.2 Success with Death Row

1.3 Later years

2 Trivia

3 Discography and filmography

3.1 Solo albums

3.2 Top Singles

3.3 Selected filmography

4 Awards

4.1 Grammy Awards History

4.2 Others Won

4.3 Other Nominations

5 Endorsements and Products

6 See also

7 External links

 

 

 

[edit]

Biography

[edit]

Early years

Calvin Broadus was active in music from a young age, singing in his church choir. Outside of church, Broadus often found himself in trouble, both in school and with the law for selling/doing drugs. He later attended Long Beach Polytechnic High School[2], where he began participating in schoolyard freestyle MCing competitions.

 

[edit]

Success with Death Row

As a member of a local Crips gang in Long Beach, Snoop Dogg was in and out of jail for the three years after he graduated from high school. Pushed by older inmates to make something of himself, he began making homemade rap tapes with his cousin Nate Dogg, and best friend Warren G (stepbrother of Dr. Dre of N.W.A.). Originally, Nate's cousin Lil' 1/2 Dead was also part of the group, called 213, named after the Long Beach area code. This was largely in homage to Richie Rich's group 415, named for the (then) area code of Oakland, California. Dr. Dre began collaborating with the young rapper, first on the theme song of the film Deep Cover, and then on Dr. Dre's debut solo album The Chronic with the other members of his former starting group, Tha Dogg Pound.

 

Snoop Dogg's contribution to The Chronic was considerable: the rapper's rhymes were as present as Dre's. The huge success of Snoop's debut Doggystyle is largely due to this intense exposure.

 

While recording his own debut album Doggystyle with Dre in August of 1993, Snoop Dogg was arrested in the shooting death of Phillip Woldermarian, a member of a rival gang who was later revealed to have had a secret obsession with Snoop. He was eventually acquitted on both self defense grounds and because he allegedly drove the car while his bodyguard McKinley Lee fired the fatal shots (Lee was also acquitted on self defense grounds). Snoop remained entangled in the legal battles around the case for three years.

 

The Doggystyle album was released in November of 1993 on Death Row Records, and became the first debut album ever to enter the charts at number one, helping to fuel the ascendance of West Coast "G Funk" rap. The singles "What's My Name" and "Gin and Juice" went to the top ten, and the album remained in the charts for several months, even as controversy raged over the murder trial and his allegedly violent and sexist lyrics. Gangsta rap became the center of arguments for censorship and labeling, with Snoop often used as an example of violent and misogynistic musicians.

 

A short film about the trial called Murder Was the Case, and an accompanying soundtrack, were released in 1994. It is said, to Snoop's distress, that a lot of the hype surrounding his debut was generated by his well-publicized trial. Others argue that the Death Row crew knew that any publicity is good publicity, as this film was directed by Dr. Dre himself.

 

However, by the time Snoop's second album Tha Doggfather was released in November of 1996, both the furor and the popularity of gangsta rap had begun to fade, dragged down by the death of Snoop's friend Tupac Shakur and the racketeering indictment of Death Row co-founder Suge Knight. Dr. Dre had left Death Row earlier that year, and so Snoop co-produced the album himself with Daz Dillinger and DJ Pooh. The album sold two million copies.

 

[edit]

Later years

Snoop Dogg has since drawn back a bit from hardcore gangsta rap, performing with the alternative rock Lollapalooza tour in 1997, and making several film appearances, in addition to producing and directing music videos for himself and other artists. He released an autobiography in 2001. During this period he also released two albums on Master P's No Limit label, including Da Game Is to Be Sold Not to Be Told and No Limit Top Dogg. His last album on No Limit was 2000's Tha Last Meal. It featured a more laid-back style with a heavier emphasis on his 'pimp' lifestyle as opposed to his gangbanging lyrics on previous albums.

 

Snoop produced a pornographic film called Snoop Dogg's Doggystyle with Hustler magazine in 2001, where he combines hip hop music with X-rated material. From then on, many films of the genre followed, and finally ended up with founding the Snoopadelic Films company in 2005, Snoop's own movie production company debuting with Boss'n Up, a film inspired by R&G starring Lil Jon and Trina. [3]

 

In 2002, he announced that he was giving up drinking and drugs. Later that year he released the album Paid tha Cost to Be da Bo$$, which featured the hit singles and videos "From Da Chuuuch to Da Palace" and "Beautiful," featuring guest vocals by the Neptunes' Pharrell Williams.

 

On May 21, 2004, Snoop Dogg filed for divorce from his wife Shante Broadus, citing irreconcilable differences and seeking joint custody of their three children, Corde, Cordell, and Cori. They have since reconciled. Later that year, he recollaborated with his old friends Nate Dogg and Warren G, as part of the rap group 213 (who had previously released an album about a decade before), and they released a new album called The Hard Way, which featured the single "Groupie Luv", and reached #4 in the US Billboard 200 album charts.

 

In 2004, Snoop signed to the Star Trak record label, headed by the Neptunes, who produced several tracks for his 2004 release R&G (Rhythm & Gangsta) The Masterpiece. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became his first single to reach number one. His third release was "Signs", featuring Justin Timberlake & Charlie Wilson, which did not do as well.

 

Snoop Dogg recently announced to British Radio that his next album, The Blue Carpet Treatment, will feature production by long-time partner Dr. Dre, dispelling rumors of a rift between the two in recent times. In addition, Snoop will be featured on Dre's proclaimed (and much delayed) masterpiece Detox.

 

Snoop is particapting in a charity single written and produced by Michael Jackson. His part has reportedly allready been recorded. The single to be titled "I Have This Dream", and released in mid-late February 2006.

 

[edit]

Trivia

Snoop Dogg is famous for using slang invented by Frankie Smith and The Gap Band in the early eighties, and popularized in part by fellow rapper E-40,[4] much of which is simply derived by adding an "izz" or "-izzle" sound to the word. Some examples:

"Fo' Shizzle" = for sure, the real thing

"Nizzle" = nigga, perhaps an attempt at making it more palatable by altering it

"Mr. Swayne Dizzle" = Himself (His parody character of Sway (reporter on MTV) appeared in Doggy Fizzle Televizzle)

"Death Rizzow" = Death Row ("Gz And Hustlas" off "Doggystyle")

"Nate Dizzle" = Nate Dogg ("Ditty Dum Ditty Doo" off Nate Dogg's "Music And Me")

A large number of Snoop Dogg's songs mention "the LBC." This is a reference to the city of Long Beach, California. He and a group of associates from Long Beach's East Side formed the group Tha Eastsidaz, releasing both an album and a direct-to-video film under the name in 2000.

Snoop is a former member of the Rollin' 20 Crips gang in Long Beach, though he still has affiliations with the group. Goldie Loc of Tha Eastsidaz is also a former member of this gang, as are Warren G and Nate Dogg.

Snoop Dogg has his own show on XM Satellite Radio called "Welcome to Da Chuuch with Big Snoop Dogg." On December 8, 2005, he was named Executive Producer for XM's classic hip-hop channel, The Rhyme, and will provide the creative direction for the channel and assist in the development of new exclusive programming for The Rhyme as well as other channels. Also in that month, Snoop appeared in a comical TV commercial for XM with fellow XM celebrity DJ's Ellen DeGeneres and David Bowie which finds the rapper attempting to find one of his misplaced vanity necklaces; the punchline of the commercial reveals that Bowie had been wearing the jewelry, unbeknownst to Snoop.

Snoop Dogg is the most "well-connected" rapper of all time based on a study of the Massachusetts Institute of Technology [5]. This is counted from the album sales and the collaborations made so far. He collaborated with Pharrell Williams, Ludacris, Chingy, Charlie Wilson, Nelly, 50 Cent, Lil Jon, Trina, Lloyd Banks, Warren G, Nate Dogg, Soopafly, Master P, Dr. Dre, Justin Timberlake, Eminem and others.

[edit]

Discography and filmography

For a full listing of music and film projects, see Snoop Dogg discography and filmography.

 

[edit]

Solo albums

1993: Doggystyle (Death Row/Interscope) #1 US (3 weeks) (6x PlatinumRIAA), #38 UK (PlatinumBPI)

1996: Tha Doggfather (Death Row) #1 US (1 week) (2x Platinum), #15 UK

1998: Da Game Is to Be Sold Not to Be Told (No Limit/Priority) #1 US (2 weeks) (2x Platinum), #28 UK

1999: No Limit Top Dogg (No Limit/Priority) #2 US (Platinum)

2000: Dead Man Walkin' (Death Row) #24 US

2000: Tha Last Meal (No Limit/Priority) #4 US (PlatinumRIAA), #62 UK (GoldBPI)

2002: Snoop Dogg Presents...Doggy Style Allstars, Welcome to tha House Vol. 1 (Doggystyle) #19 US

2002: Paid tha Cost to Be da Bo$$ (Doggystyle/Priority/Capitol) #12 US (PlatinumRIAA), # 64 UK (GoldBPI)

2004: R&G (Rhythm & Gangsta) The Masterpiece (Doggystyle/Star Trak/Geffen) #6 US (PlatinumRIAA), #12 UK (PlatinumBPI)

2005: Welcome to tha Chuuch - Da Album (Doggystyle/Koch)

[edit]

Top Singles

Year Title Chart positions Album

US Hot 100 US R&B / Hip-Hop US Rap UK Singles Chart

1993 "Who Am I (What's My Name)?" #8 #8 #1 #20 Doggystyle

1993 "Gin and Juice" (feat. Daz Dillinger) #8 #13 #1 #39 Doggystyle

1994 "Doggy Dogg World" (feat. The Dramatics & Tha Dogg Pound) - - - #32 Doggystyle

1996 "Snoop's Upside Ya Head" (feat. Charlie Wilson) - - - #12 Tha Doggfather

1997 "Vapors" (feat. Charlie Wilson & Teena Marie) - - - #18 Tha Doggfather

1997 "We Just Wanna Party with You" (feat. Jermaine Dupri) - - - #21 Men in Black O.S.T.

1998 Tha Doggfather - - - #36 Tha Doggfather

1998 "Still a G Thang" #19 #16 #3 - Da Game Is to Be Sold Not to Be Told

2002 "From tha Chuuuch to da Palace" (feat. Pharrell) #77 #31 #16 #27 Paid tha Cost to Be da Bo$$

2003 "Beautiful" (feat. Pharrell & Uncle Charlie Wilson) #6 #3 #3 #23 Paid tha Cost to Be da Bo$$

2004 "Drop It Like It's Hot" (feat. Pharrell) #1 #1 #1 #10 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Let's Get Blown" #54 #19 #12 #13 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Signs" (feat. Charlie Wilson & Justin Timberlake) #46 - - #2 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Ups & Downs" (feat. The Bee Gees) - #67 - #36 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Real Soon" (as a member of DPGC including Nate Dogg) (free download to support clemency) - - - - Welcome to tha Chuuch - Da Album

2006 "Shake That Shit" (feat. Tiffany Foxxx and Young Watt)

Currently on LAUNCH Music Videos Top 100 (position : 35-82-...) - - - - Welcome to tha Chuuch - Da Album

[edit]

Selected filmography

I Got the Hook Up (1998)

Half Baked (1998)

Hot Boyz (1999)

Urban Menace (1999)

The Eastsidaz (2000) (also executive producer)

Crime Partners 2000 (2001)

Baby Boy (2001)

Training Day (2001)

Bones (2001)

The Wash (2001)

Pauly Shore Is Dead (2003)

Starsky & Hutch (2004)

Soul Plane (2004)

Boss'n Up (2005)

The Tenants (2006)

[edit]

Awards

[edit]

Grammy Awards History

Grammy Stats

 

Career Wins: 0

Career Nominations: 8

 

 

 

 

 

 

Snoop Dogg's Grammy History

Category Genre Song Year Result

Producer Of The Year, Non-Classical (for The Neptunes) Production, Non-classical "Let's Get Blown" (performer) / "Say Somethin'" (performer with Mariah Carey) 2006 Nominated

Best Rap Song songwriter (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Performance by a Duo or Group (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Song songwriter

(with Chad Hugo and Pharrell Williams) Rap "Beautiful" 2004 Nominated

Best Rap/Sung Collaboration (with Pharrell and Charlie Wilson) Rap "Beautiful" 2004 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "The Next Episode" 2001 Nominated

Rap Performance by a Duo or Group (with Dr. Dre) Rap "Still D.R.E." 2000 Nominated

Best Rap Solo Performance Rap "Gin and Juice" 1995 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "Nuthin' But a "G" Thang" 1994 Nominated

Best Rap Soloist (for Dr. Dre) Rap "Let Me Ride"(composer) 1993 WON

[edit]

Others Won

2005 MTV European Music Awards

Best Hip-Hop Artist.

2005 MOBO Awards

Best video ("Drop it Like It's Hot")

2004 Adult Video News awards

Top Selling Tape of 2003 ("Snoop Dogg's Hustlaz: Diary Of a Pimp")

2003 BET Awards

Best Collaboration (with Pharrell).

2002 Urban Fashion Awards

Best Celebrity Clothing Line ("Snoop Dogg Clothing")

2002 Adult Video News awards

Best Music soundtrack ("Snoop Dogg's Doggystyle")

Top Selling Tape of 2001 ("Snoop Dogg's Doggystyle")

1995 American Music Awards

Favorite Rap/Hip-Hop Artist.

1994 MTV Video Music Award

Best Rap Video. ("Doggy Dogg World")

1994 Source Awards

New Artist of the Year (Solo)

Lyricist of the Year.

[edit]

Other Nominations

2005 Radio Music Awards

Song of the Year/Urban and Rhythmic Radio ("Drop It Like It's Hot")

2005 Billboard Music Awards

Rap song of the year ("Drop It Like It's Hot")

2005 MTV European Music Awards

Best Male artist

Best song ("Signs")

2005 BET Awards

Video of the Year ( "Drop It Like It's Hot")

Best Collaboration ( "Drop It Like It's Hot")

Best Rap Artist

2005 World Music Awards

Best-Selling Male R&B Award

2005 MTV Video Music Awards

Video of the Year ("Drop It Like It's Hot")

Best Hip-Hop Video ("Drop It Like It's Hot")

Viewer's Choice ("Drop It Like It's Hot")

2005 MOBO Awards

Best Single ("Drop It Like It's Hot" with Pharrell).

2005 Soul Train Awards

("Drop It Like It's Hot")

2004 MTV Video Music Awards

Best Hip-Hop Video. ("Holidae Inn" with Chingy and Ludacris)

2004 MVPA Video Awards

Best Hip-Hop Video (Snoop Dogg feat. Pharrell Williams "Beautiful" / Prod Co: Partizan; Chris Robinson, dir.)

2003 BET Awards

Best Male Hip-Hop Artist

2003 California Music Awards

Outstanding hip-hop album ("Paid Tha Cost To Be Da Boss")

2003 MTV Video Music Awards

Best Hip-Hop Video ("Beautiful")

2003 Vibe Awards

Reelest video:"Beautiful"

Hottest hook:"Beautiful"

Coolest collaboration:"Beautiful"

2003 MVPA Video Awards

Soundtrack Video of the year (Snoop Dogg feat. Bootsy Collins - "Undercova Funk (Give Up the Funk)" from "Undercover Brother." Director: Gregory Dark. Production company: Atlas)

2001 1st Annual BET Awards (June 19, 2001):

Video of the Year ("The Next Episode" - Dr. Dre feat. Snoop Dogg, Nate Dogg)

2001 MTV Video Music Awards

Best Rap Video ("Lay Low")

[edit]

Endorsements and Products

"Snoop Doggs" - foot-long hot dogs manufactured in Massachusetts.

"Snoop Dogg Board Company (SDBC)." - Skateboards and Luggage fabrication company (with Pentagon Distribution)

"Pee Wee Football League" and "Snooperbowl" [6]

"Chronic Candy" - candy that tastes like marijuana (from Switzerland and is currently banned in some cities of US)

"Dogg Dayz" - fiction book (ISBN: 074327363X · Published by Atria) [7]

"Fear & Respect - PlayStation 2 video game (by Midway Games)

"Doggy Biscuitz" - shoe brand (in partnership with Pony International) [8]

"WRFF" - unique design scooters (in cooperation with Salton, Inc.) [9]

[edit]

See also

List of best-selling music artists

[edit]

External links

Wikiquote has a collection of quotations related to:

Snoop DoggOfficial Snoop Dogg website

Snoop Dogg fansite

Official Doggystyle Records website

Snoop Dog Translator (translates sites into Snoop Dogg slang)

Lyrics Translated by Snoop Dogg

Retrieved from "http://en.wikipedia.org/wiki/Snoop_Dogg"

 

Snoop Dogg (born Cordozar Calvin Broadus Jr. on October 20, 1971 in Long Beach, California) is a rapper, record producer, and actor. Snoop is best known as a famous MC in the West Coast hip hop scene, and for being one of producer Dr. Dre's most notable protégés. His mother nicknamed him "Snoopy" as a child, and he took the stage name Snoop Doggy Dogg when he began recording. He changed his name to Snoop Dogg in 1996, when he left his original record label, Death Row Records, and signed with No Limit Records. Several of his cousins, including RBX, Nate Dogg, and Daz Dillinger, are also hip hop artists and often collaborate with Snoop. As a rapper, he is perhaps best known for his “lazy drawl” — a slurred, distinctively calm, laid-back, and rhythmically-complex lyrical delivery[1].

 

Contents [hide]

1 Biography

1.1 Early years

1.2 Success with Death Row

1.3 Later years

2 Trivia

3 Discography and filmography

3.1 Solo albums

3.2 Top Singles

3.3 Selected filmography

4 Awards

4.1 Grammy Awards History

4.2 Others Won

4.3 Other Nominations

5 Endorsements and Products

6 See also

7 External links

 

 

 

[edit]

Biography

[edit]

Early years

Calvin Broadus was active in music from a young age, singing in his church choir. Outside of church, Broadus often found himself in trouble, both in school and with the law for selling/doing drugs. He later attended Long Beach Polytechnic High School[2], where he began participating in schoolyard freestyle MCing competitions.

 

[edit]

Success with Death Row

As a member of a local Crips gang in Long Beach, Snoop Dogg was in and out of jail for the three years after he graduated from high school. Pushed by older inmates to make something of himself, he began making homemade rap tapes with his cousin Nate Dogg, and best friend Warren G (stepbrother of Dr. Dre of N.W.A.). Originally, Nate's cousin Lil' 1/2 Dead was also part of the group, called 213, named after the Long Beach area code. This was largely in homage to Richie Rich's group 415, named for the (then) area code of Oakland, California. Dr. Dre began collaborating with the young rapper, first on the theme song of the film Deep Cover, and then on Dr. Dre's debut solo album The Chronic with the other members of his former starting group, Tha Dogg Pound.

 

Snoop Dogg's contribution to The Chronic was considerable: the rapper's rhymes were as present as Dre's. The huge success of Snoop's debut Doggystyle is largely due to this intense exposure.

 

While recording his own debut album Doggystyle with Dre in August of 1993, Snoop Dogg was arrested in the shooting death of Phillip Woldermarian, a member of a rival gang who was later revealed to have had a secret obsession with Snoop. He was eventually acquitted on both self defense grounds and because he allegedly drove the car while his bodyguard McKinley Lee fired the fatal shots (Lee was also acquitted on self defense grounds). Snoop remained entangled in the legal battles around the case for three years.

 

The Doggystyle album was released in November of 1993 on Death Row Records, and became the first debut album ever to enter the charts at number one, helping to fuel the ascendance of West Coast "G Funk" rap. The singles "What's My Name" and "Gin and Juice" went to the top ten, and the album remained in the charts for several months, even as controversy raged over the murder trial and his allegedly violent and sexist lyrics. Gangsta rap became the center of arguments for censorship and labeling, with Snoop often used as an example of violent and misogynistic musicians.

 

A short film about the trial called Murder Was the Case, and an accompanying soundtrack, were released in 1994. It is said, to Snoop's distress, that a lot of the hype surrounding his debut was generated by his well-publicized trial. Others argue that the Death Row crew knew that any publicity is good publicity, as this film was directed by Dr. Dre himself.

 

However, by the time Snoop's second album Tha Doggfather was released in November of 1996, both the furor and the popularity of gangsta rap had begun to fade, dragged down by the death of Snoop's friend Tupac Shakur and the racketeering indictment of Death Row co-founder Suge Knight. Dr. Dre had left Death Row earlier that year, and so Snoop co-produced the album himself with Daz Dillinger and DJ Pooh. The album sold two million copies.

 

[edit]

Later years

Snoop Dogg has since drawn back a bit from hardcore gangsta rap, performing with the alternative rock Lollapalooza tour in 1997, and making several film appearances, in addition to producing and directing music videos for himself and other artists. He released an autobiography in 2001. During this period he also released two albums on Master P's No Limit label, including Da Game Is to Be Sold Not to Be Told and No Limit Top Dogg. His last album on No Limit was 2000's Tha Last Meal. It featured a more laid-back style with a heavier emphasis on his 'pimp' lifestyle as opposed to his gangbanging lyrics on previous albums.

 

Snoop produced a pornographic film called Snoop Dogg's Doggystyle with Hustler magazine in 2001, where he combines hip hop music with X-rated material. From then on, many films of the genre followed, and finally ended up with founding the Snoopadelic Films company in 2005, Snoop's own movie production company debuting with Boss'n Up, a film inspired by R&G starring Lil Jon and Trina. [3]

 

In 2002, he announced that he was giving up drinking and drugs. Later that year he released the album Paid tha Cost to Be da Bo$$, which featured the hit singles and videos "From Da Chuuuch to Da Palace" and "Beautiful," featuring guest vocals by the Neptunes' Pharrell Williams.

 

On May 21, 2004, Snoop Dogg filed for divorce from his wife Shante Broadus, citing irreconcilable differences and seeking joint custody of their three children, Corde, Cordell, and Cori. They have since reconciled. Later that year, he recollaborated with his old friends Nate Dogg and Warren G, as part of the rap group 213 (who had previously released an album about a decade before), and they released a new album called The Hard Way, which featured the single "Groupie Luv", and reached #4 in the US Billboard 200 album charts.

 

In 2004, Snoop signed to the Star Trak record label, headed by the Neptunes, who produced several tracks for his 2004 release R&G (Rhythm & Gangsta) The Masterpiece. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became his first single to reach number one. His third release was "Signs", featuring Justin Timberlake & Charlie Wilson, which did not do as well.

 

Snoop Dogg recently announced to British Radio that his next album, The Blue Carpet Treatment, will feature production by long-time partner Dr. Dre, dispelling rumors of a rift between the two in recent times. In addition, Snoop will be featured on Dre's proclaimed (and much delayed) masterpiece Detox.

 

Snoop is particapting in a charity single written and produced by Michael Jackson. His part has reportedly allready been recorded. The single to be titled "I Have This Dream", and released in mid-late February 2006.

 

[edit]

Trivia

Snoop Dogg is famous for using slang invented by Frankie Smith and The Gap Band in the early eighties, and popularized in part by fellow rapper E-40,[4] much of which is simply derived by adding an "izz" or "-izzle" sound to the word. Some examples:

"Fo' Shizzle" = for sure, the real thing

"Nizzle" = nigga, perhaps an attempt at making it more palatable by altering it

"Mr. Swayne Dizzle" = Himself (His parody character of Sway (reporter on MTV) appeared in Doggy Fizzle Televizzle)

"Death Rizzow" = Death Row ("Gz And Hustlas" off "Doggystyle")

"Nate Dizzle" = Nate Dogg ("Ditty Dum Ditty Doo" off Nate Dogg's "Music And Me")

A large number of Snoop Dogg's songs mention "the LBC." This is a reference to the city of Long Beach, California. He and a group of associates from Long Beach's East Side formed the group Tha Eastsidaz, releasing both an album and a direct-to-video film under the name in 2000.

Snoop is a former member of the Rollin' 20 Crips gang in Long Beach, though he still has affiliations with the group. Goldie Loc of Tha Eastsidaz is also a former member of this gang, as are Warren G and Nate Dogg.

Snoop Dogg has his own show on XM Satellite Radio called "Welcome to Da Chuuch with Big Snoop Dogg." On December 8, 2005, he was named Executive Producer for XM's classic hip-hop channel, The Rhyme, and will provide the creative direction for the channel and assist in the development of new exclusive programming for The Rhyme as well as other channels. Also in that month, Snoop appeared in a comical TV commercial for XM with fellow XM celebrity DJ's Ellen DeGeneres and David Bowie which finds the rapper attempting to find one of his misplaced vanity necklaces; the punchline of the commercial reveals that Bowie had been wearing the jewelry, unbeknownst to Snoop.

Snoop Dogg is the most "well-connected" rapper of all time based on a study of the Massachusetts Institute of Technology [5]. This is counted from the album sales and the collaborations made so far. He collaborated with Pharrell Williams, Ludacris, Chingy, Charlie Wilson, Nelly, 50 Cent, Lil Jon, Trina, Lloyd Banks, Warren G, Nate Dogg, Soopafly, Master P, Dr. Dre, Justin Timberlake, Eminem and others.

[edit]

Discography and filmography

For a full listing of music and film projects, see Snoop Dogg discography and filmography.

 

[edit]

Solo albums

1993: Doggystyle (Death Row/Interscope) #1 US (3 weeks) (6x PlatinumRIAA), #38 UK (PlatinumBPI)

1996: Tha Doggfather (Death Row) #1 US (1 week) (2x Platinum), #15 UK

1998: Da Game Is to Be Sold Not to Be Told (No Limit/Priority) #1 US (2 weeks) (2x Platinum), #28 UK

1999: No Limit Top Dogg (No Limit/Priority) #2 US (Platinum)

2000: Dead Man Walkin' (Death Row) #24 US

2000: Tha Last Meal (No Limit/Priority) #4 US (PlatinumRIAA), #62 UK (GoldBPI)

2002: Snoop Dogg Presents...Doggy Style Allstars, Welcome to tha House Vol. 1 (Doggystyle) #19 US

2002: Paid tha Cost to Be da Bo$$ (Doggystyle/Priority/Capitol) #12 US (PlatinumRIAA), # 64 UK (GoldBPI)

2004: R&G (Rhythm & Gangsta) The Masterpiece (Doggystyle/Star Trak/Geffen) #6 US (PlatinumRIAA), #12 UK (PlatinumBPI)

2005: Welcome to tha Chuuch - Da Album (Doggystyle/Koch)

[edit]

Top Singles

Year Title Chart positions Album

US Hot 100 US R&B / Hip-Hop US Rap UK Singles Chart

1993 "Who Am I (What's My Name)?" #8 #8 #1 #20 Doggystyle

1993 "Gin and Juice" (feat. Daz Dillinger) #8 #13 #1 #39 Doggystyle

1994 "Doggy Dogg World" (feat. The Dramatics & Tha Dogg Pound) - - - #32 Doggystyle

1996 "Snoop's Upside Ya Head" (feat. Charlie Wilson) - - - #12 Tha Doggfather

1997 "Vapors" (feat. Charlie Wilson & Teena Marie) - - - #18 Tha Doggfather

1997 "We Just Wanna Party with You" (feat. Jermaine Dupri) - - - #21 Men in Black O.S.T.

1998 Tha Doggfather - - - #36 Tha Doggfather

1998 "Still a G Thang" #19 #16 #3 - Da Game Is to Be Sold Not to Be Told

2002 "From tha Chuuuch to da Palace" (feat. Pharrell) #77 #31 #16 #27 Paid tha Cost to Be da Bo$$

2003 "Beautiful" (feat. Pharrell & Uncle Charlie Wilson) #6 #3 #3 #23 Paid tha Cost to Be da Bo$$

2004 "Drop It Like It's Hot" (feat. Pharrell) #1 #1 #1 #10 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Let's Get Blown" #54 #19 #12 #13 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Signs" (feat. Charlie Wilson & Justin Timberlake) #46 - - #2 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Ups & Downs" (feat. The Bee Gees) - #67 - #36 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Real Soon" (as a member of DPGC including Nate Dogg) (free download to support clemency) - - - - Welcome to tha Chuuch - Da Album

2006 "Shake That Shit" (feat. Tiffany Foxxx and Young Watt)

Currently on LAUNCH Music Videos Top 100 (position : 35-82-...) - - - - Welcome to tha Chuuch - Da Album

[edit]

Selected filmography

I Got the Hook Up (1998)

Half Baked (1998)

Hot Boyz (1999)

Urban Menace (1999)

The Eastsidaz (2000) (also executive producer)

Crime Partners 2000 (2001)

Baby Boy (2001)

Training Day (2001)

Bones (2001)

The Wash (2001)

Pauly Shore Is Dead (2003)

Starsky & Hutch (2004)

Soul Plane (2004)

Boss'n Up (2005)

The Tenants (2006)

[edit]

Awards

[edit]

Grammy Awards History

Grammy Stats

 

Career Wins: 0

Career Nominations: 8

 

 

 

 

 

 

Snoop Dogg's Grammy History

Category Genre Song Year Result

Producer Of The Year, Non-Classical (for The Neptunes) Production, Non-classical "Let's Get Blown" (performer) / "Say Somethin'" (performer with Mariah Carey) 2006 Nominated

Best Rap Song songwriter (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Performance by a Duo or Group (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Song songwriter

(with Chad Hugo and Pharrell Williams) Rap "Beautiful" 2004 Nominated

Best Rap/Sung Collaboration (with Pharrell and Charlie Wilson) Rap "Beautiful" 2004 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "The Next Episode" 2001 Nominated

Rap Performance by a Duo or Group (with Dr. Dre) Rap "Still D.R.E." 2000 Nominated

Best Rap Solo Performance Rap "Gin and Juice" 1995 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "Nuthin' But a "G" Thang" 1994 Nominated

Best Rap Soloist (for Dr. Dre) Rap "Let Me Ride"(composer) 1993 WON

[edit]

Others Won

2005 MTV European Music Awards

Best Hip-Hop Artist.

2005 MOBO Awards

Best video ("Drop it Like It's Hot")

2004 Adult Video News awards

Top Selling Tape of 2003 ("Snoop Dogg's Hustlaz: Diary Of a Pimp")

2003 BET Awards

Best Collaboration (with Pharrell).

2002 Urban Fashion Awards

Best Celebrity Clothing Line ("Snoop Dogg Clothing")

2002 Adult Video News awards

Best Music soundtrack ("Snoop Dogg's Doggystyle")

Top Selling Tape of 2001 ("Snoop Dogg's Doggystyle")

1995 American Music Awards

Favorite Rap/Hip-Hop Artist.

1994 MTV Video Music Award

Best Rap Video. ("Doggy Dogg World")

1994 Source Awards

New Artist of the Year (Solo)

Lyricist of the Year.

[edit]

Other Nominations

2005 Radio Music Awards

Song of the Year/Urban and Rhythmic Radio ("Drop It Like It's Hot")

2005 Billboard Music Awards

Rap song of the year ("Drop It Like It's Hot")

2005 MTV European Music Awards

Best Male artist

Best song ("Signs")

2005 BET Awards

Video of the Year ( "Drop It Like It's Hot")

Best Collaboration ( "Drop It Like It's Hot")

Best Rap Artist

2005 World Music Awards

Best-Selling Male R&B Award

2005 MTV Video Music Awards

Video of the Year ("Drop It Like It's Hot")

Best Hip-Hop Video ("Drop It Like It's Hot")

Viewer's Choice ("Drop It Like It's Hot")

2005 MOBO Awards

Best Single ("Drop It Like It's Hot" with Pharrell).

2005 Soul Train Awards

("Drop It Like It's Hot")

2004 MTV Video Music Awards

Best Hip-Hop Video. ("Holidae Inn" with Chingy and Ludacris)

2004 MVPA Video Awards

Best Hip-Hop Video (Snoop Dogg feat. Pharrell Williams "Beautiful" / Prod Co: Partizan; Chris Robinson, dir.)

2003 BET Awards

Best Male Hip-Hop Artist

2003 California Music Awards

Outstanding hip-hop album ("Paid Tha Cost To Be Da Boss")

2003 MTV Video Music Awards

Best Hip-Hop Video ("Beautiful")

2003 Vibe Awards

Reelest video:"Beautiful"

Hottest hook:"Beautiful"

Coolest collaboration:"Beautiful"

2003 MVPA Video Awards

Soundtrack Video of the year (Snoop Dogg feat. Bootsy Collins - "Undercova Funk (Give Up the Funk)" from "Undercover Brother." Director: Gregory Dark. Production company: Atlas)

2001 1st Annual BET Awards (June 19, 2001):

Video of the Year ("The Next Episode" - Dr. Dre feat. Snoop Dogg, Nate Dogg)

2001 MTV Video Music Awards

Best Rap Video ("Lay Low")

[edit]

Endorsements and Products

"Snoop Doggs" - foot-long hot dogs manufactured in Massachusetts.

"Snoop Dogg Board Company (SDBC)." - Skateboards and Luggage fabrication company (with Pentagon Distribution)

"Pee Wee Football League" and "Snooperbowl" [6]

"Chronic Candy" - candy that tastes like marijuana (from Switzerland and is currently banned in some cities of US)

"Dogg Dayz" - fiction book (ISBN: 074327363X · Published by Atria) [7]

"Fear & Respect - PlayStation 2 video game (by Midway Games)

"Doggy Biscuitz" - shoe brand (in partnership with Pony International) [8]

"WRFF" - unique design scooters (in cooperation with Salton, Inc.) [9]

[edit]

See also

List of best-selling music artists

[edit]

External links

Wikiquote has a collection of quotations related to:

Snoop DoggOfficial Snoop Dogg website

Snoop Dogg fansite

Official Doggystyle Records website

Snoop Dog Translator (translates sites into Snoop Dogg slang)

Lyrics Translated by Snoop Dogg

Retrieved from "http://en.wikipedia.org/wiki/Snoop_Dogg"

Snoop Dogg (born Cordozar Calvin Broadus Jr. on October 20, 1971 in Long Beach, California) is a rapper, record producer, and actor. Snoop is best known as a famous MC in the West Coast hip hop scene, and for being one of producer Dr. Dre's most notable protégés. His mother nicknamed him "Snoopy" as a child, and he took the stage name Snoop Doggy Dogg when he began recording. He changed his name to Snoop Dogg in 1996, when he left his original record label, Death Row Records, and signed with No Limit Records. Several of his cousins, including RBX, Nate Dogg, and Daz Dillinger, are also hip hop artists and often collaborate with Snoop. As a rapper, he is perhaps best known for his “lazy drawl” — a slurred, distinctively calm, laid-back, and rhythmically-complex lyrical delivery[1].

 

Contents [hide]

1 Biography

1.1 Early years

1.2 Success with Death Row

1.3 Later years

2 Trivia

3 Discography and filmography

3.1 Solo albums

3.2 Top Singles

3.3 Selected filmography

4 Awards

4.1 Grammy Awards History

4.2 Others Won

4.3 Other Nominations

5 Endorsements and Products

6 See also

7 External links

 

 

 

[edit]

Biography

[edit]

Early years

Calvin Broadus was active in music from a young age, singing in his church choir. Outside of church, Broadus often found himself in trouble, both in school and with the law for selling/doing drugs. He later attended Long Beach Polytechnic High School[2], where he began participating in schoolyard freestyle MCing competitions.

 

[edit]

Success with Death Row

As a member of a local Crips gang in Long Beach, Snoop Dogg was in and out of jail for the three years after he graduated from high school. Pushed by older inmates to make something of himself, he began making homemade rap tapes with his cousin Nate Dogg, and best friend Warren G (stepbrother of Dr. Dre of N.W.A.). Originally, Nate's cousin Lil' 1/2 Dead was also part of the group, called 213, named after the Long Beach area code. This was largely in homage to Richie Rich's group 415, named for the (then) area code of Oakland, California. Dr. Dre began collaborating with the young rapper, first on the theme song of the film Deep Cover, and then on Dr. Dre's debut solo album The Chronic with the other members of his former starting group, Tha Dogg Pound.

 

Snoop Dogg's contribution to The Chronic was considerable: the rapper's rhymes were as present as Dre's. The huge success of Snoop's debut Doggystyle is largely due to this intense exposure.

 

While recording his own debut album Doggystyle with Dre in August of 1993, Snoop Dogg was arrested in the shooting death of Phillip Woldermarian, a member of a rival gang who was later revealed to have had a secret obsession with Snoop. He was eventually acquitted on both self defense grounds and because he allegedly drove the car while his bodyguard McKinley Lee fired the fatal shots (Lee was also acquitted on self defense grounds). Snoop remained entangled in the legal battles around the case for three years.

 

The Doggystyle album was released in November of 1993 on Death Row Records, and became the first debut album ever to enter the charts at number one, helping to fuel the ascendance of West Coast "G Funk" rap. The singles "What's My Name" and "Gin and Juice" went to the top ten, and the album remained in the charts for several months, even as controversy raged over the murder trial and his allegedly violent and sexist lyrics. Gangsta rap became the center of arguments for censorship and labeling, with Snoop often used as an example of violent and misogynistic musicians.

 

A short film about the trial called Murder Was the Case, and an accompanying soundtrack, were released in 1994. It is said, to Snoop's distress, that a lot of the hype surrounding his debut was generated by his well-publicized trial. Others argue that the Death Row crew knew that any publicity is good publicity, as this film was directed by Dr. Dre himself.

 

However, by the time Snoop's second album Tha Doggfather was released in November of 1996, both the furor and the popularity of gangsta rap had begun to fade, dragged down by the death of Snoop's friend Tupac Shakur and the racketeering indictment of Death Row co-founder Suge Knight. Dr. Dre had left Death Row earlier that year, and so Snoop co-produced the album himself with Daz Dillinger and DJ Pooh. The album sold two million copies.

 

[edit]

Later years

Snoop Dogg has since drawn back a bit from hardcore gangsta rap, performing with the alternative rock Lollapalooza tour in 1997, and making several film appearances, in addition to producing and directing music videos for himself and other artists. He released an autobiography in 2001. During this period he also released two albums on Master P's No Limit label, including Da Game Is to Be Sold Not to Be Told and No Limit Top Dogg. His last album on No Limit was 2000's Tha Last Meal. It featured a more laid-back style with a heavier emphasis on his 'pimp' lifestyle as opposed to his gangbanging lyrics on previous albums.

 

Snoop produced a pornographic film called Snoop Dogg's Doggystyle with Hustler magazine in 2001, where he combines hip hop music with X-rated material. From then on, many films of the genre followed, and finally ended up with founding the Snoopadelic Films company in 2005, Snoop's own movie production company debuting with Boss'n Up, a film inspired by R&G starring Lil Jon and Trina. [3]

 

In 2002, he announced that he was giving up drinking and drugs. Later that year he released the album Paid tha Cost to Be da Bo$$, which featured the hit singles and videos "From Da Chuuuch to Da Palace" and "Beautiful," featuring guest vocals by the Neptunes' Pharrell Williams.

 

On May 21, 2004, Snoop Dogg filed for divorce from his wife Shante Broadus, citing irreconcilable differences and seeking joint custody of their three children, Corde, Cordell, and Cori. They have since reconciled. Later that year, he recollaborated with his old friends Nate Dogg and Warren G, as part of the rap group 213 (who had previously released an album about a decade before), and they released a new album called The Hard Way, which featured the single "Groupie Luv", and reached #4 in the US Billboard 200 album charts.

 

In 2004, Snoop signed to the Star Trak record label, headed by the Neptunes, who produced several tracks for his 2004 release R&G (Rhythm & Gangsta) The Masterpiece. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became his first single to reach number one. His third release was "Signs", featuring Justin Timberlake & Charlie Wilson, which did not do as well.

 

Snoop Dogg recently announced to British Radio that his next album, The Blue Carpet Treatment, will feature production by long-time partner Dr. Dre, dispelling rumors of a rift between the two in recent times. In addition, Snoop will be featured on Dre's proclaimed (and much delayed) masterpiece Detox.

 

Snoop is particapting in a charity single written and produced by Michael Jackson. His part has reportedly allready been recorded. The single to be titled "I Have This Dream", and released in mid-late February 2006.

 

[edit]

Trivia

Snoop Dogg is famous for using slang invented by Frankie Smith and The Gap Band in the early eighties, and popularized in part by fellow rapper E-40,[4] much of which is simply derived by adding an "izz" or "-izzle" sound to the word. Some examples:

"Fo' Shizzle" = for sure, the real thing

"Nizzle" = nigga, perhaps an attempt at making it more palatable by altering it

"Mr. Swayne Dizzle" = Himself (His parody character of Sway (reporter on MTV) appeared in Doggy Fizzle Televizzle)

"Death Rizzow" = Death Row ("Gz And Hustlas" off "Doggystyle")

"Nate Dizzle" = Nate Dogg ("Ditty Dum Ditty Doo" off Nate Dogg's "Music And Me")

A large number of Snoop Dogg's songs mention "the LBC." This is a reference to the city of Long Beach, California. He and a group of associates from Long Beach's East Side formed the group Tha Eastsidaz, releasing both an album and a direct-to-video film under the name in 2000.

Snoop is a former member of the Rollin' 20 Crips gang in Long Beach, though he still has affiliations with the group. Goldie Loc of Tha Eastsidaz is also a former member of this gang, as are Warren G and Nate Dogg.

Snoop Dogg has his own show on XM Satellite Radio called "Welcome to Da Chuuch with Big Snoop Dogg." On December 8, 2005, he was named Executive Producer for XM's classic hip-hop channel, The Rhyme, and will provide the creative direction for the channel and assist in the development of new exclusive programming for The Rhyme as well as other channels. Also in that month, Snoop appeared in a comical TV commercial for XM with fellow XM celebrity DJ's Ellen DeGeneres and David Bowie which finds the rapper attempting to find one of his misplaced vanity necklaces; the punchline of the commercial reveals that Bowie had been wearing the jewelry, unbeknownst to Snoop.

Snoop Dogg is the most "well-connected" rapper of all time based on a study of the Massachusetts Institute of Technology [5]. This is counted from the album sales and the collaborations made so far. He collaborated with Pharrell Williams, Ludacris, Chingy, Charlie Wilson, Nelly, 50 Cent, Lil Jon, Trina, Lloyd Banks, Warren G, Nate Dogg, Soopafly, Master P, Dr. Dre, Justin Timberlake, Eminem and others.

[edit]

Discography and filmography

For a full listing of music and film projects, see Snoop Dogg discography and filmography.

 

[edit]

Solo albums

1993: Doggystyle (Death Row/Interscope) #1 US (3 weeks) (6x PlatinumRIAA), #38 UK (PlatinumBPI)

1996: Tha Doggfather (Death Row) #1 US (1 week) (2x Platinum), #15 UK

1998: Da Game Is to Be Sold Not to Be Told (No Limit/Priority) #1 US (2 weeks) (2x Platinum), #28 UK

1999: No Limit Top Dogg (No Limit/Priority) #2 US (Platinum)

2000: Dead Man Walkin' (Death Row) #24 US

2000: Tha Last Meal (No Limit/Priority) #4 US (PlatinumRIAA), #62 UK (GoldBPI)

2002: Snoop Dogg Presents...Doggy Style Allstars, Welcome to tha House Vol. 1 (Doggystyle) #19 US

2002: Paid tha Cost to Be da Bo$$ (Doggystyle/Priority/Capitol) #12 US (PlatinumRIAA), # 64 UK (GoldBPI)

2004: R&G (Rhythm & Gangsta) The Masterpiece (Doggystyle/Star Trak/Geffen) #6 US (PlatinumRIAA), #12 UK (PlatinumBPI)

2005: Welcome to tha Chuuch - Da Album (Doggystyle/Koch)

[edit]

Top Singles

Year Title Chart positions Album

US Hot 100 US R&B / Hip-Hop US Rap UK Singles Chart

1993 "Who Am I (What's My Name)?" #8 #8 #1 #20 Doggystyle

1993 "Gin and Juice" (feat. Daz Dillinger) #8 #13 #1 #39 Doggystyle

1994 "Doggy Dogg World" (feat. The Dramatics & Tha Dogg Pound) - - - #32 Doggystyle

1996 "Snoop's Upside Ya Head" (feat. Charlie Wilson) - - - #12 Tha Doggfather

1997 "Vapors" (feat. Charlie Wilson & Teena Marie) - - - #18 Tha Doggfather

1997 "We Just Wanna Party with You" (feat. Jermaine Dupri) - - - #21 Men in Black O.S.T.

1998 Tha Doggfather - - - #36 Tha Doggfather

1998 "Still a G Thang" #19 #16 #3 - Da Game Is to Be Sold Not to Be Told

2002 "From tha Chuuuch to da Palace" (feat. Pharrell) #77 #31 #16 #27 Paid tha Cost to Be da Bo$$

2003 "Beautiful" (feat. Pharrell & Uncle Charlie Wilson) #6 #3 #3 #23 Paid tha Cost to Be da Bo$$

2004 "Drop It Like It's Hot" (feat. Pharrell) #1 #1 #1 #10 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Let's Get Blown" #54 #19 #12 #13 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Signs" (feat. Charlie Wilson & Justin Timberlake) #46 - - #2 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Ups & Downs" (feat. The Bee Gees) - #67 - #36 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Real Soon" (as a member of DPGC including Nate Dogg) (free download to support clemency) - - - - Welcome to tha Chuuch - Da Album

2006 "Shake That Shit" (feat. Tiffany Foxxx and Young Watt)

Currently on LAUNCH Music Videos Top 100 (position : 35-82-...) - - - - Welcome to tha Chuuch - Da Album

[edit]

Selected filmography

I Got the Hook Up (1998)

Half Baked (1998)

Hot Boyz (1999)

Urban Menace (1999)

The Eastsidaz (2000) (also executive producer)

Crime Partners 2000 (2001)

Baby Boy (2001)

Training Day (2001)

Bones (2001)

The Wash (2001)

Pauly Shore Is Dead (2003)

Starsky & Hutch (2004)

Soul Plane (2004)

Boss'n Up (2005)

The Tenants (2006)

[edit]

Awards

[edit]

Grammy Awards History

Grammy Stats

 

Career Wins: 0

Career Nominations: 8

 

 

 

 

 

 

Snoop Dogg's Grammy History

Category Genre Song Year Result

Producer Of The Year, Non-Classical (for The Neptunes) Production, Non-classical "Let's Get Blown" (performer) / "Say Somethin'" (performer with Mariah Carey) 2006 Nominated

Best Rap Song songwriter (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Performance by a Duo or Group (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Song songwriter

(with Chad Hugo and Pharrell Williams) Rap "Beautiful" 2004 Nominated

Best Rap/Sung Collaboration (with Pharrell and Charlie Wilson) Rap "Beautiful" 2004 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "The Next Episode" 2001 Nominated

Rap Performance by a Duo or Group (with Dr. Dre) Rap "Still D.R.E." 2000 Nominated

Best Rap Solo Performance Rap "Gin and Juice" 1995 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "Nuthin' But a "G" Thang" 1994 Nominated

Best Rap Soloist (for Dr. Dre) Rap "Let Me Ride"(composer) 1993 WON

[edit]

Others Won

2005 MTV European Music Awards

Best Hip-Hop Artist.

2005 MOBO Awards

Best video ("Drop it Like It's Hot")

2004 Adult Video News awards

Top Selling Tape of 2003 ("Snoop Dogg's Hustlaz: Diary Of a Pimp")

2003 BET Awards

Best Collaboration (with Pharrell).

2002 Urban Fashion Awards

Best Celebrity Clothing Line ("Snoop Dogg Clothing")

2002 Adult Video News awards

Best Music soundtrack ("Snoop Dogg's Doggystyle")

Top Selling Tape of 2001 ("Snoop Dogg's Doggystyle")

1995 American Music Awards

Favorite Rap/Hip-Hop Artist.

1994 MTV Video Music Award

Best Rap Video. ("Doggy Dogg World")

1994 Source Awards

New Artist of the Year (Solo)

Lyricist of the Year.

[edit]

Other Nominations

2005 Radio Music Awards

Song of the Year/Urban and Rhythmic Radio ("Drop It Like It's Hot")

2005 Billboard Music Awards

Rap song of the year ("Drop It Like It's Hot")

2005 MTV European Music Awards

Best Male artist

Best song ("Signs")

2005 BET Awards

Video of the Year ( "Drop It Like It's Hot")

Best Collaboration ( "Drop It Like It's Hot")

Best Rap Artist

2005 World Music Awards

Best-Selling Male R&B Award

2005 MTV Video Music Awards

Video of the Year ("Drop It Like It's Hot")

Best Hip-Hop Video ("Drop It Like It's Hot")

Viewer's Choice ("Drop It Like It's Hot")

2005 MOBO Awards

Best Single ("Drop It Like It's Hot" with Pharrell).

2005 Soul Train Awards

("Drop It Like It's Hot")

2004 MTV Video Music Awards

Best Hip-Hop Video. ("Holidae Inn" with Chingy and Ludacris)

2004 MVPA Video Awards

Best Hip-Hop Video (Snoop Dogg feat. Pharrell Williams "Beautiful" / Prod Co: Partizan; Chris Robinson, dir.)

2003 BET Awards

Best Male Hip-Hop Artist

2003 California Music Awards

Outstanding hip-hop album ("Paid Tha Cost To Be Da Boss")

2003 MTV Video Music Awards

Best Hip-Hop Video ("Beautiful")

2003 Vibe Awards

Reelest video:"Beautiful"

Hottest hook:"Beautiful"

Coolest collaboration:"Beautiful"

2003 MVPA Video Awards

Soundtrack Video of the year (Snoop Dogg feat. Bootsy Collins - "Undercova Funk (Give Up the Funk)" from "Undercover Brother." Director: Gregory Dark. Production company: Atlas)

2001 1st Annual BET Awards (June 19, 2001):

Video of the Year ("The Next Episode" - Dr. Dre feat. Snoop Dogg, Nate Dogg)

2001 MTV Video Music Awards

Best Rap Video ("Lay Low")

[edit]

Endorsements and Products

"Snoop Doggs" - foot-long hot dogs manufactured in Massachusetts.

"Snoop Dogg Board Company (SDBC)." - Skateboards and Luggage fabrication company (with Pentagon Distribution)

"Pee Wee Football League" and "Snooperbowl" [6]

"Chronic Candy" - candy that tastes like marijuana (from Switzerland and is currently banned in some cities of US)

"Dogg Dayz" - fiction book (ISBN: 074327363X · Published by Atria) [7]

"Fear & Respect - PlayStation 2 video game (by Midway Games)

"Doggy Biscuitz" - shoe brand (in partnership with Pony International) [8]

"WRFF" - unique design scooters (in cooperation with Salton, Inc.) [9]

[edit]

See also

List of best-selling music artists

[edit]

External links

Wikiquote has a collection of quotations related to:

Snoop DoggOfficial Snoop Dogg website

Snoop Dogg fansite

Official Doggystyle Records website

Snoop Dog Translator (translates sites into Snoop Dogg slang)

Lyrics Translated by Snoop Dogg

Retrieved from "http://en.wikipedia.org/wiki/Snoop_Dogg"

Snoop Dogg (born Cordozar Calvin Broadus Jr. on October 20, 1971 in Long Beach, California) is a rapper, record producer, and actor. Snoop is best known as a famous MC in the West Coast hip hop scene, and for being one of producer Dr. Dre's most notable protégés. His mother nicknamed him "Snoopy" as a child, and he took the stage name Snoop Doggy Dogg when he began recording. He changed his name to Snoop Dogg in 1996, when he left his original record label, Death Row Records, and signed with No Limit Records. Several of his cousins, including RBX, Nate Dogg, and Daz Dillinger, are also hip hop artists and often collaborate with Snoop. As a rapper, he is perhaps best known for his “lazy drawl” — a slurred, distinctively calm, laid-back, and rhythmically-complex lyrical delivery[1].

 

Contents [hide]

1 Biography

1.1 Early years

1.2 Success with Death Row

1.3 Later years

2 Trivia

3 Discography and filmography

3.1 Solo albums

3.2 Top Singles

3.3 Selected filmography

4 Awards

4.1 Grammy Awards History

4.2 Others Won

4.3 Other Nominations

5 Endorsements and Products

6 See also

7 External links

 

 

 

[edit]

Biography

[edit]

Early years

Calvin Broadus was active in music from a young age, singing in his church choir. Outside of church, Broadus often found himself in trouble, both in school and with the law for selling/doing drugs. He later attended Long Beach Polytechnic High School[2], where he began participating in schoolyard freestyle MCing competitions.

 

[edit]

Success with Death Row

As a member of a local Crips gang in Long Beach, Snoop Dogg was in and out of jail for the three years after he graduated from high school. Pushed by older inmates to make something of himself, he began making homemade rap tapes with his cousin Nate Dogg, and best friend Warren G (stepbrother of Dr. Dre of N.W.A.). Originally, Nate's cousin Lil' 1/2 Dead was also part of the group, called 213, named after the Long Beach area code. This was largely in homage to Richie Rich's group 415, named for the (then) area code of Oakland, California. Dr. Dre began collaborating with the young rapper, first on the theme song of the film Deep Cover, and then on Dr. Dre's debut solo album The Chronic with the other members of his former starting group, Tha Dogg Pound.

 

Snoop Dogg's contribution to The Chronic was considerable: the rapper's rhymes were as present as Dre's. The huge success of Snoop's debut Doggystyle is largely due to this intense exposure.

 

While recording his own debut album Doggystyle with Dre in August of 1993, Snoop Dogg was arrested in the shooting death of Phillip Woldermarian, a member of a rival gang who was later revealed to have had a secret obsession with Snoop. He was eventually acquitted on both self defense grounds and because he allegedly drove the car while his bodyguard McKinley Lee fired the fatal shots (Lee was also acquitted on self defense grounds). Snoop remained entangled in the legal battles around the case for three years.

 

The Doggystyle album was released in November of 1993 on Death Row Records, and became the first debut album ever to enter the charts at number one, helping to fuel the ascendance of West Coast "G Funk" rap. The singles "What's My Name" and "Gin and Juice" went to the top ten, and the album remained in the charts for several months, even as controversy raged over the murder trial and his allegedly violent and sexist lyrics. Gangsta rap became the center of arguments for censorship and labeling, with Snoop often used as an example of violent and misogynistic musicians.

 

A short film about the trial called Murder Was the Case, and an accompanying soundtrack, were released in 1994. It is said, to Snoop's distress, that a lot of the hype surrounding his debut was generated by his well-publicized trial. Others argue that the Death Row crew knew that any publicity is good publicity, as this film was directed by Dr. Dre himself.

 

However, by the time Snoop's second album Tha Doggfather was released in November of 1996, both the furor and the popularity of gangsta rap had begun to fade, dragged down by the death of Snoop's friend Tupac Shakur and the racketeering indictment of Death Row co-founder Suge Knight. Dr. Dre had left Death Row earlier that year, and so Snoop co-produced the album himself with Daz Dillinger and DJ Pooh. The album sold two million copies.

 

[edit]

Later years

Snoop Dogg has since drawn back a bit from hardcore gangsta rap, performing with the alternative rock Lollapalooza tour in 1997, and making several film appearances, in addition to producing and directing music videos for himself and other artists. He released an autobiography in 2001. During this period he also released two albums on Master P's No Limit label, including Da Game Is to Be Sold Not to Be Told and No Limit Top Dogg. His last album on No Limit was 2000's Tha Last Meal. It featured a more laid-back style with a heavier emphasis on his 'pimp' lifestyle as opposed to his gangbanging lyrics on previous albums.

 

Snoop produced a pornographic film called Snoop Dogg's Doggystyle with Hustler magazine in 2001, where he combines hip hop music with X-rated material. From then on, many films of the genre followed, and finally ended up with founding the Snoopadelic Films company in 2005, Snoop's own movie production company debuting with Boss'n Up, a film inspired by R&G starring Lil Jon and Trina. [3]

 

In 2002, he announced that he was giving up drinking and drugs. Later that year he released the album Paid tha Cost to Be da Bo$$, which featured the hit singles and videos "From Da Chuuuch to Da Palace" and "Beautiful," featuring guest vocals by the Neptunes' Pharrell Williams.

 

On May 21, 2004, Snoop Dogg filed for divorce from his wife Shante Broadus, citing irreconcilable differences and seeking joint custody of their three children, Corde, Cordell, and Cori. They have since reconciled. Later that year, he recollaborated with his old friends Nate Dogg and Warren G, as part of the rap group 213 (who had previously released an album about a decade before), and they released a new album called The Hard Way, which featured the single "Groupie Luv", and reached #4 in the US Billboard 200 album charts.

 

In 2004, Snoop signed to the Star Trak record label, headed by the Neptunes, who produced several tracks for his 2004 release R&G (Rhythm & Gangsta) The Masterpiece. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became his first single to reach number one. His third release was "Signs", featuring Justin Timberlake & Charlie Wilson, which did not do as well.

 

Snoop Dogg recently announced to British Radio that his next album, The Blue Carpet Treatment, will feature production by long-time partner Dr. Dre, dispelling rumors of a rift between the two in recent times. In addition, Snoop will be featured on Dre's proclaimed (and much delayed) masterpiece Detox.

 

Snoop is particapting in a charity single written and produced by Michael Jackson. His part has reportedly allready been recorded. The single to be titled "I Have This Dream", and released in mid-late February 2006.

 

[edit]

Trivia

Snoop Dogg is famous for using slang invented by Frankie Smith and The Gap Band in the early eighties, and popularized in part by fellow rapper E-40,[4] much of which is simply derived by adding an "izz" or "-izzle" sound to the word. Some examples:

"Fo' Shizzle" = for sure, the real thing

"Nizzle" = nigga, perhaps an attempt at making it more palatable by altering it

"Mr. Swayne Dizzle" = Himself (His parody character of Sway (reporter on MTV) appeared in Doggy Fizzle Televizzle)

"Death Rizzow" = Death Row ("Gz And Hustlas" off "Doggystyle")

"Nate Dizzle" = Nate Dogg ("Ditty Dum Ditty Doo" off Nate Dogg's "Music And Me")

A large number of Snoop Dogg's songs mention "the LBC." This is a reference to the city of Long Beach, California. He and a group of associates from Long Beach's East Side formed the group Tha Eastsidaz, releasing both an album and a direct-to-video film under the name in 2000.

Snoop is a former member of the Rollin' 20 Crips gang in Long Beach, though he still has affiliations with the group. Goldie Loc of Tha Eastsidaz is also a former member of this gang, as are Warren G and Nate Dogg.

Snoop Dogg has his own show on XM Satellite Radio called "Welcome to Da Chuuch with Big Snoop Dogg." On December 8, 2005, he was named Executive Producer for XM's classic hip-hop channel, The Rhyme, and will provide the creative direction for the channel and assist in the development of new exclusive programming for The Rhyme as well as other channels. Also in that month, Snoop appeared in a comical TV commercial for XM with fellow XM celebrity DJ's Ellen DeGeneres and David Bowie which finds the rapper attempting to find one of his misplaced vanity necklaces; the punchline of the commercial reveals that Bowie had been wearing the jewelry, unbeknownst to Snoop.

Snoop Dogg is the most "well-connected" rapper of all time based on a study of the Massachusetts Institute of Technology [5]. This is counted from the album sales and the collaborations made so far. He collaborated with Pharrell Williams, Ludacris, Chingy, Charlie Wilson, Nelly, 50 Cent, Lil Jon, Trina, Lloyd Banks, Warren G, Nate Dogg, Soopafly, Master P, Dr. Dre, Justin Timberlake, Eminem and others.

[edit]

Discography and filmography

For a full listing of music and film projects, see Snoop Dogg discography and filmography.

 

[edit]

Solo albums

1993: Doggystyle (Death Row/Interscope) #1 US (3 weeks) (6x PlatinumRIAA), #38 UK (PlatinumBPI)

1996: Tha Doggfather (Death Row) #1 US (1 week) (2x Platinum), #15 UK

1998: Da Game Is to Be Sold Not to Be Told (No Limit/Priority) #1 US (2 weeks) (2x Platinum), #28 UK

1999: No Limit Top Dogg (No Limit/Priority) #2 US (Platinum)

2000: Dead Man Walkin' (Death Row) #24 US

2000: Tha Last Meal (No Limit/Priority) #4 US (PlatinumRIAA), #62 UK (GoldBPI)

2002: Snoop Dogg Presents...Doggy Style Allstars, Welcome to tha House Vol. 1 (Doggystyle) #19 US

2002: Paid tha Cost to Be da Bo$$ (Doggystyle/Priority/Capitol) #12 US (PlatinumRIAA), # 64 UK (GoldBPI)

2004: R&G (Rhythm & Gangsta) The Masterpiece (Doggystyle/Star Trak/Geffen) #6 US (PlatinumRIAA), #12 UK (PlatinumBPI)

2005: Welcome to tha Chuuch - Da Album (Doggystyle/Koch)

[edit]

Top Singles

Year Title Chart positions Album

US Hot 100 US R&B / Hip-Hop US Rap UK Singles Chart

1993 "Who Am I (What's My Name)?" #8 #8 #1 #20 Doggystyle

1993 "Gin and Juice" (feat. Daz Dillinger) #8 #13 #1 #39 Doggystyle

1994 "Doggy Dogg World" (feat. The Dramatics & Tha Dogg Pound) - - - #32 Doggystyle

1996 "Snoop's Upside Ya Head" (feat. Charlie Wilson) - - - #12 Tha Doggfather

1997 "Vapors" (feat. Charlie Wilson & Teena Marie) - - - #18 Tha Doggfather

1997 "We Just Wanna Party with You" (feat. Jermaine Dupri) - - - #21 Men in Black O.S.T.

1998 Tha Doggfather - - - #36 Tha Doggfather

1998 "Still a G Thang" #19 #16 #3 - Da Game Is to Be Sold Not to Be Told

2002 "From tha Chuuuch to da Palace" (feat. Pharrell) #77 #31 #16 #27 Paid tha Cost to Be da Bo$$

2003 "Beautiful" (feat. Pharrell & Uncle Charlie Wilson) #6 #3 #3 #23 Paid tha Cost to Be da Bo$$

2004 "Drop It Like It's Hot" (feat. Pharrell) #1 #1 #1 #10 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Let's Get Blown" #54 #19 #12 #13 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Signs" (feat. Charlie Wilson & Justin Timberlake) #46 - - #2 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Ups & Downs" (feat. The Bee Gees) - #67 - #36 R&G (Rhythm & Gangsta) The Masterpiece

2005 "Real Soon" (as a member of DPGC including Nate Dogg) (free download to support clemency) - - - - Welcome to tha Chuuch - Da Album

2006 "Shake That Shit" (feat. Tiffany Foxxx and Young Watt)

Currently on LAUNCH Music Videos Top 100 (position : 35-82-...) - - - - Welcome to tha Chuuch - Da Album

[edit]

Selected filmography

I Got the Hook Up (1998)

Half Baked (1998)

Hot Boyz (1999)

Urban Menace (1999)

The Eastsidaz (2000) (also executive producer)

Crime Partners 2000 (2001)

Baby Boy (2001)

Training Day (2001)

Bones (2001)

The Wash (2001)

Pauly Shore Is Dead (2003)

Starsky & Hutch (2004)

Soul Plane (2004)

Boss'n Up (2005)

The Tenants (2006)

[edit]

Awards

[edit]

Grammy Awards History

Grammy Stats

 

Career Wins: 0

Career Nominations: 8

 

 

 

 

 

 

Snoop Dogg's Grammy History

Category Genre Song Year Result

Producer Of The Year, Non-Classical (for The Neptunes) Production, Non-classical "Let's Get Blown" (performer) / "Say Somethin'" (performer with Mariah Carey) 2006 Nominated

Best Rap Song songwriter (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Performance by a Duo or Group (with Pharrell) Rap "Drop It Like It's Hot" 2005 Nominated

Best Rap Song songwriter

(with Chad Hugo and Pharrell Williams) Rap "Beautiful" 2004 Nominated

Best Rap/Sung Collaboration (with Pharrell and Charlie Wilson) Rap "Beautiful" 2004 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "The Next Episode" 2001 Nominated

Rap Performance by a Duo or Group (with Dr. Dre) Rap "Still D.R.E." 2000 Nominated

Best Rap Solo Performance Rap "Gin and Juice" 1995 Nominated

Best Rap Performance by a Duo or Group (with Dr. Dre) Rap "Nuthin' But a "G" Thang" 1994 Nominated

Best Rap Soloist (for Dr. Dre) Rap "Let Me Ride"(composer) 1993 WON

[edit]

Others Won

2005 MTV European Music Awards

Best Hip-Hop Artist.

2005 MOBO Awards

Best video ("Drop it Like It's Hot")

2004 Adult Video News awards

Top Selling Tape of 2003 ("Snoop Dogg's Hustlaz: Diary Of a Pimp")

2003 BET Awards

Best Collaboration (with Pharrell).

2002 Urban Fashion Awards

Best Celebrity Clothing Line ("Snoop Dogg Clothing")

2002 Adult Video News awards

Best Music soundtrack ("Snoop Dogg's Doggystyle")

Top Selling Tape of 2001 ("Snoop Dogg's Doggystyle")

1995 American Music Awards

Favorite Rap/Hip-Hop Artist.

1994 MTV Video Music Award

Best Rap Video. ("Doggy Dogg World")

1994 Source Awards

New Artist of the Year (Solo)

Lyricist of the Year.

[edit]

Other Nominations

2005 Radio Music Awards

Song of the Ye

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:D :P ;)

Smallville

Now beginning its fifth season on The WB, this new interpretation of the enduring Superman mythology and its classic characters blends realism and adventure into an exciting action series. This is the season that changes everything. Clark Kent (Tom Welling) finally begins to accept his destiny and takes giants leaps towards becoming the Man of Steel.

 

Fourteen years ago, a meteor shower burst from the heavens, raining destruction on the unsuspecting citizens of Smallville, Kansas. The intervening years have left the towns inhabitants with scars and secrets. From the ashes of tragedy, Clark Kent has grown into an awkward teen. While adolescence always brings its challenges, Clark's transition from boyhood to manhood has been particularly difficult. He has struggled to come to grips with his emerging superpowers - and the effects of various forms of kryptonite - while battling the strange things that have plagued this idyllic Midwest hamlet since the meteor shower.

 

In last season's finale, Clark, Lana (Kristin Kreuk) and Chloe (Allison Mack) graduated from high school but the day was less then celebratory after the military called for a forced evacuation of the town due to an impending meteor shower. Searching for answers, Clark once again turned to Jor-El and was told the only way to stop the impending disaster was to unite the three sacred crystals. After stealing the last one from Lex (Michael Rosenbaum), Clark brought all three together in the cave and immediately disappeared into a vortex that brought him to the arctic tundra. As season five begins, Clark unlocks the Fortress of Solitude and is given a new challenge by Jor-El. Desperate to return to Smallville, Clark makes a promise to his biological father that will soon come back to haunt him.

 

The guardians of Clark's secret identity have always been his adoptive parents, Jonathan (John Schneider, The Dukes of Hazzard) and Martha Kent (Annette O'Toole). However, this year, Clark learns that Chloe also knows his secret. After finding him in the Fortress of Solitude, Chloe admits to knowing about his powers and the two join up to fight injustice. While one part of Clark is thrilled to have someone to talk to about his powers, another remembers what happened with Pete and fears the same fate for Chloe. Meanwhile, Chloe joins the Daily Planet as an intern, which provides her with new resources to help Clark.

 

With Clark in college now, Jonathan and Martha are able to finally pursue their own lives. While Martha continues to run the Talon, Jonathan gets a visit from an old friend (Tom Wopat, The Dukes of Hazzard) who convinces him to run for mayor against Lex. An enthusiastic Lois Lane (Erica Durance) jumps on the bandwagon and immediately takes over as Jonathan's campaign manager. On board to save his town from the Luthors, Jonathan also knows this sudden spotlight could be dangerous to Clark, as his past will become public record.

 

Clark and Lana finally surrender to their long unrequited love and consummate their relationship after declaring their love for each other. Happy in love, but feeling the need for something more, Lana begins to explore her options outside of Smallville. Originally intending to skip college for a year, Lana rethinks her decision once she sees Chloe and Clark leave for school. After promising things won't change between them, Lana leaves Clark behind and heads off to live in Metropolis with Chloe, making it a struggle to beat the odds and stay together.

 

Over the years, Clark has forged a remarkable relationship with Lex Luthor though neither has an inkling of how their destinies will ultimately collide. Lex has constantly fought his destiny and turn to the dark side. This year he loses that battle. The Lex Luthor of comic lore has arrived and this season Clark and Lex become mortal enemies.

 

The arrival of DC Comic villain Milton Fine, aka Brainiac (James Marsters, Angel), exacerbates the situation between Clark and Lex. Fine recruits Clark to be his research assistant and provides him with top-secret information about Lex's immoral Luthorcorp experiments. His arrival on Earth was no accident. Fine was born out of the spaceship that landed after the meteor shower. Who sent him and why proves to be a life-altering revelation for Clark as he finally learns why he was sent to Earth and what happened to his biological parents and home planet.

 

Clark comes face to face with another DC Comic hero this season. Aquaman swims into Smallville, and into Lois' heart, after saving her from drowning. After witnessing one of Lex's experiments cause irreparable harm to the marine life, AC, a young man with special powers, uses Lois' military connections to save the ocean and all its inhabitants by destroying Lex's secret underwater lab. Wanting Clark to join him in stopping Luthorcorp, AC shows Clark proof of Lex's wrongdoings, which sends Clark reeling.

 

Reinterpreting the Superman mythology from its roots, Smallville was developed for television by Alfred Gough & Miles Millar (Shanghai Noon, Spiderman 2), based on the DC Comics characters. Gough and Millar serve as executive producers, along with Greg Beeman, Ken Horton, Mike Tollin, Brian Robbins and Joe Davola. The series is produced by Tollin/Robbins Productions, Millar/Gough Ink and Warner Bros. Television Production Inc. SUPERMAN was created by Jerry Siegel and Joe Schuster.

wow, I'm so sleepy...

:snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore: :snore:

now that's for people who really have no clue about coldplay's (album songs) lyrics:

:dead: :dead: :dead: :dead: :dead: :dead: :dead: :dead: :dead:

I guess this was already posted by a kind person but as u can see my bling value si really really low, i mean it tends to 0.0000000 and this is absolutely horrible horrible.. btw, what's the bling usefull for??

 

 

Parachutes

 

Don’t Panic

 

Bones, sinking like stones,

All that we fought for,

Homes, places we've grown,

All of us are done for.

 

And we live in a beautiful world,

Yeah we do, yeah we do,

We live in a beautiful world,

 

Bones, sinking like stones,

All that we fought for,

And homes, places we've grown,

All of us are done for.

 

And we live in a beautiful world,

Yeah we do, yeah we do,

We live in a beautiful world.

 

Here we go, here we go

 

And we live in a beautiful world,

Yeah we do, yeah we do,

We live in a beautiful world.

 

Oh, all that I know,

There's nothing here to run from,

'Cause everybody here's got somebody to lean on.

 

 

Shiver

 

So I look in your direction

But you pay me no attention do you

I know you don't listen to me

'Cause you say you see straight through me don't you

 

But on and on, from the moment I wake

'Till the moment I sleep

I'll be there by your side

Just you try and stop me

I'll be waiting in line

Just to see if you care

 

Did you want me to change

Well I changed for good

And I want you to know

That you'll always get your way

I wanted to say

 

Don't you shiver

Shiver

Sing it loud and clear

I'll always be waiting for you

 

So you know how much I need you

But you never even see me do you

And is this my final chance of getting you

 

But on and on, from the moment I wake

'Till the moment I sleep

I'll be there by your side

Just you try and stop me

I'll be waiting in line

Just to see if you care

 

Did you want me to change

Well I changed for good

And I want you to know

That you'll always get your way

I wanted to say

 

Don't you shiver

Don't you shiver

Sing it loud and clear

I'll always be waiting for you

 

Yeah I'll always be waiting for you

Yeah I'll always be waiting for you

Yeah I'll always be waiting for you

For you

I will always be waiting

 

And it's you I see

But you don't see me

And it's you I hear

So loud and clear

I sing it loud and clear

And I'll always be waiting for you

 

So I look in your direction

But you pay me no attention

And you know how much I need you

But you never even see me

 

 

Spies

 

I awake to find no peace of mind

I said, how do you live as a fugitive

Down here where I cannot see so clear

I said, what do I know

Show me the right way to go

 

And the spies came out of the water

But you're feeling so bad 'cause you know

That the spies hide out in every corner

But you can't touch them no

'Cause they're all spies

 

They're all spies

 

I awake to see that no one is free

We're all fugitives

Look at the way we live

Down here, I cannot sleep from fear, no

I said, which way do I turn

Oh, I forget everything I learn

 

That the spies came out of the water

But you're feeling so bad cause you know

Though spies hide out in every corner

But you can't touch them, no

'Cause they're all spies

 

They're all spies

 

And if we don't hide here

They're going to find us

If we don't hide now

They're gonna catch us where we sleep

And if we don't hide here

They're gonna find us

 

But the spies came out of the water

But you're feeling so good cause you know

Though spies hide out in every corner

That they can't touch you, no

'Cause they're just spies

 

They're just spies

They're just spies

They're just spies

They're just spies

 

 

Sparks

 

Did I drive you away?

I know what you’ll say,

You say, “Oh, sing one we know,”

But I promise you this,

I’ll always look out for you,

That’s what I’ll do.

 

I say “oh,”, I say “oh.”

 

My heart is yours,

It’s you that I hold on to,

That’s what I do,

And I know I was wrong,

But I won’t let you down,

(Oh yeah, oh yeah, oh yeah, yeah I will, yes I will…)

 

I say “oh,” I cry “oh.”

 

Yeah I saw sparks,

Yeah I saw sparks,

And I saw sparks,

Yeah I saw sparks,

 

Sing it out.

 

La, la, la, la, oh…

La, la, la, la, oh…

La, la, la, la, oh…

 

Yellow

 

Look at the stars,

Look how they shine for you,

And everything you do,

Yeah, they were all yellow.

 

I came along,

I wrote a song for you,

And all the things you do,

And it was called "Yellow."

 

So then I took my turn,

Oh what a thing to have done,

And it was all "Yellow."

 

Your skin

Oh yeah, your skin and bones,

Turn into something beautiful,

You know, you know I love you so,

You know I love you so.

 

I swam across,

I jumped across for you,

Oh what a thing to do.

 

Cos you were all "Yellow,"

I drew a line,

I drew a line for you,

Oh what a thing to do,

And it was all "Yellow."

 

Your skin,

Oh yeah your skin and bones,

Turn into something beautiful,

And you know

For you I'd bleed myself dry

For you I'd bleed myself dry

 

It's true, look how they shine for you,

Look how they shine for you,

Look how they shine for,

Look how they shine for you,

Look how they shine for you,

Look how they shine.

 

Look at the stars,

Look how they shine for you,

And all the things that you do.

 

Trouble

 

Oh no, I see,

A spider web is tangled up with me,

And I lost my head,

The thought of all the stupid things I said,

Oh no what's this?

A spider web, and I'm caught in the middle,

So I turned to run,

The thought of all the stupid things I've done,

 

I never meant to cause you trouble,

And I never meant to do you wrong,

And I, well if I ever caused you trouble,

Oh no, I never meant to do you harm.

 

Oh no I see,

A spider web and it's me in the middle,

So I twist and turn,

But here I am in my little bubble,

 

Singing, I never meant to cause you trouble,

I never meant to do you wrong,

And I, well if I ever caused you trouble,

Oh no, I never meant to do you harm.

 

They spun a web for me,

They spun a web for me,

They spun a web for me.

 

 

Parachutes

 

In a haze, a stormy haze, I’ll be round

I’ll be loving you always, always.

Here I am and I’ll take my time

Here I am and I’ll wait in line always

Always.

 

High Speed

 

Can anybody fly this thing?

Before my head explodes,

Or my head starts to ring.

 

We’ve been living life inside a bubble,

We’ve been living life inside a bubble.

 

Confidence in you,

Is confidence in me,

Is confidence in high speed.

 

Can anybody stop this thing?

Before my head explodes,

Or my head starts to ring.

 

We’ve been living life inside a bubble,

We’ve been living life inside a bubble.

 

Confidence in you,

Is confidence in me,

Is confidence in high speed.

 

In high speed,

High speed.

 

And high speed you on

High speed you on

High speed you on

High speed you on

 

 

We Never Change

 

I want to live life, and never be cruel

I wanna live life, and be good to you

 

And I wanna fly

I'll never come down

And live my life

And have friends around

 

We never change do we no, no

We never learn do we

So I wanna live, in a wooden house

I wanna live life, and always be true

I wanna live life, and be good to you

 

And I wanna fly

But never come down

And live my life

And have friends around

 

We never change do we

We never learn do we

So I wanna live in a wooden house

And making more friends would be easy

 

Oh, and I don't have a soul to save

Yes and I sin every single day

We never change do we

We never learn do we

 

So I want to live in a wooden house

Where making more friends would be easy

I wanna live where the sun comes out

 

 

Everything's Not Lost

 

When I counted up my demons,

Saw there was one for everyday.

With the good ones on my shoulder,

I drove the other ones away.

 

So if you ever feel neglected,

And if you think all is lost,

I'll be counting up my demons, yeah,

Hoping everything's not lost.

 

When you thought that it was over,

You could feel it all around.

Everybody's out to get you,

Don't you let it drag you down.

 

If you ever feel neglected,

And if you think all is lost.

I'll be counting up my demons, yeah,

Hoping everything's not lost.

 

If you ever feel neglected,

And if you think all is lost.

I'll be counting up my demons, yeah,

Hoping everythings not lost.

 

Sing out oh oh oh yeah

Oh oh yeah

Oh oh yeah

Everything's not lost

Come on yeah

Oh oh yeah

Come on yeah

Everything's not lost

Oh oh yeah

Oh oh yeah

Oh oh yeah

Everything's not lost

Come on yeah

Oh oh yeah

Come on yeah

Come on yeah

Oh oh yeah

Come on yeah

Everything's not lost

Sing out yeah

Oh oh yeah

Come on yeah

Everyting's not lost

Come on yeah

Oh oh yeah

Sing out yeah

Everything's not lost

 

 

Life is for living

 

Now I never meant,

To do you wrong,

That’s what I came here to say.

 

But if I was wrong,

Then I’m sorry,

I don’t let it stand in our way.

 

As my head just aches,

When I think of,

The things that I shouldn’t have done.

 

But, life is for living,

We all know,

And I don’t wanna live it alone.

 

Sing,

Ah, ah, oh,

Sing,

Ah, ah, oh,

 

And just think,

Ah, ah, oh.

 

 

 

A rush of blood to the head

 

 

Politik

 

Look at earth from outer space

Everyone must find a place

Give me time and give me space

Give me real, don't give me fake

 

Give me strength, reserve control

Give me heart and give me soul

Give me time give us a kiss

Tell me your own politik

 

And open up your eyes

Open up your eyes

Open up your eyes

Open up your eyes

 

Give me one, 'cause one is best

In confusion, confidence

Give me peace of mind and trust

Don't forget the rest of us

Give me strength, reserve control

Give me heart and give me soul

Wounds that heal and cracks that fix

Tell me your own politik

 

And open up your eyes

Open up your eyes

Open up your eyes

Open up your eyes

Just open up your eyes

 

But give me love over, love over, love over this, I ...

And give me love over, love over, love over this, I ...

 

In My Place

 

In my place, in my place,

Were lines that I couldn't change,

I was lost, oh yeah.

 

I was lost, I was lost,

Crossed lines I shouldn't have crossed,

I was lost, oh yeah.

 

And yeah, how long must you wait for it?

Yeah, how long must you pay for it?

Yeah, how long must you wait for it?

 

I was scared, I was scared,

Tired and under prepared,

But I wait for it.

 

And if you go, if you go,

Leave me down here on my own,

Then I'll wait for you, yeah.

 

Yeah, how long must you wait for it?

Yeah, how long must you pay for it?

Yeah, how long must you wait for it?

Oh for it

 

Sing it please, please, please,

Come back and sing to me,

To me, me.

 

Come on and sing it out, now, now.

Come on and sing it out

To me, me

Come back and sing.

 

In my place, in my place,

Were lines that I couldn't change,

I was lost, oh yeah.

Oh yeah.

 

 

God Put A Smile Upon Your Face

 

Where do we go, nobody knows

I've got to say I'm on my way down

God give me style and give me grace

God put a smile upon my face

 

Where do we go to draw the line

I've got to say I wasted all your time

Oh honey honey

Where do I go to fall from grace

God put a smile upon your face yeah

 

And ah, when you work it out I'm worse than you

Yeah, when you work it out I wanted to

And ah, when you work out where to draw the line

Your guess is as good as mine

 

Where do we go, nobody knows

Don't ever say you're on your way down when

God gave you style and gave you grace,

And put a smile upon your face oh yeah

 

And ah, when you work it out I'm worse than you

Yeah, when you work it out I want it to

And ah, when you work out where to draw the line

Your guess is as good as mine.

 

It's as good as mine, It's as good as mine

It's as good as mine

 

As good as mine, as good as mine,

As good as mine, as good as mine

 

Where do we go, nobody knows

Don't ever say you're on your way down when

God gave you style and gave you grace

And put a smile upon your face

 

The Scientist

 

Come up to meet you, tell you I'm sorry

You don't know how lovely you are

 

I had to find you

Tell you I need you

Tell you I set you apart

 

Tell me your secrets

And ask me your questions

Oh let's go back to the start

 

Running in circles

Coming up tails

Heads on a silence apart

 

Nobody said it was easy

It's such a shame for us to part

Nobody said it was easy

No one ever said it would be this hard

 

Oh take me back to the start

 

I was just guessing

At numbers and figures

Pulling your puzzles apart

 

Questions of science

Science and progress

Do not speak as loud as my heart

 

Tell me you love me

Come back and haunt me

Oh and I rush to the start

 

Running in circles

Chasing our tails

Coming back as we are

 

Nobody said it was easy

Oh it's such a shame for us to part

Nobody said it was easy

No one ever said it would be so hard

 

I'm going back to the start

 

 

Clocks

 

The lights go out and I can't be saved

Tides that I tried to swim against

Have brought me down upon my knees

Oh I beg, I beg and plead singing

 

Come out of things unsaid

Shoot an apple off my head and a

Trouble that cant be named

A tiger's waiting to be tamed singing

 

You are

You are

 

Confusion never stops

Closing walls and ticking clocks

Gonna come back and take you home

I could not stop that you now know singing

 

Come out upon my seas,

Cursed missed opportunities

Am I a part of the cure

Or am I part of the disease, singing

 

You are, you are, you are

You are, you are, you are

 

And nothing else compares

And nothing else compares

And nothing else compares

 

You are

You are

 

Home, home where I wanted to go

Home, home where I wanted to go

Home, home where I wanted to go

Home, home where I wanted to go

 

Daylight

 

To my surprise

And my delight

I saw a sunrise

I saw a sunlight.

 

I am nothing

In the dark

And the clouds burst

To show the daylight

 

Oooh and the sun will shine

Yeah on this heart of mine

Ooooh and I realise

Who cannot live without

Ooooh come apart without

 

On a hilltop

On a sky-rise

Like a firstborn

Child

 

And at full tilt

And in full flight

Defeat darkness

Breaking daylight

 

Oooh and the sun will shine

Yeah on this heart of mine

Ooooh and I realise

Who cannot live without

Ooooh and come apart without

Daylight

 

Slowly breaking through the daylight X10

 

Green Eyes

 

Honey you are a rock

Upon which I stand

And I come here to talk

I hope you understand

 

The green eyes

Yeah the spotlight

Shines upon you

 

And how could

Anybody

Deny you

 

I came here with a load

And it feels so much lighter

Now I met you

 

Honey you should know

That I could never go on

Without you

 

Green eyes

 

Honey you are the sea

Upon which I float

And I came here to talk

I think you should know

 

That green eyes

You're the one that I wanted to find

And anyone who tried to deny you,

Must be out of their mind

 

Because I came here with a load

And it feels so much lighter since I met you

 

And honey you should know,

That I could never go on

Without you

 

Green eyes, green eyes, ohohoh...

 

Honey you are a rock

Upon which I stand.

 

A Warning Sign

 

A warning sign

I missed the good part then I realised

I started looking and the bubble burst

I started looking for excuses

 

Come on in

I've got to tell you what a state I'm in

I've got to tell you in my loudest tones

That I started looking for a warning sign

 

When the truth is

I miss you

Yeah the truth is

That I miss you so.

 

A warning sign

You came back to haunt me and I realised

That you were an island and I passed you by

When you were an island to discover

 

Come on in

I've got to tell you what a state I'm in

I've got to tell you in my loudest tones

That I started looking for a warning sign

 

When the truth is

I miss you

Yeah the truth is

That I miss you so

 

And I'm tired

I should not have let you go

 

So I crawl back into your open arms

Yes I crawl back into your open arms

And I crawl back into your open arms

Yes I crawl back into your open arms

 

A Whisper

 

A whisper, a whisper, a whisper, a whisper

A whisper, a whisper, a whisper, a whisper

 

I hear the sound of the ticking of clocks

Who remembers your face

Who remember you when you are gone

 

I hear the sound of the ticking of clocks

Come back and look for me, look for me

When I am lost

 

Just a whisper, a whisper, a whisper, a whisper

Just a whisper, a whisper, a whisper, a whisper

 

Night turns to day

And I still have these questions

Bridges will break

Should I go forwards or backwards.

Night turns to day,

And I still get no answers

 

Just a whisper, a whisper, a whisper, a whisper

Just a whisper, a whisper, a whisper, a whisper

 

I hear the sound of the ticking of clocks

Who remember your face

Who remembers you when you are gone

 

I hear the sound of the ticking of clocks

Come back and look for me, look for me

When I am lost

 

Just a whisper, a whisper, a whisper, a whisper

Just a whisper, a whisper, a whisper, a whisper

 

 

A Rush Of Blood To The Head

 

He said I'm gonna buy this place and burn it down

I'm gonna put it six feet underground

He said "I'm gonna buy this place and watch it fall

Stand here beside me baby in the crumbling walls

 

Oh I'm gonna buy this place and start a fire

Stand here until I fill all your heart's desires

Because I'm gonna buy this place and see it burn

Do back the things it did to you in return

 

Ah ah ah, ah ah ah...

 

He said I'm gonna buy a gun and start a war

If you can tell me something worth fighting for

Oh and I'm gonna buy this place that's what I said

Blame it upon a rush of blood to the head

 

Honey

All the movements you're starting to make

See me crumble and fall on my face

And I know the mistakes that I made

See it all disappear without a trace.

And they call as they beckon you on

They said start as you mean to go on

Start as you mean to go on

 

He said "I'm gonna buy this place and see it go

Stand here beside my baby, watch the orange glow

Some will laugh and some just sit and cry

But you just sit down there and you wonder why

 

So I'm gonna buy a gun and start a war

If you can tell me something worth fighting for

And I'm gonna buy this place that's what I said

Blame it upon a rush of blood to the head

Oh to the head

 

Honey

All the movements you're starting to make

See me crumble and fall on my face

And I know the mistakes that I made

See it all disappear without a trace.

And they call as they beckon you on

They said start as you mean to go on

As you mean to go on, as you mean to go on

 

So meet me by the bridge,

Oh meet me by the lane

When am I going to see

That pretty face again

 

Meet me on the road

Meet me where I said

Blame it all upon

A rush of blood to the head

 

Amsterdam

 

Come on, oh my star is fading

And I swerve out of control

If I, if I'd only waited

I'd not be stuck here in this hole.

 

Come here, oh my star is fading

And I swerve out of control

And I swear I waited and waited,

I've got to get out of this hole

 

But time is on your side

It's on your side now

Not pushing you down and all around

It's no cause for concern

 

Come on, oh my star is fading

And I see no chance of release

I know I'm dead on the surface

But I'm screaming underneath

 

And time is on your side

It's on your side now

Not pushing you down and all around

It's no cause for concern

 

Stuck on the end of this ball and chain

And I'm on my way back down again

Stood on a bridge, tied to a noose

Sick to the stomach

You can say what you mean

But it won't change a thing

I'm sick of the secrets

 

Stood on the edge

Tied to a noose

You came along

And you cut me loose

 

You came along

And you cut me loose

You came along

And you cut me loose

 

 

 

X & Y

 

Square one

 

You’re in control

Is there anywhere you want to go

You’re in control

Is there anything you want to know

The future’s for discovering

The space in which we're travelling

 

From the top of the first page

To the end of the last day

From the start in your own way

You just want

Somebody listening to what you say

It doesn’t matter who you are

 

Under the surface trying to break through

Deciphering the codes in you

I need a compass, draw me a map

I’m on the top, I can’t get back

 

The first line of the first page

To the end of the last place

You were looking

From the start in your own way

You just want

Somebody listening to what you say

It doesn’t matter who you are

 

You just want somebody listening to what you say

You just want somebody listening to what you say

It doesn’t matter who you are

It doesn’t matter who you are

 

Is there anybody out there who

Is lost and hurt and lonely too

Are they bleeding all your colors into one

And if you come undone

As if you’d been run through

Some catapult it fired you

You wonder if your chance will ever come

Or if you’re stuck in square one

 

What if

 

What if there was no light

Nothing wrong, nothing right

What if there was no time

And no reason or rhyme

What if you should decide

That you don’t want me there by your side

That you don’t want me there in your life

 

What if I got it wrong

And no poem or song

Could put right what I got wrong

Or make you feel I belong

What if you should decide

That you don’t want me there by your side

That you don’t want me there in your life

 

Oooh, that’s right

Let’s take a breath, jump over the side

Oooh, that’s right

How can you know it if you don’t even try

Oooh, that’s right

 

Every step that you take

Could be your biggest mistake

It could bend or it could break

But that’s the risk that you take

What if you should decide

That you don’t want me there in your life

That you don’t want me there by your side

 

Ooh, that’s right

Let’s take a breath, jump over the side

Ooh, that’s right

How can you know it when you don’t even try

Ooh, that’s right

 

Ooh, that’s right

Let’s take a breath, jump over the side

Ooh, that’s right

You know the darkness always turns into light

Ooh, that’s right

 

White shadows

 

When I was a young boy I tried to listen

And I want to feel like that

Little white shadows blink and miss them

Part of a system, I am

 

If you ever feel like something's missing

Things you never understand

Little white shadows sparkle and glisten

Part of a system, a plan

 

All this noise i’m waking up

All this space i’m taking up

All the sound is breaking up

Oh oh oh oh...

 

Maybe you'll get what you wanted

Maybe you'll stumble upon it

Everything you ever wanted

In a permanent state

Maybe you'll know when you've seen it

Maybe if you say it you’ll mean it

And when you find it you'll keep it

In a permanent state

A permanent state

 

When I was a young boy I tried to listen

Don’t you want to feel like that

You’re part of the human race

All of the stars in the outer space

Part of a system, a plan

 

All this noise i’m waking up

All the space i’m taking up

I cannot hear you're breaking up

Whoa, oh, oh, oh, oh...

 

Maybe you'll get what you wanted

Maybe you'll stumble upon it

Everything you ever wanted

In a permanent state

Maybe you'll know when you've seen it

Maybe if you'll say it you’ll mean it

And when you'll find it you'll keep it

In a permanent state

A permanent state

 

Swim out on a sea of faces

The tide of the human races

Oh, an answer now is what I need

See it in the new sun rise and

See it breaking on your horizon

Oh, come on love, stay with me

 

Fix you

 

When you try your best but you don’t succeed

When you get what you want but not what you need

When you feel so tired but you can’t sleep

Stuck in reverse

 

And the tears come streaming down your face

When you lose something you can’t replace

When you love someone but it goes to waste

Could it be worse

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

And high up above or down below

When you’re too in love to let it go

But if you never try you’ll never know

Just what you’re worth

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

Tears stream down your face

When you lose something you cannot replace

Tears stream down your face

And i…

Tears stream down your face

I promise you I will learn from my mistakes

Tears stream down your face

And i…

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

 

Talk

 

Oh, brother, I can’t, I can’t get through

I’ve been trying hard to reach you

Cause I don’t know what to do

Oh, brother, I can’t believe it’s true

I’m so scared about the future

And I want to talk to you

Oh, I want to talk to you

 

You could take a picture of something you see

In the future where will I be

You could climb a ladder up to the sun

Or write a song nobody had sung

Or do something that’s never been done

 

Are you lost or incomplete

Do you feel like a puzzle

You can’t find your missing piece

Tell me how you feel

Well, I feel like they’re talking in a language I don’t speak

And they’re talking it to me

 

So you take a picture of something you see

In the future where will I be

You could climb a ladder up to the sun

Or write a song nobody had sung

Or do something that’s never been done

Or do something that’s never been done

 

So you don’t know where you’re going

And you want to talk

And you feel like you’re going where you’ve been before

You'll tell anyone who’ll listen but you feel ignored

And nothing’s really making any sense at all

Let’s talk, let’s talk

Let’s talk, let’s talk

 

X & Y

 

Trying hard to speak and

Fighting with my weak hand

Driven to distraction

It’s all part of the plan

When something is broken

And you try to fix it

Trying to repair it

Any way you can

 

I dive in at the deep end

You become my best friend

I want to love you but I don’t know if I can

I know something is broken and i’m trying to fix it

Trying to repair it any way I can

 

Oooh, oooh...

You and me are floating on a tidal wave

Together

You and me are drifting into outer space

And singing oooh, oooh...

 

You and me are floating on a tidal wave

Together

You and me are drifting into outer space

You and me are floating on a tidal wave

Together

You and me are drifting into outer space

And singing oooh, oooh

Oooh, oooh...

 

Speed of sound

 

How long before I get in

Before it starts, before I begin

How long before you decide

Before I know what it feels like

Where to, where do I go

If you never try then you’ll never know

How long do I have to climb

Up on the side of this mountain of mine

 

Look up, I look up at night

Planets are moving at the speed of light

Climb up, up in the trees

Every chance that you get is a chance you seize

How long am I gonna stand

With my head stuck under the sand

I’ll start before I can stop

Or before I see things the right way up

 

All that noise and all that sound

All those places I got found

And birds go flying at the speed of sound

To show you how it all began

Birds came flying from the underground

If you could see it, then you’d understand

 

Ideas that you’ll never find

All the inventors could never design

The buildings that you put up

All Japan and China, all lit up

A sign that I couldn’t read

Or a light that I couldn’t see

Some things you have to believe

But others are puzzles, puzzling me

 

All that noise and all that sound

All those places I got found

And birds go flying at the speed of sound

To show you how it all began

Birds came flying from the underground

If you could see it, then you’d understand

Ah, when you see it, then you’ll understand

 

All those signs I knew what they meant

Some things you can’t invent

Some get made and some get sent

Oh, oh, oh...

 

And birds go flying at the speed of sound

To show you how it all began

Birds came flying from the underground

If you could see it, then you’d understand

Ah, when you see it, then you’ll understand

 

A message

 

My song is love

Love to the loveless shown

And it goes up

You don’t have to be alone

 

Your heavy heart

Is made of stone

And it’s so hard to see clearly

You don’t have to be on your own

You don’t have to be on your own

 

And i’m not gonna take it back

And i’m not gonna say I don’t mean that

You’re the target that i’m aiming at

And I'll get that message home

 

My song is love

My song is love unknown

And i’m on fire for you, clearly

You don’t have to be alone

You don’t have to be on your own

 

And i’m not gonna take it back

And i’m not gonna say I don’t mean that

You’re the target that i’m aiming at

And i’m nothing on my own

Got to get that message home

 

And i’m not going to stand and wait

Not gonna leave it until it’s much too late

Oh, on a platform i’m gonna stand and say

That i’m nothing on my own

And I love you, please come home

 

My song is love, is love unknown

And i’ve got to get that message home

 

Low

 

You see the world in black and white

No color or light

You think you’ll never get it right

But you’re wrong, you might

The sky could fall, could fall on me

The parting of the sea

But you mean more, mean more to me

Than any color I can see

 

All you ever wanted was love

But you never looked hard enough

It’s never gonna give itself up

All you ever wanted to be

Living in perfect symmetry

Nothing is as down or as up

As us

 

You see the world in black and white

Not painted right

You see no meaning to your life

You should try

You should try

 

All you ever wanted was love

But you never looked hard enough

It’s never gonna give itself up

All you ever wanted to be

Living in perfect symmetry

Nothing is as down or as up

Don’t you want to see it come soon

Floating in a big white balloon

Or given on your own silver spoon

Don’t you want to see it come down

There for throwing your arms around

And say "you're not a moment too soon"

 

Cause I feel low

Cause I feel low

Oh, yeah, I feel low

Oh, no

Oh

 

Cause I feel low

Cause I feel low

Oh, yeah, I feel low

Oh, no

Oh

 

The hardest part

 

And the hardest part was letting go, not taking part

It was the hardest part

And the strangest thing was waiting for that bell to ring

It was the strangest start

 

I could feel it go down

Bittersweet I could taste in my mouth

Silver lining the clouds

Oh, and I

I wish that I could work it out

 

And the hardest part was letting go, not taking part

You really broke my heart, oh

And I tried to sing but I couldn’t think of anything

And that was the hardest part

Oh, oh

 

I could feel it go down

You left the sweetest taste in my mouth

The silver lining the clouds

Oh and I, Oh and I,

I wonder what it's all about

I wonder what it's all about

 

Everything I know is wrong

Everything I do, it just comes undone

And everything is torn apart

Oh, and that’s the hardest part

That’s the hardest part

Yeah, that’s the hardest part

That’s the hardest part

 

Swallowed in the sea

 

You cut me down a tree and brought it back to me

And that’s what made me see where I was going wrong

You put me on a shelf and kept me for yourself

I can only blame myself, you can only blame me

 

And I could write a song a hundred miles long

Well, that’s where I belong and you belong with me

And I could write it down or spread it all around

Get lost and then get found

Or swallowed in the sea

 

You put me on a line and hung me out to dry

And darling, that’s when I decide to go to sea

You cut me down to size and opened up my eyes

Made me realize what I could not see

 

And I could write a book, the one they’ll say that shook

The world and then it took, it took it back from me

And I could write it down or spread it all around

Get lost and then get found

And you’ll come back to me

Not swallowed in the sea

 

And I could write a song a hundred miles long

Well, that’s where I belong and you belong with me

The streets you’re walking on a thousand houses long

Well, that’s where I belong and you belong with me

Ah, what good is it to live with nothing left to give

Forget but not forgive

Not loving all you see

Oh, the streets you’re walking on a thousand houses long

Well, that’s where I belong and you belong with me

Not swallowed in the sea

You belong with me, not swallowed in the sea

Yeah, you belong with me, not swallowed in the sea

 

 

Twisted logic

 

Sunlight opened up my eyes

To see for the first time

It opened them up

And tonight

Rivers will run dry

And not for the first time

Rivers will run

 

Hundreds of years in the future

There could be computers

Looking for life on earth

Don’t fight for the wrong side

Say what you feel like

Say how you feel

 

You’ll go backwards

But then you’ll go forwards again

You’ll go backwards

But then you’ll go

 

Created then drilled and invaded

If somebody made it

Someone will mess it up

And you are not wrong to

Ask who does this belong to

It belongs to all of us

 

You’ll go backwards

But then you’ll go forwards again

You’ll go backwards

But then you’ll go forwards

You’ll go backwards

But then you’ll go forwards again

You’ll go backwards

But then you’ll go forwards

 

'Til kingdom come

 

One... Two...

Still (Steal?) my heart and hold my tongue

I feel my time, my time has come

Let me in, unlock the door

I never felt this way before

 

And the wheels just keep on turning

The drummer begins to drum

I don’t know which way i’m going

I don’t know which way i’ve come

 

Hold my head inside your hands

I need someone who understands

I need someone, someone who hears

For you i’ve waited all these years

 

For you i’d wait til kingdom come

Until my day, my day is done

And say you’ll come and set me free

Just say you’ll wait, you’ll wait for me

 

In your tears and in your blood

In your fire and in your flood

I hear you laugh, I heard you sing

I wouldn’t change a single thing

 

And the wheels just keep on turning

The drummers begin to drum

I don’t know which way i’m going

I don’t know what i’ve become

 

For you i’d wait til kingdom come

Until my days, my days are done

Say you’ll come and set me free

Just say you’ll wait, you’ll wait for me

Just say you’ll wait, you’ll wait for me

Just say you’ll wait, you’ll wait for me

 

 

How you see the world

 

( Japan bonus track )

 

Are you missing something

Looking for something

Tired of everything

Searching and struggling

Are you worried about it

Do you wanna talk about it

Oh you're gonna get it right some time

 

Theres so much to be scared of

And not much to make sense of

Are you running in a circle

You can't be too careful

And you can't relate it

'Cause it's complicated

Oh you're gonna get it right some time

You're gonna get it right some time

 

It's how you see the world

How many times can you say

You can't believe what you learn

 

It's how you see the world

Don't you worry yourself

Your not gonna get hurt

 

Oooohhhhh...

 

Is there something missing

There's nobody listening

Are you scared of what you don't know

Dont wanna end up on your own

You need conversation

And information

 

Ohhhhhhhhh...

 

Gonna get it right sometimes

You just wanna get it right sometimes

 

It's how you see the world

How many times have you heard

You can't believe a word

 

It's how you see the world

Don't you worry yourself

'Cos nobody can learn

 

Oooooh

Oooooh

Ooooooooh

 

That's how you see the world

That's how you see the world

 

 

 

Source: http://www.alwaysontherun.net/coldplay.htm

 

 

 

or maybe there is someone who wishes to view the lyrics within his music player (e.g. winamp, windows media player etc etc etc) :

 

G-Lyrics 0.8 ----> http://www.softpedia.com/get/Multimedia/Audio/Other-AUDIO-Tools/G-Lyrics.shtml

 

G-Lyrics is a song lyrics searcher. G-lyrics helps you to search for lyrics on the internet.

 

G-Lyrics searches the net for the lyrics to the songs you're listening on - fully automatic!

Uses Google to find the best and fastest sites

Current supported players : Winamp and Windows Media Player

Saves the lyrics for speed and offline viewing

 

G-Lyrics is a song lyrics searcher. G-lyrics helps you to search for lyrics on the internet.

 

After you download the file, unpack it and run G-Lyrics.exe. It will immediately try to read what you're listening to in Winamp and find the lyrics. Winamp is the default player, but if you want to switch to WMP, you can use right-click to bring up the option-menu. (NOTE To get it working with WMP, you need to turn on the skin named "Professional", though others might work)

 

This menu also offers the ability to save the current displayed lyrics. The lyrics IS autosaved when downloading them, but if you want to change the lyrics you can save it manually.

 

Besides getting the song-info from players, you can do a manual search. The search-box is bought up by double-clicking anywhere in the textbox. Enter your song in the "Artist - Song Title"-format.

You'll also notice that G-Lyrics is shown in the system tray, along with being minimized to the tray, instead of the Windows taskbar.

 

----------------------------------------------------------------------------------

 

Lyrics Search 1.6 ----> http://www.softpedia.com/get/Multimedia/Audio/Other-AUDIO-Tools/Lyrics-Search.shtml

 

Tired of slow lyrics finding websites with all their popups? A very useful utility, this can retrieve lyrics by artist or or both artist and song name for a quick find. You can search 35000 music lyrics by using this software with free of charge.

 

---------------------------------------------------------------------------

 

Winamp Lyrics Opener 1.1 ----> http://www.softpedia.com/get/Multimedia/Audio/Other-AUDIO-Tools/Winamp-Lyrics-Opener.shtml

 

Winamp Lyrics Opener opens the lyrics of the currently playing song in Winamp automatically.

 

----------------------------------------------------------------------------

 

This is what i use: Leoslyrics ---> http://www.leoslyrics.com/

and if you really don't want to go to the first page of this thread, here it is, i made a copy for you(just text, no images):

 

 

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alexdude1991

 

Status: 1:1 Don't Panic

 

 

 

Gender:

Age:14

Joined: 16 Dec 2005

Posts: 45

 

278.74 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:02 am

 

 

Because bling really is the most important thing in the world!!

 

so post here to increase your bling.

 

 

_________________

today is the first day of the rest of your life

 

 

 

 

 

alexdude1991

 

Status: 1:1 Don't Panic

 

 

 

Gender:

Age:14

Joined: 16 Dec 2005

Posts: 45

 

278.74 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:03 am

 

 

boo!

 

 

_________________

today is the first day of the rest of your life

 

 

 

 

 

alexdude1991

 

Status: 1:1 Don't Panic

 

 

 

Gender:

Age:14

Joined: 16 Dec 2005

Posts: 45

 

278.74 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:03 am

 

 

rar

 

 

_________________

today is the first day of the rest of your life

 

 

 

 

 

alexdude1991

 

Status: 1:1 Don't Panic

 

 

 

Gender:

Age:14

Joined: 16 Dec 2005

Posts: 45

 

278.74 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:03 am

 

 

 

 

 

_________________

today is the first day of the rest of your life

 

 

 

 

 

Redundancy

 

Status: 2:4 The Scientist

 

 

 

Gender:

Age:18

Joined: 14 May 2005

Posts: 7897

Location: In Chris's Home-made Cage

8981.29 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:03 am

 

 

...

 

 

_________________

I'm in CFU - RU?

 

 

Tell me you love me, Come back and haunt me

 

My belongs to:

AllyAlfredoAnna AprilAreej CassieCourtneyCrystalElsjeGailGal Iris JuliaLiviaLoreMagda Michaela Mariana MinaMoNicNikRickSeamusSofiaStellaTedtiina Vane.

 

 

 

Shaunce,My Baby...My Love,I love you

 

 

 

 

 

Love_Coldplay

 

Status: 2:2 In My Place

 

 

 

Gender:

Age:20

Joined: 14 Sep 2005

Posts: 5351

Location: Barcelona

14794.94 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:04 am

 

 

 

 

 

_________________

Iris

 

No et resignis a ser moderadament feliç. Deixa'm ser el que et falta

 

Tons of love to:

AaronAlfredoAnnaAreejCrisCrystalDarylEmreFelix GailJuliJuliaLívia LoreMagdaMarianaMichaela MiguelMina MoNicolas NigeNikRickRyanSallySeamus ShaunceSofiaTedValVaneWill

 

 

 

http://www.myspace.com/iris_coldplay

 

 

 

 

 

alexdude1991

 

Status: 1:1 Don't Panic

 

 

 

Gender:

Age:14

Joined: 16 Dec 2005

Posts: 45

 

278.74 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:06 am

 

 

i need bling otherwise my opinions won't be respected as i am a newbie

 

 

_________________

today is the first day of the rest of your life

 

 

 

 

 

Redundancy

 

Status: 2:4 The Scientist

 

 

 

Gender:

Age:18

Joined: 14 May 2005

Posts: 7897

Location: In Chris's Home-made Cage

8981.29 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:07 am

 

 

well welcome to the forums

 

 

_________________

I'm in CFU - RU?

 

 

Tell me you love me, Come back and haunt me

 

My belongs to:

AllyAlfredoAnna AprilAreej CassieCourtneyCrystalElsjeGailGal Iris JuliaLiviaLoreMagda Michaela Mariana MinaMoNicNikRickSeamusSofiaStellaTedtiina Vane.

 

 

 

Shaunce,My Baby...My Love,I love you

 

 

 

 

 

jimmydee

 

Status: 1:1 Don't Panic

 

 

 

Gender:

Age:16

Joined: 11 Jun 2005

Posts: 76

Location: The good old Wirral, home of... Birkenhead

206.36 Bling

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Posted: Thu Dec 22, 2005 1:10 am

 

 

i could post a load of old bollocks but im just going to post a nice big message!

 

Love Is A Burning Thing

And It Makes A Fiery Ring

Bound By Wild Desire

I Fell Into A Ring Of Fire

 

I Fell Into A Burning Ring Of Fire

I Went Down, Down, Down

And The Flames Went Higher

 

And It Burns, Burns, Burns

The Ring Of Fire

The Ring Of Fire

 

I Fell Into A Burning Ring Of Fire

I Went Down, Down, Down

And The Flames Went Higher

 

And It Burns, Burns, Burns

The Ring Of Fire

The Ring Of Fire

 

The Taste Of Love Is Sweet

When Hearts Like Ours Meet

I Fell For You Like A Child

Oh, But The Fire Went Wild

 

I Fell Into A Burning Ring Of Fire

I Went Down, Down, Down

And The Flames Went Higher

 

And It Burns, Burns, Burns

The Ring Of Fire

The Ring Of Fire

 

I Fell Into A Burning Ring Of Fire

I Went Down, Down, Down

And The Flames Went Higher

 

And It Burns, Burns, Burns

The Ring Of Fire

The Ring Of Fire

 

 

and let it burn!!!!!

 

 

_________________

 

 

Come on, oh my star is fading And I see no chance of release And I know I’m dead on the surface But I am screaming underneath

 

 

 

 

 

alexdude1991

 

Status: 1:1 Don't Panic

 

 

 

Gender:

Age:14

Joined: 16 Dec 2005

Posts: 45

 

278.74 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:21 am

 

 

do you get more bling for more text?

 

 

_________________

today is the first day of the rest of your life

 

 

 

 

 

thebestyoucan

 

Status: 2:2 In My Place

 

 

 

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Age:21

Joined: 19 Aug 2005

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739.93 Bling

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Posted: Thu Dec 22, 2005 1:27 am

 

 

aa

 

Nelson Rolihlahla MANDELA

 

Nelson Mandela

 

Click picture for full size image of Nelson Mandela

 

* Former President, African National Congress

* Former President of South Africa

 

See the 'Mandela Page' for a listing of Mandela resources

 

Profile of Nelson Rolihlahla Mandela

 

Nelson Mandela's greatest pleasure, his most private moment, is watching the sun set with the music of Handel or Tchaikovsky playing.

 

Locked up in his cell during daylight hours, deprived of music, both these simple pleasures were denied him for decades. With his fellow prisoners, concerts were organised when possible, particularly at Christmas time, where they would sing. Nelson Mandela finds music very uplifting, and takes a keen interest not only in European classical music but also in African choral music and the many talents in South African music. But one voice stands out above all - that of Paul Robeson, whom he describes as our hero.

 

The years in jail reinforced habits that were already entrenched: the disciplined eating regime of an athlete began in the 1940s, as did the early morning exercise. Still today Nelson Mandela is up by 4.30am, irrespective of how late he has worked the previous evening. By 5am he has begun his exercise routine that lasts at least an hour. Breakfast is by 6.30, when the days newspapers are read. The day s work has begun.

 

With a standard working day of at least 12 hours, time management is critical and Nelson Mandela is extremely impatient with unpunctuality, regarding it as insulting to those you are dealing with.

 

When speaking of the extensive travelling he has undertaken since his release from prison, Nelson Mandela says: I was helped when preparing for my release by the biography of Pandit Nehru, who wrote of what happens when you leave jail. My daughter Zinzi says that she grew up without a father, who, when he returned, became a father of the nation. This has placed a great responsibility of my shoulders. And wherever I travel, I immediately begin to miss the familiar - the mine dumps, the colour and smell that is uniquely South African, and, above all, the people. I do not like to be away for any length of time. For me, there is no place like home.

 

Mandela accepted the Nobel Peace Prize as an accolade to all people who have worked for peace and stood against racism. It was as much an award to his person as it was to the ANC and all South Africa s people. In particular, he regards it as a tribute to the people of Norway who stood against apartheid while many in the world were silent.

 

We know it was Norway that provided resources for farming; thereby enabling us to grow food; resources for education and vocational training and the provision of accommodation over the years in exile. The reward for all this sacrifice will be the attainment of freedom and democracy in South Africa, in an open society which respects the rights of all individuals. That goal is now in sight, and we have to thank the people and governments of Norway and Sweden for the tremendous role they played.

 

Personal Tastes

 

* Breakfast of plain porridge, with fresh fruit and fresh milk.

* A favourite is the traditionally prepared meat of a freshly slaughtered sheep, and the delicacy Amarhewu (fermented corn-meal).

 

Biographical Details

 

Nelson Rolihlahla Mandela was born in a village near Umtata in the Transkei on the 18 July 1918. His father was the principal councillor to the Acting Paramount Chief of Thembuland. After his father s death, the young Rolihlahla became the Paramount Chief s ward to be groomed to assume high office. However, influenced by the cases that came before the Chief s court, he determined to become a lawyer. Hearing the elders stories of his ancestors valour during the wars of resistance in defence of their fatherland, he dreamed also of making his own contribution to the freedom struggle of his people.

 

After receiving a primary education at a local mission school, Nelson Mandela was sent to Healdtown, a Wesleyan secondary school of some repute where he matriculated. He then enrolled at the University College of Fort Hare for the Bachelor of Arts Degree where he was elected onto the Student's Representative Council. He was suspended from college for joining in a protest boycott. He went to Johannesburg where he completed his BA by correspondence, took articles of clerkship and commenced study for his LLB. He entered politics in earnest while studying in Johannesburg by joining the African National Congress in 1942.

 

At the height of the Second World War a small group of young Africans, members of the African National Congress, banded together under the leadership of Anton Lembede. Among them were William Nkomo, Walter Sisulu, Oliver R. Tambo, Ashby P. Mda and Nelson Mandela. Starting out with 60 members, all of whom were residing around the Witwatersrand, these young people set themselves the formidable task of transforming the ANC into a mass movement, deriving its strength and motivation from the unlettered millions of working people in the towns and countryside, the peasants in the rural areas and the professionals.

 

Their chief contention was that the political tactics of the old guard' leadership of the ANC, reared in the tradition of constitutionalism and polite petitioning of the government of the day, were proving inadequate to the tasks of national emancipation. In opposition to the old guard', Lembede and his colleagues espoused a radical African Nationalism grounded in the principle of national self-determination. In September 1944 they came together to found the African National Congress Youth League (ANCYL).

 

Mandela soon impressed his peers by his disciplined work and consistent effort and was elected to the Secretaryship of the Youth League in 1947. By painstaking work, campaigning at the grassroots and through its mouthpiece Inyaniso' (Truth) the ANCYL was able to canvass support for its policies amongst the ANC membership. At the 1945 annual conference of the ANC, two of the League s leaders, Anton Lembede and Ashby Mda, were elected onto the National Executive Committee (NEC). Two years later another Youth League leader, Oliver R Tambo became a member of the NEC.

 

Spurred on by the victory of the National Party which won the 1948 all-White elections on the platform of Apartheid, at the 1949 annual conference, the Programme of Action, inspired by the Youth League, which advocated the weapons of boycott, strike, civil disobedience and non-co-operation was accepted as official ANC policy.

 

The Programme of Action had been drawn up by a sub-committee of the ANCYL composed of David Bopape, Ashby Mda, Nelson Mandela, James Njongwe, Walter Sisulu and Oliver Tambo. To ensure its implementation the membership replaced older leaders with a number of younger men. Walter Sisulu, a founding member of the Youth League was elected Secretary-General. The conservative Dr A.B. Xuma lost the presidency to Dr J.S. Moroka, a man with a reputation for greater militancy. The following year, 1950, Mandela himself was elected to the NEC at national conference.

 

The ANCYL programme aimed at the attainment of full citizenship, direct parliamentary representation for all South Africans. In policy documents of which Mandela was an important co-author, the ANCYL paid special attention to the redistribution of the land, trade union rights, education and culture. The ANCYL aspired to free and compulsory education for all children, as well as mass education for adults.

 

When the ANC launched its Campaign for the Defiance of Unjust Laws in 1952, Mandela was elected National Volunteer-in-Chief. The Defiance Campaign was conceived as a mass civil disobedience campaign that would snowball from a core of selected volunteers to involved more and more ordinary people, culminating in mass defiance. Fulfilling his responsibility as Volunteer-in-Chief, Mandela travelled the country organising resistance to discriminatory legislation. Charged and brought to trial for his role in the campaign, the court found that Mandela and his co-accused had consistently advised their followers to adopt a peaceful course of action and to avoid all violence.

 

For his part in the Defiance Campaign, Mandela was convicted of contravening the Suppression of Communism Act and given a suspended prison sentence. Shortly after the campaign ended, he was also prohibited from attending gatherings and confined to Johannesburg for six months.

 

During this period of restrictions, Mandela wrote the attorneys admission examination and was admitted to the profession. He opened a practice in Johannesburg, in partnership with Oliver Tambo. In recognition of his outstanding contribution during the Defiance Campaign Mandela had been elected to the presidency of both the Youth League and the Transvaal region of the ANC at the end of 1952, he thus became a deputy president of the ANC itself.

 

Of their law practice, Oliver Tambo, ANC National Chairman at the time of his death in April 1993, has written:

 

To reach our desks each morning Nelson and I ran the gauntlet of patient queues of people overflowing from the chairs in the waiting room into the corridors... To be landless (in South Africa) can be a crime, and weekly we interviewed the delegations of peasants who came to tell us how many generations their families had worked a little piece of land from which they were now being ejected... To live in the wrong area can be a crime... Our buff office files carried thousands of these stories and if, when we started our law partnership, we had not been rebels against apartheid, our experiences in our offices would have remedied the deficiency. We had risen to professional status in our community, but every case in court, every visit to the prisons to interview clients, reminded us of the humiliation and suffering burning into our people.

 

Nor did their professional status earn Mandela and Tambo any personal immunity from the brutal apartheid laws. They fell foul of the land segregation legislation, and the authorities demanded that they move their practice from the city to the back of beyond, as Mandela later put it, miles away from where clients could reach us during working hours. This was tantamount to asking us to abandon our legal practice, to give up the legal service of our people... No attorney worth his salt would easily agree to do that, said Mandela and the partnership resolved to defy the law.

 

Nor was the government alone in trying to frustrate Mandela s legal practice. On the grounds of his conviction under the Suppression of Communism Act, the Transvaal Law Society petitioned the Supreme Court to strike him off the roll of attorneys. The petition was refused with Mr Justice Ramsbottom finding that Mandela had been moved by a desire to serve his black fellow citizens and nothing he had done showed him to be unworthy to remain in the ranks of an honourable profession.

 

In 1952 Nelson Mandela was given the responsibility to prepare an organisational plan that would enable the leadership of the movement to maintain dynamic contact with its membership without recourse to public meetings. The objective was to prepare for the contingency of proscription by building up powerful local and regional branches to whom power could be devolved. This was the M-Plan, named after him.

 

During the early fifties Mandela played an important part in leading the resistance to the Western Areas removals and to the introduction of Bantu Education. He also played a significant role in popularising the Freedom Charter, adopted by the Congress of the People in 1955.

 

In the late fifties, Mandela s attention turned to the struggles against the exploitation of labour, the pass laws, the nascent Bantustan policy, and the segregation of the open universities. Mandela arrived at the conclusion very early on that the Bantustan policy was a political swindle and an economic absurdity. He predicted, with dismal prescience, that ahead there lay a grim programme of mass evictions, political persecutions, and police terror. On the segregation of the universities, Mandela observed that the friendship and inter-racial harmony that is forged through the admixture and association of various racial groups at the mixed universities constitute a direct threat to the policy of apartheid and baasskap, and that it was to remove that threat that the open universities were being closed to black students.

 

During the whole of the fifties, Mandela was the victim of various forms of repression. He was banned, arrested and imprisoned. For much of the latter half of the decade, he was one of the accused in the mammoth Treason Trial, at great cost to his legal practice and his political work. After the Sharpeville Massacre in 1960, the ANC was outlawed, and Mandela, still on trial, was detained.

 

The Treason Trial collapsed in 1961 as South Africa was being steered towards the adoption of the republic constitution. With the ANC now illegal the leadership picked up the threads from its underground headquarters. Nelson Mandela emerged at this time as the leading figure in this new phase of struggle. Under the ANC's inspiration, 1,400 delegates came together at an All-in African Conference in Pietermaritzburg during March 1961. Mandela was the keynote speaker. In an electrifying address he challenged the apartheid regime to convene a national convention, representative of all South Africans to thrash out a new constitution based on democratic principles. Failure to comply, he warned, would compel the majority (Blacks) to observe the forthcoming inauguration of the Republic with a mass general strike. He immediately went underground to lead the campaign. Although fewer answered the call than Mandela had hoped, it attracted considerable support throughout the country. The government responded with the largest military mobilisation since the war, and the Republic was born in an atmosphere of fear and apprehension.

 

Forced to live apart from his family, moving from place to place to evade detection by the government s ubiquitous informers and police spies, Mandela had to adopt a number of disguises. Sometimes dressed as a common labourer, at other times as a chauffeur, his successful evasion of the police earned him the title of the Black Pimpernel. It was during this time that he, together with other leaders of the ANC constituted a new specialised section of the liberation movement, Umkhonto we Sizwe, as an armed nucleus with a view to preparing for armed struggle. At the Rivonia trial, Mandela explained : "At the beginning of June 1961, after long and anxious assessment of the South African situation, I and some colleagues came to the conclusion that as violence in this country was inevitable, it would be wrong and unrealistic for African leaders to continue preaching peace and non-violence at a time when the government met our peaceful demands with force.

 

It was only when all else had failed, when all channels of peaceful protest had been barred to us, that the decision was made to embark on violent forms of political struggle, and to form Umkhonto we Sizwe...the Government had left us no other choice."

 

In 1961 Umkhonto we Sizwe was formed, with Mandela as its commander-in-chief. In 1962 Mandela left the country unlawfully and travelled abroad for several months. In Ethiopia he addressed the Conference of the Pan African Freedom Movement of East and Central Africa, and was warmly received by senior political leaders in several countries. During this trip Mandela, anticipating an intensification of the armed struggle, began to arrange guerrilla training for members of Umkhonto we Sizwe.

 

Not long after his return to South Africa Mandela was arrested and charged with illegal exit from the country, and incitement to strike.

 

Since he considered the prosecution a trial of the aspirations of the African people, Mandela decided to conduct his own defence. He applied for the recusal of the magistrate, on the ground that in such a prosecution a judiciary controlled entirely by whites was an interested party and therefore could not be impartial, and on the ground that he owed no duty to obey the laws of a white parliament, in which he was not represented.

 

Mandela prefaced this challenge with the affirmation: I detest racialism, because I regard it as a barbaric thing, whether it comes from a black man or a white man.

 

Mandela was convicted and sentenced to five years imprisonment. While serving his sentence he was charged, in the Rivonia Trial, with sabotage. Mandela s statements in court during these trials are classics in the history of the resistance to apartheid, and they have been an inspiration to all who have opposed it. His statement from the dock in the Rivonia Trial ends with these words:

 

I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and to achieve. But if needs be, it is an ideal for which I am prepared to die.

 

Mandela was sentenced to life imprisonment and started his prison years in the notorious Robben Island Prison, a maximum security prison on a small island 7Km off the coast near Cape Town. In April 1984 he was transferred to Pollsmoor Prison in Cape Town and in December 1988 he was moved the Victor Verster Prison near Paarl from where he was eventually released. While in prison, Mandela flatly rejected offers made by his jailers for remission of sentence in exchange for accepting the bantustan policy by recognising the independence of the Transkei and agreeing to settle there. Again in the 'eighties Mandela rejected an offer of release on condition that he renounce violence. Prisoners cannot enter into contracts. Only free men can negotiate, he said.

 

Robben Island

Click image for map

 

Released on 11 February 1990, Mandela plunged wholeheartedly into his life's work, striving to attain the goals he and others had set out almost four decades earlier. In 1991, at the first national conference of the ANC held inside South Africa after being banned for decades, Nelson Mandela was elected President of the ANC while his lifelong friend and colleague, Oliver Tambo, became the organisation's National Chairperson.

 

Nelson Mandela has never wavered in his devotion to democracy, equality and learning. Despite terrible provocation, he has never answered racism with racism. His life has been an inspiration, in South Africa and throughout the world, to all who are oppressed and deprived, to all who are opposed to oppression and deprivation.

 

In a life that symbolises the triumph of the human spirit over man s inhumanity to man, Nelson Mandela accepted the 1993 Nobel Peace Prize on behalf of all South Africans who suffered and sacrificed so much to bring peace to our land.

A Brief Biography

 

Mandela's words, "The struggle is my life," are not to be taken lightly.

 

Nelson Mandela personifies struggle. He is still leading the fight against apartheid with extraordinary vigour and resilience after spending nearly three decades of his life behind bars. He has sacrificed his private life and his youth for his people, and remains South Africa's best known and loved hero.

 

Mandela has held numerous positions in the ANC: ANCYL secretary (1948); ANCYL president (1950); ANC Transvaal president (1952); deputy national president (1952) and ANC president (1991).

 

He was born at Qunu, near Umtata on 18 July 1918.

 

His father, Henry Mgadla Mandela, was chief councillor to Thembuland's acting paramount chief David Dalindyebo. When his father died, Mandela became the chief's ward and was groomed for the chieftainship.

 

Mandela matriculated at Healdtown Methodist Boarding School and then started a BA degree at Fort Hare. As an SRC member he participated in a student strike and was expelled, along with the late Oliver Tambo, in 1940. He completed his degree by correspondence from Johannesburg, did articles of clerkship and enrolled for an LLB at the University of the Witwatersrand.

 

In 1944 he helped found the ANC Youth League, whose Programme of Action was adopted by the ANC in 1949.

 

Mandela was elected national volunteer-in-chief of the 1952 Defiance Campaign. He travelled the country organising resistance to discriminatory legislation.

 

He was given a suspended sentence for his part in the campaign. Shortly afterwards a banning order confined him to Johannesburg for six months. During this period he formulated the "M Plan", in terms of which ANC branches were broken down into underground cells.

 

By 1952 Mandela and Tambo had opened the first black legal firm in the country, and Mandela was both Transvaal president of the ANC and deputy national president.

 

A petition by the Transvaal Law Society to strike Mandela off the roll of attorneys was refused by the Supreme Court.

 

In the 'fifties, after being forced through constant bannings to resign officially from the ANC, Mandela analysed the Bantustan policy as a political swindle. He predicted mass removals, political persecutions and police terror.

 

For the second half of the 'fifties, he was one of the accused in the Treason Trial. With Duma Nokwe, he conducted the defence.

 

When the ANC was banned after the Sharpeville massacre in 1960, he was detained until 1961 when he went underground to lead a campaign for a new national convention.

 

Umkhonto we Sizwe (MK), the military wing of the ANC, was born the same year. Under his leadership it launched a campaign of sabotage against government and economic installations.

 

In 1962 Mandela left the country for military training in Algeria and to arrange training for other MK members.

 

On his return he was arrested for leaving the country illegally and for incitement to strike. He conducted his own defence. He was convicted and jailed for five years in November 1962. While serving his sentence, he was charged, in the Rivonia trial, with sabotage and sentenced to life imprisonment.

 

A decade before being imprisoned, Mandela had spoken out against the introduction of Bantu Education, recommending that community activists "make every home, every shack or rickety structure a centre of learning".

 

Robben Island, where he was imprisoned, became a centre for learning, and Mandela was a central figure in the organised political education classes.

 

In prison Mandela never compromised his political principles and was always a source of strength for the other prisoners.

 

During the 'seventies he refused the offer of a remission of sentence if he recognised Transkei and settled there.

 

In the 'eighties he again rejected PW Botha's offer of freedom if he renounced violence.

 

It is significant that shortly after his release on Sunday 11 February 1990, Mandela and his delegation agreed to the suspension of armed struggle.

 

Mandela has honorary degrees from more than 50 international universities and is chancellor of the University of the North.

 

He was inaugurated as the first democratically elected State President of South Africa on 10 May 1994 - June 1999

 

Nelson Mandela retired from Public life in June 1999. He currently resides in his birth place - Qunu, Transkei.

 

Home Home

 

 

_________________

 

"Understand this, Bill. I don't work for you anymore."

 

Last edited by thebestyoucan on Sun Jan 29, 2006 12:50 am; edited 67 times in total

 

 

 

 

 

alexdude1991

 

Status: 1:1 Don't Panic

 

 

 

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Posted: Thu Dec 22, 2005 1:29 am

 

 

Coldplay never intended to become England's favorite rock & roll sons when their signature rock melodies ruled the charts throughout 2000. The Brit-rock quartet — composed of Chris Martin (vocals/piano), Jon Buckland (guitar), Will Champion (drums), and Guy Berryman (bass) — yearned to mess around a bit, plucking their own acoustics for fun while attending the University College of London. All had been playing instruments since their early teens and had been influenced by the likes of Bob Dylan, the Stone Roses, Neil Young, and My Bloody Valentine. They never imagined taking reign of the U.K.'s ever-changing rock scene. Each member had come from solid households of working-class parents that encouraged music to be played. Martin, the eldest of five, began playing the piano as a young child. He started playing in bands around age 15 and sought solace in the words of Tom Waits. Buckland, on the other hand, was into the heavy guitar work of Eric Clapton and Jimi Hendrix and was playing guitar by age 11. Scotland native Berryman was into funk instead of indie rock, therefore leaving him to play bass. The multi-instrumentalist, Champion, didn't plan to be a drummer until he joined Coldplay. He favored playing guitar, bass, and the tin whistle, but caught on to playing percussion when the band became official. Coldplay was heart-rending like Travis, passionate like Jeff Buckley, and as fresh as Oasis when they first burst onto the scene, so it was ideal for the press and public to praise them. They played their first gig at a festival for unsigned bands in Manchester, and The Safety EP was issued shortly thereafter. The Brothers and Sisters EP was issued by Fierce Panda and released a year later. Both releases saw only 500 pressings. Their sweet melodies and swooning lyrics landed Coldplay a U.K. deal with Parlophone in April 1999, and the limited-edition five-track, The Blue Room EP, followed that fall. With endearing nods from the media, the dream pop foursome were hailed as the next Travis thanks to their simplistic acoustics and charming personas. Two more EPs, Shiver and Yellow, arrived in spring 2000.

 

Their full-length debut Parachutes, which earned the band a Mercury Music Prize nomination, was released in the U.K. In November 2000, Parachutes saw a U.S. release with Nettwerk; a month later, "Yellow" was chosen as the theme song for all promo spots for ABC. The well-received hype surrounding the band continued throughout 2001 as well, taking on three Brit Awards nominations and a sold-out ten-date tour of the U.S. in February. Rumors of a split consumed most of the U.S. tour. Martin frequently battled nasty colds and voice exhaustion, which led Coldplay to cancel a series of American dates and scrap a European tour. With all gossip aside, Coldplay resumed playing in summer 2001 and earned additional success with second single "Trouble." By fall, they headed into the studio for a second album. Rumor had it that it might be Coldplay's last album, for the band felt they might not capture such brilliance again. A Rush of Blood to the Head was released in August 2002. The CD/DVD package Live 2003 was issued in fall of that year. This concert album captured the band's show at the Horden Pavilion in Sydney, Australia, and highlighted Coldplay's monumental success worldwide with A Rush of Blood to the Head. They were bonafide pop stars. Martin, specifically, earned a higher notch on the celebrity scale by marrying actress Gwyneth Paltrow in December 2003. Paltrow gave birth to the couple's first daughter, Apple Blythe Alison Martin, the following April. Fatherhood didn't stop Martin from working, for Coldplay began recording material for a third album within weeks. Previously recorded material with long-time producer Ken Nelson was scrapped early on while Danton Supple (Morrissey, the Cure) joined Coldplay to complete the recording of X&Y. "Speed of Sound" marked the band's first single from their long-awaited third effort in spring 2005; the album followed in June.

 

 

 

 

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Just click HERE For the Non Albums Lyrics of Coldplay

 

 

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Parachutes

- 2000 -

 

Don't panic

Shiver

Spies

Sparks

Yellow

Trouble

Parachutes

High speed

We never change

Everything's not lost

Life is for living (Hidden track)

A rush of blood to the head

- 2002 -

 

Politik

In My Place

God Put A Smile Upon Your Face

The Scientist

Clocks

Daylight

Green Eyes

Warning Sign

A Whisper

A Rush Of Blood To The Head

Amsterdam

X & Y

- 2005 -

 

Square One

What If

White Shadows

Fix You

Talk

X&Y

Speed of Sound

A Message

Low

The Hardest Part

Swallowed In The Sea

Twisted Logic

'Til kingdom come

How you see the world (Japan bonus track)

 

 

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Add some NEW lyrics (B-sides, live tracks, Cover), want to CORRECT some of them or found a BUG ? Just send a little EMAIL or simply post a message on the FORUM. Thanx !

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Parachutes

 

Don’t Panic

 

Bones, sinking like stones,

All that we fought for,

Homes, places we've grown,

All of us are done for.

 

And we live in a beautiful world,

Yeah we do, yeah we do,

We live in a beautiful world,

 

Bones, sinking like stones,

All that we fought for,

And homes, places we've grown,

All of us are done for.

 

And we live in a beautiful world,

Yeah we do, yeah we do,

We live in a beautiful world.

 

Here we go, here we go

 

And we live in a beautiful world,

Yeah we do, yeah we do,

We live in a beautiful world.

 

Oh, all that I know,

There's nothing here to run from,

'Cause everybody here's got somebody to lean on.

 

*** Thanx a lot to Kersal who updated this one ***

 

Shiver

 

So I look in your direction

But you pay me no attention do you

I know you don't listen to me

'Cause you say you see straight through me don't you

 

But on and on, from the moment I wake

'Till the moment I sleep

I'll be there by your side

Just you try and stop me

I'll be waiting in line

Just to see if you care

 

Did you want me to change

Well I changed for good

And I want you to know

That you'll always get your way

I wanted to say

 

Don't you shiver

Shiver

Sing it loud and clear

I'll always be waiting for you

 

So you know how much I need you

But you never even see me do you

And is this my final chance of getting you

 

But on and on, from the moment I wake

'Till the moment I sleep

I'll be there by your side

Just you try and stop me

I'll be waiting in line

Just to see if you care

 

Did you want me to change

Well I changed for good

And I want you to know

That you'll always get your way

I wanted to say

 

Don't you shiver

Don't you shiver

Sing it loud and clear

I'll always be waiting for you

 

Yeah I'll always be waiting for you

Yeah I'll always be waiting for you

Yeah I'll always be waiting for you

For you

I will always be waiting

 

And it's you I see

But you don't see me

And it's you I hear

So loud and clear

I sing it loud and clear

And I'll always be waiting for you

 

So I look in your direction

But you pay me no attention

And you know how much I need you

But you never even see me

 

*** Thanx a lot to Amar & Raeford & Jayne who corrected some mistakes ***

 

Spies

 

I awake to find no peace of mind

I said, how do you live as a fugitive

Down here where I cannot see so clear

I said, what do I know

Show me the right way to go

 

And the spies came out of the water

But you're feeling so bad 'cause you know

That the spies hide out in every corner

But you can't touch them no

'Cause they're all spies

 

They're all spies

 

I awake to see that no one is free

We're all fugitives

Look at the way we live

Down here, I cannot sleep from fear, no

I said, which way do I turn

Oh, I forget everything I learn

 

That the spies came out of the water

But you're feeling so bad cause you know

Though spies hide out in every corner

But you can't touch them, no

'Cause they're all spies

 

They're all spies

 

And if we don't hide here

They're going to find us

If we don't hide now

They're gonna catch us where we sleep

And if we don't hide here

They're gonna find us

 

But the spies came out of the water

But you're feeling so good cause you know

Though spies hide out in every corner

That they can't touch you, no

'Cause they're just spies

 

They're just spies

They're just spies

They're just spies

They're just spies

 

*** Thanx a lot to Raeford & Lee & Wrig3 & Cheyenne who corrected some mistakes ***

 

Sparks

 

Did I drive you away?

I know what you’ll say,

You say, “Oh, sing one we know,”

But I promise you this,

I’ll always look out for you,

That’s what I’ll do.

 

I say “oh,”, I say “oh.”

 

My heart is yours,

It’s you that I hold on to,

That’s what I do,

And I know I was wrong,

But I won’t let you down,

(Oh yeah, oh yeah, oh yeah, yeah I will, yes I will…)

 

I say “oh,” I cry “oh.”

 

Yeah I saw sparks,

Yeah I saw sparks,

And I saw sparks,

Yeah I saw sparks,

 

Sing it out.

 

La, la, la, la, oh…

La, la, la, la, oh…

La, la, la, la, oh…

 

Yellow

 

Look at the stars,

Look how they shine for you,

And everything you do,

Yeah, they were all yellow.

 

I came along,

I wrote a song for you,

And all the things you do,

And it was called "Yellow."

 

So then I took my turn,

Oh what a thing to have done,

And it was all "Yellow."

 

Your skin

Oh yeah, your skin and bones,

Turn into something beautiful,

You know, you know I love you so,

You know I love you so.

 

I swam across,

I jumped across for you,

Oh what a thing to do.

 

Cos you were all "Yellow,"

I drew a line,

I drew a line for you,

Oh what a thing to do,

And it was all "Yellow."

 

Your skin,

Oh yeah your skin and bones,

Turn into something beautiful,

And you know

For you I'd bleed myself dry

For you I'd bleed myself dry

 

It's true, look how they shine for you,

Look how they shine for you,

Look how they shine for,

Look how they shine for you,

Look how they shine for you,

Look how they shine.

 

Look at the stars,

Look how they shine for you,

And all the things that you do.

 

Trouble

 

Oh no, I see,

A spider web is tangled up with me,

And I lost my head,

The thought of all the stupid things I said,

Oh no what's this?

A spider web, and I'm caught in the middle,

So I turned to run,

The thought of all the stupid things I've done,

 

I never meant to cause you trouble,

And I never meant to do you wrong,

And I, well if I ever caused you trouble,

Oh no, I never meant to do you harm.

 

Oh no I see,

A spider web and it's me in the middle,

So I twist and turn,

But here I am in my little bubble,

 

Singing, I never meant to cause you trouble,

I never meant to do you wrong,

And I, well if I ever caused you trouble,

Oh no, I never meant to do you harm.

 

They spun a web for me,

They spun a web for me,

They spun a web for me.

 

*** Thanx a lot to Raeford & Seuche who corrected this one ***

 

Parachutes

 

In a haze, a stormy haze, I’ll be round

I’ll be loving you always, always.

Here I am and I’ll take my time

Here I am and I’ll wait in line always

Always.

 

High Speed

 

Can anybody fly this thing?

Before my head explodes,

Or my head starts to ring.

 

We’ve been living life inside a bubble,

We’ve been living life inside a bubble.

 

Confidence in you,

Is confidence in me,

Is confidence in high speed.

 

Can anybody stop this thing?

Before my head explodes,

Or my head starts to ring.

 

We’ve been living life inside a bubble,

We’ve been living life inside a bubble.

 

Confidence in you,

Is confidence in me,

Is confidence in high speed.

 

In high speed,

High speed.

 

And high speed you on

High speed you on

High speed you on

High speed you on

 

*** Thanx a lot to Lauren who corrected a few mistakes ***

 

We Never Change

 

I want to live life, and never be cruel

I wanna live life, and be good to you

 

And I wanna fly

I'll never come down

And live my life

And have friends around

 

We never change do we no, no

We never learn do we

So I wanna live, in a wooden house

I wanna live life, and always be true

I wanna live life, and be good to you

 

And I wanna fly

But never come down

And live my life

And have friends around

 

We never change do we

We never learn do we

So I wanna live in a wooden house

And making more friends would be easy

 

Oh, and I don't have a soul to save

Yes and I sin every single day

We never change do we

We never learn do we

 

So I want to live in a wooden house

Where making more friends would be easy

I wanna live where the sun comes out

 

*** Thanx a lot to Raeford & Jeremy who corrected this one ***

 

Everything's Not Lost

 

When I counted up my demons,

Saw there was one for everyday.

With the good ones on my shoulder,

I drove the other ones away.

 

So if you ever feel neglected,

And if you think all is lost,

I'll be counting up my demons, yeah,

Hoping everything's not lost.

 

When you thought that it was over,

You could feel it all around.

Everybody's out to get you,

Don't you let it drag you down.

 

If you ever feel neglected,

And if you think all is lost.

I'll be counting up my demons, yeah,

Hoping everything's not lost.

 

If you ever feel neglected,

And if you think all is lost.

I'll be counting up my demons, yeah,

Hoping everythings not lost.

 

Sing out oh oh oh yeah

Oh oh yeah

Oh oh yeah

Everything's not lost

Come on yeah

Oh oh yeah

Come on yeah

Everything's not lost

Oh oh yeah

Oh oh yeah

Oh oh yeah

Everything's not lost

Come on yeah

Oh oh yeah

Come on yeah

Come on yeah

Oh oh yeah

Come on yeah

Everything's not lost

Sing out yeah

Oh oh yeah

Come on yeah

Everyting's not lost

Come on yeah

Oh oh yeah

Sing out yeah

Everything's not lost

 

*** Thanx a lot to Pretty in pink who corrected some mistakes ***

 

Life is for living

 

Now I never meant,

To do you wrong,

That’s what I came here to say.

 

But if I was wrong,

Then I’m sorry,

I don’t let it stand in our way.

 

As my head just aches,

When I think of,

The things that I shouldn’t have done.

 

But, life is for living,

We all know,

And I don’t wanna live it alone.

 

Sing,

Ah, ah, oh,

Sing,

Ah, ah, oh,

 

And just think,

Ah, ah, oh.

 

 

 

A rush of blood to the head

 

*** Thanx a lot to Davide who sent me official lyrics ***

 

Politik

 

Look at earth from outer space

Everyone must find a place

Give me time and give me space

Give me real, don't give me fake

 

Give me strength, reserve control

Give me heart and give me soul

Give me time give us a kiss

Tell me your own politik

 

And open up your eyes

Open up your eyes

Open up your eyes

Open up your eyes

 

Give me one, 'cause one is best

In confusion, confidence

Give me peace of mind and trust

Don't forget the rest of us

Give me strength, reserve control

Give me heart and give me soul

Wounds that heal and cracks that fix

Tell me your own politik

 

And open up your eyes

Open up your eyes

Open up your eyes

Open up your eyes

Just open up your eyes

 

But give me love over, love over, love over this, I ...

And give me love over, love over, love over this, I ...

 

In My Place

 

In my place, in my place,

Were lines that I couldn't change,

I was lost, oh yeah.

 

I was lost, I was lost,

Crossed lines I shouldn't have crossed,

I was lost, oh yeah.

 

And yeah, how long must you wait for it?

Yeah, how long must you pay for it?

Yeah, how long must you wait for it?

 

I was scared, I was scared,

Tired and under prepared,

But I wait for it.

 

And if you go, if you go,

Leave me down here on my own,

Then I'll wait for you, yeah.

 

Yeah, how long must you wait for it?

Yeah, how long must you pay for it?

Yeah, how long must you wait for it?

Oh for it

 

Sing it please, please, please,

Come back and sing to me,

To me, me.

 

Come on and sing it out, now, now.

Come on and sing it out

To me, me

Come back and sing.

 

In my place, in my place,

Were lines that I couldn't change,

I was lost, oh yeah.

Oh yeah.

 

*** Thanx a lot to Faundez & Fernando & Mustafa for this one ***

 

God Put A Smile Upon Your Face

 

Where do we go, nobody knows

I've got to say I'm on my way down

God give me style and give me grace

God put a smile upon my face

 

Where do we go to draw the line

I've got to say I wasted all your time

Oh honey honey

Where do I go to fall from grace

God put a smile upon your face yeah

 

And ah, when you work it out I'm worse than you

Yeah, when you work it out I wanted to

And ah, when you work out where to draw the line

Your guess is as good as mine

 

Where do we go, nobody knows

Don't ever say you're on your way down when

God gave you style and gave you grace,

And put a smile upon your face oh yeah

 

And ah, when you work it out I'm worse than you

Yeah, when you work it out I want it to

And ah, when you work out where to draw the line

Your guess is as good as mine.

 

It's as good as mine, It's as good as mine

It's as good as mine

 

As good as mine, as good as mine,

As good as mine, as good as mine

 

Where do we go, nobody knows

Don't ever say you're on your way down when

God gave you style and gave you grace

And put a smile upon your face

 

The Scientist

 

Come up to meet you, tell you I'm sorry

You don't know how lovely you are

 

I had to find you

Tell you I need you

Tell you I set you apart

 

Tell me your secrets

And ask me your questions

Oh let's go back to the start

 

Running in circles

Coming up tails

Heads on a silence apart

 

Nobody said it was easy

It's such a shame for us to part

Nobody said it was easy

No one ever said it would be this hard

 

Oh take me back to the start

 

I was just guessing

At numbers and figures

Pulling your puzzles apart

 

Questions of science

Science and progress

Do not speak as loud as my heart

 

Tell me you love me

Come back and haunt me

Oh and I rush to the start

 

Running in circles

Chasing our tails

Coming back as we are

 

Nobody said it was easy

Oh it's such a shame for us to part

Nobody said it was easy

No one ever said it would be so hard

 

I'm going back to the start

 

*** Thanx a lot to TheBestCow & Hugo & Corinne who corrected a mistake ***

 

Clocks

 

The lights go out and I can't be saved

Tides that I tried to swim against

Have brought me down upon my knees

Oh I beg, I beg and plead singing

 

Come out of things unsaid

Shoot an apple off my head and a

Trouble that cant be named

A tiger's waiting to be tamed singing

 

You are

You are

 

Confusion never stops

Closing walls and ticking clocks

Gonna come back and take you home

I could not stop that you now know singing

 

Come out upon my seas,

Cursed missed opportunities

Am I a part of the cure

Or am I part of the disease, singing

 

You are, you are, you are

You are, you are, you are

 

And nothing else compares

And nothing else compares

And nothing else compares

 

You are

You are

 

Home, home where I wanted to go

Home, home where I wanted to go

Home, home where I wanted to go

Home, home where I wanted to go

 

Daylight

 

To my surprise

And my delight

I saw a sunrise

I saw a sunlight.

 

I am nothing

In the dark

And the clouds burst

To show the daylight

 

Oooh and the sun will shine

Yeah on this heart of mine

Ooooh and I realise

Who cannot live without

Ooooh come apart without

 

On a hilltop

On a sky-rise

Like a firstborn

Child

 

And at full tilt

And in full flight

Defeat darkness

Breaking daylight

 

Oooh and the sun will shine

Yeah on this heart of mine

Ooooh and I realise

Who cannot live without

Ooooh and come apart without

Daylight

 

Slowly breaking through the daylight X10

 

Green Eyes

 

Honey you are a rock

Upon which I stand

And I come here to talk

I hope you understand

 

The green eyes

Yeah the spotlight

Shines upon you

 

And how could

Anybody

Deny you

 

I came here with a load

And it feels so much lighter

Now I met you

 

Honey you should know

That I could never go on

Without you

 

Green eyes

 

Honey you are the sea

Upon which I float

And I came here to talk

I think you should know

 

That green eyes

You're the one that I wanted to find

And anyone who tried to deny you,

Must be out of their mind

 

Because I came here with a load

And it feels so much lighter since I met you

 

And honey you should know,

That I could never go on

Without you

 

Green eyes, green eyes, ohohoh...

 

Honey you are a rock

Upon which I stand.

 

A Warning Sign

 

A warning sign

I missed the good part then I realised

I started looking and the bubble burst

I started looking for excuses

 

Come on in

I've got to tell you what a state I'm in

I've got to tell you in my loudest tones

That I started looking for a warning sign

 

When the truth is

I miss you

Yeah the truth is

That I miss you so.

 

A warning sign

You came back to haunt me and I realised

That you were an island and I passed you by

When you were an island to discover

 

Come on in

I've got to tell you what a state I'm in

I've got to tell you in my loudest tones

That I started looking for a warning sign

 

When the truth is

I miss you

Yeah the truth is

That I miss you so

 

And I'm tired

I should not have let you go

 

So I crawl back into your open arms

Yes I crawl back into your open arms

And I crawl back into your open arms

Yes I crawl back into your open arms

 

A Whisper

 

A whisper, a whisper, a whisper, a whisper

A whisper, a whisper, a whisper, a whisper

 

I hear the sound of the ticking of clocks

Who remembers your face

Who remember you when you are gone

 

I hear the sound of the ticking of clocks

Come back and look for me, look for me

When I am lost

 

Just a whisper, a whisper, a whisper, a whisper

Just a whisper, a whisper, a whisper, a whisper

 

Night turns to day

And I still have these questions

Bridges will break

Should I go forwards or backwards.

Night turns to day,

And I still get no answers

 

Just a whisper, a whisper, a whisper, a whisper

Just a whisper, a whisper, a whisper, a whisper

 

I hear the sound of the ticking of clocks

Who remember your face

Who remembers you when you are gone

 

I hear the sound of the ticking of clocks

Come back and look for me, look for me

When I am lost

 

Just a whisper, a whisper, a whisper, a whisper

Just a whisper, a whisper, a whisper, a whisper

 

*** Thanx a lot to Katie who corrected a mistake ***

 

A Rush Of Blood To The Head

 

He said I'm gonna buy this place and burn it down

I'm gonna put it six feet underground

He said "I'm gonna buy this place and watch it fall

Stand here beside me baby in the crumbling walls

 

Oh I'm gonna buy this place and start a fire

Stand here until I fill all your heart's desires

Because I'm gonna buy this place and see it burn

Do back the things it did to you in return

 

Ah ah ah, ah ah ah...

 

He said I'm gonna buy a gun and start a war

If you can tell me something worth fighting for

Oh and I'm gonna buy this place that's what I said

Blame it upon a rush of blood to the head

 

Honey

All the movements you're starting to make

See me crumble and fall on my face

And I know the mistakes that I made

See it all disappear without a trace.

And they call as they beckon you on

They said start as you mean to go on

Start as you mean to go on

 

He said "I'm gonna buy this place and see it go

Stand here beside my baby, watch the orange glow

Some will laugh and some just sit and cry

But you just sit down there and you wonder why

 

So I'm gonna buy a gun and start a war

If you can tell me something worth fighting for

And I'm gonna buy this place that's what I said

Blame it upon a rush of blood to the head

Oh to the head

 

Honey

All the movements you're starting to make

See me crumble and fall on my face

And I know the mistakes that I made

See it all disappear without a trace.

And they call as they beckon you on

They said start as you mean to go on

As you mean to go on, as you mean to go on

 

So meet me by the bridge,

Oh meet me by the lane

When am I going to see

That pretty face again

 

Meet me on the road

Meet me where I said

Blame it all upon

A rush of blood to the head

 

Amsterdam

 

Come on, oh my star is fading

And I swerve out of control

If I, if I'd only waited

I'd not be stuck here in this hole.

 

Come here, oh my star is fading

And I swerve out of control

And I swear I waited and waited,

I've got to get out of this hole

 

But time is on your side

It's on your side now

Not pushing you down and all around

It's no cause for concern

 

Come on, oh my star is fading

And I see no chance of release

I know I'm dead on the surface

But I'm screaming underneath

 

And time is on your side

It's on your side now

Not pushing you down and all around

It's no cause for concern

 

Stuck on the end of this ball and chain

And I'm on my way back down again

Stood on a bridge, tied to a noose

Sick to the stomach

You can say what you mean

But it won't change a thing

I'm sick of the secrets

 

Stood on the edge

Tied to a noose

You came along

And you cut me loose

 

You came along

And you cut me loose

You came along

And you cut me loose

 

 

 

X & Y

 

Square one

 

You’re in control

Is there anywhere you want to go

You’re in control

Is there anything you want to know

The future’s for discovering

The space in which we're travelling

 

From the top of the first page

To the end of the last day

From the start in your own way

You just want

Somebody listening to what you say

It doesn’t matter who you are

 

Under the surface trying to break through

Deciphering the codes in you

I need a compass, draw me a map

I’m on the top, I can’t get back

 

The first line of the first page

To the end of the last place

You were looking

From the start in your own way

You just want

Somebody listening to what you say

It doesn’t matter who you are

 

You just want somebody listening to what you say

You just want somebody listening to what you say

It doesn’t matter who you are

It doesn’t matter who you are

 

Is there anybody out there who

Is lost and hurt and lonely too

Are they bleeding all your colors into one

And if you come undone

As if you’d been run through

Some catapult it fired you

You wonder if your chance will ever come

Or if you’re stuck in square one

 

What if

 

What if there was no light

Nothing wrong, nothing right

What if there was no time

And no reason or rhyme

What if you should decide

That you don’t want me there by your side

That you don’t want me there in your life

 

What if I got it wrong

And no poem or song

Could put right what I got wrong

Or make you feel I belong

What if you should decide

That you don’t want me there by your side

That you don’t want me there in your life

 

Oooh, that’s right

Let’s take a breath, jump over the side

Oooh, that’s right

How can you know it if you don’t even try

Oooh, that’s right

 

Every step that you take

Could be your biggest mistake

It could bend or it could break

But that’s the risk that you take

What if you should decide

That you don’t want me there in your life

That you don’t want me there by your side

 

Ooh, that’s right

Let’s take a breath, jump over the side

Ooh, that’s right

How can you know it when you don’t even try

Ooh, that’s right

 

Ooh, that’s right

Let’s take a breath, jump over the side

Ooh, that’s right

You know the darkness always turns into light

Ooh, that’s right

 

White shadows

 

When I was a young boy I tried to listen

And I want to feel like that

Little white shadows blink and miss them

Part of a system, I am

 

If you ever feel like something's missing

Things you never understand

Little white shadows sparkle and glisten

Part of a system, a plan

 

All this noise i’m waking up

All this space i’m taking up

All the sound is breaking up

Oh oh oh oh...

 

Maybe you'll get what you wanted

Maybe you'll stumble upon it

Everything you ever wanted

In a permanent state

Maybe you'll know when you've seen it

Maybe if you say it you’ll mean it

And when you find it you'll keep it

In a permanent state

A permanent state

 

When I was a young boy I tried to listen

Don’t you want to feel like that

You’re part of the human race

All of the stars in the outer space

Part of a system, a plan

 

All this noise i’m waking up

All the space i’m taking up

I cannot hear you're breaking up

Whoa, oh, oh, oh, oh...

 

Maybe you'll get what you wanted

Maybe you'll stumble upon it

Everything you ever wanted

In a permanent state

Maybe you'll know when you've seen it

Maybe if you'll say it you’ll mean it

And when you'll find it you'll keep it

In a permanent state

A permanent state

 

Swim out on a sea of faces

The tide of the human races

Oh, an answer now is what I need

See it in the new sun rise and

See it breaking on your horizon

Oh, come on love, stay with me

 

Fix you

 

When you try your best but you don’t succeed

When you get what you want but not what you need

When you feel so tired but you can’t sleep

Stuck in reverse

 

And the tears come streaming down your face

When you lose something you can’t replace

When you love someone but it goes to waste

Could it be worse

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

And high up above or down below

When you’re too in love to let it go

But if you never try you’ll never know

Just what you’re worth

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

Tears stream down your face

When you lose something you cannot replace

Tears stream down your face

And i…

Tears stream down your face

I promise you I will learn from my mistakes

Tears stream down your face

And i…

 

Lights will guide you home

And ignite your bones

And I will try to fix you

 

*** Thanx a lot to Tasha who fixed (!) this one ***

 

Talk

 

Oh, brother, I can’t, I can’t get through

I’ve been trying hard to reach you

Cause I don’t know what to do

Oh, brother, I can’t believe it’s true

I’m so scared about the future

And I want to talk to you

Oh, I want to talk to you

 

You could take a picture of something you see

In the future where will I be

You could climb a ladder up to the sun

Or write a song nobody had sung

Or do something that’s never been done

 

Are you lost or incomplete

Do you feel like a puzzle

You can’t find your missing piece

Tell me how you feel

Well, I feel like they’re talking in a language I don’t speak

And they’re talking it to me

 

So you take a picture of something you see

In the future where will I be

You could climb a ladder up to the sun

Or write a song nobody had sung

Or do something that’s never been done

Or do something that’s never been done

 

So you don’t know where you’re going

And you want to talk

And you feel like you’re going where you’ve been before

You'll tell anyone who’ll listen but you feel ignored

And nothing’s really making any sense at all

Let’s talk, let’s talk

Let’s talk, let’s talk

 

X & Y

 

Trying hard to speak and

Fighting with my weak hand

Driven to distraction

It’s all part of the plan

When something is broken

And you try to fix it

Trying to repair it

Any way you can

 

I dive in at the deep end

You become my best friend

I want to love you but I don’t know if I can

I know something is broken and i’m trying to fix it

Trying to repair it any way I can

 

Oooh, oooh...

You and me are floating on a tidal wave

Together

You and me are drifting into outer space

And singing oooh, oooh...

 

You and me are floating on a tidal wave

Together

You and me are drifting into outer space

You and me are floating on a tidal wave

Together

You and me are drifting into outer space

And singing oooh, oooh

Oooh, oooh...

 

Speed of sound

 

How long before I get in

Before it starts, before I begin

How long before you decide

Before I know what it feels like

Where to, where do I go

If you never try then you’ll never know

How long do I have to climb

Up on the side of this mountain of mine

 

Look up, I look up at night

Planets are moving at the speed of light

Climb up, up in the trees

Every chance that you get is a chance you seize

How long am I gonna stand

With my head stuck under the sand

I’ll start before I can stop

Or before I see things the right way up

 

All that noise and all that sound

All those places I got found

And birds go flying at the speed of sound

To show you how it all began

Birds came flying from the underground

If you could see it, then you’d understand

 

Ideas that you’ll never find

All the inventors could never design

The buildings that you put up

All Japan and China, all lit up

A sign that I couldn’t read

Or a light that I couldn’t see

Some things you have to believe

But others are puzzles, puzzling me

 

All that noise and all that sound

All those places I got found

And birds go flying at the speed of sound

To show you how it all began

Birds came flying from the underground

If you could see it, then you’d understand

Ah, when you see it, then you’ll understand

 

All those signs I knew what they meant

Some things you can’t invent

Some get made and some get sent

Oh, oh, oh...

 

And birds go flying at the speed of sound

To show you how it all began

Birds came flying from the underground

If you could see it, then you’d understand

Ah, when you see it, then you’ll understand

 

A message

 

My song is love

Love to the loveless shown

And it goes up

You don’t have to be alone

 

Your heavy heart

Is made of stone

And it’s so hard to see clearly

You don’t have to be on your own

You don’t have to be on your own

 

And i’m not gonna take it back

And i’m not gonna say I don’t mean that

You’re the target

that i’m aiming at

And I'll get that message home

 

My song is love

My song is love unknown

And i’m on fire for you, clearly

You don’t have to be alone

You don’t have to be on your own

 

And i’m not gonna take it back

And i’m not gonna say I don’t mean that

You’re the target that i’m aiming at

And i’m nothing on my own

Got to get that message home

 

And i’m not going to stand and wait

Not gonna leave it until it’s much too late

Oh, on a platform i’m gonna stand and say

That i’m nothing on my own

And I love you, please come home

 

My song is love, is love unknown

And i’ve got to get that message home

 

Low

 

You see the world in black and white

No color or light

You think you’ll never get it right

But you’re wrong, you might

The sky could fall, could fall on me

The parting of the sea

But you mean more, mean more to me

Than any color I can see

 

All you ever wanted was love

But you never looked hard enough

It’s never gonna give itself up

All you ever wanted to be

Living in perfect symmetry

Nothing is as down or as up

As us

 

You see the world in black and white

Not painted right

You see no meaning to your life

You should try

You should try

 

All you ever wanted was love

But you never looked hard enough

It’s never gonna give itself up

All you ever wanted to be

Living in perfect symmetry

Nothing is as down or as up

Don’t you want to see it come soon

Floating in a big white balloon

Or given on your own silver spoon

Don’t you want to see it come down

There for throwing your arms around

And say "you're not a moment too soon"

 

Cause I feel low

Cause I feel low

Oh, yeah, I feel low

Oh, no

Oh

 

Cause I feel low

Cause I feel low

Oh, yeah, I feel low

Oh, no

Oh

 

The hardest part

 

And the hardest part was letting go, not taking part

It was the hardest part

And the strangest thing was waiting for that bell to ring

It was the strangest start

 

I could feel it go down

Bittersweet I could taste in my mouth

Silver lining the clouds

Oh, and i, I wish that I could work it out

 

And the hardest part was letting go, not taking part

You really broke my heart, oh

And I tried to sing but I couldn’t think of anything

And that was the hardest part

Oh, oh

 

I could feel it go down

You left the sweetest taste in my mouth

The silver lining the clouds

Oh, and i, I wonder what it’s all about

I wonder what it’s all about

 

Everything I know is wrong

Everything I do, it just comes undone

And everything is torn apart

Oh, and that’s the hardest part

That’s the hardest part

Yeah, that’s the hardest part

That’s the hardest part

 

Swallowed in the sea

 

You cut me down a tree and brought it back to me

And that’s what made me see where I was going wrong

You put me on a shelf and kept me for yourself

I can only blame myself, you can only blame me

 

And I could write a song a hundred miles long

Well, that’s where I belong and you belong with me

And I could write it down or spread it all around

Get lost and then get found

Or swallowed in the sea

 

You put me on a line and hung me out to dry

And darling, that’s when I decide to go to sea

You cut me down to size and opened up my eyes

Made me realize what I could not see

 

And I could write a book, the one they’ll say that shook

The world and then it took, it took it back from me

And I could write it down or spread it all around

Get lost and then get found

And you’ll come back to me

Not swallowed in the sea

 

And I could write a song a hundred miles long

Well, that’s where I belong and you belong with me

The streets you’re walking on a thousand houses long

Well, that’s where I belong and you belong with me

Ah, what good is it to live with nothing left to give

Forget but not forgive

Not loving all you see

Oh, the streets you’re walking on a thousand houses long

Well, that’s where I belong and you belong with me

Not swallowed in the sea

You belong with me, not swallowed in the sea

Yeah, you belong with me, not swallowed in the sea

 

*** Thanx a lot to Cellowraith who updated this one ***

 

Twisted logic

 

Sunlight opened up my eyes

To see for the first time

It opened them up

And tonight

Rivers will run dry

And not for the first time

Rivers will run

 

Hundreds of years in the future

There could be computers

Looking for life on earth

Don’t fight for the wrong side

Say what you feel like

Say how you feel

 

You’ll go backwards

But then you’ll go forwards again

You’ll go backwards

But then you’ll go

 

Created then drilled and invaded

If somebody made it

Someone will mess it up

And you are not wrong to

Ask who does this belong to

It belongs to all of us

 

You’ll go backwards

But then you’ll go forwards again

You’ll go backwards

But then you’ll go forwards

You’ll go backwards

But then you’ll go forwards again

You’ll go backwards

But then you’ll go forwards

 

'Til kingdom come

 

One... Two...

Still (Steal?) my heart and hold my tongue

I feel my time, my time has come

Let me in, unlock the door

I never felt this way before

 

And the wheels just keep on turning

The drummer begins to drum

I don’t know which way i’m going

I don’t know which way i’ve come

 

Hold my head inside your hands

I need someone who understands

I need someone, someone who hears

For you i’ve waited all these years

 

For you i’d wait til kingdom come

Until my day, my day is done

And say you’ll come and set me free

Just say you’ll wait, you’ll wait for me

 

In your tears and in your blood

In your fire and in your flood

I hear you laugh, I heard you sing

I wouldn’t change a single thing

 

And the wheels just keep on turning

The drummers begin to drum

I don’t know which way i’m going

I don’t know what i’ve become

 

For you i’d wait til kingdom come

Until my days, my days are done

Say you’ll come and set me free

Just say you’ll wait, you’ll wait for me

Just say you’ll wait, you’ll wait for me

Just say you’ll wait, you’ll wait for me

 

*** Thanx a lot to Kris & John who corrected a mistake ***

 

How you see the world

 

( Japan bonus track )

 

Are you missing something

Looking for something

Tired of everything

Searching and struggling

Are you worried about it

Do you wanna talk about it

Oh you're gonna get it right some time

 

Theres so much to be scared of

And not much to make sense of

Are you running in a circle

You can't be too careful

And you can't relate it

'Cause it's complicated

Oh you're gonna get it right some time

You're gonna get it right some time

 

It's how you see the world

How many times can you say

You can't believe what you learn

 

It's how you see the world

Don't you worry yourself

Your not gonna get hurt

 

Oooohhhhh...

 

Is there something missing

There's nobody listening

Are you scared of what you don't know

Dont wanna end up on your own

You need conversation

And information

 

Ohhhhhhhhh...

 

Gonna get it right sometimes

You just wanna get it right sometimes

 

It's how you see the world

How many times have you heard

You can't believe a word

 

It's how you see the world

Don't you worry yourself

'Cos nobody can learn

 

Oooooh

Oooooh

Ooooooooh

 

That's how you see the world

That's how you see the world

 

 

_________________

today is the first day of the rest of your life

 

 

 

 

 

Love_Coldplay

 

Status: 2:2 In My Place

 

 

 

Gender:

Age:20

Joined: 14 Sep 2005

Posts: 5351

Location: Barcelona

14794.94 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:29 am

 

 

alexdude1991 , you're very welcome here!

 

 

_________________

Iris

 

No et resignis a ser moderadament feliç. Deixa'm ser el que et falta

 

Tons of love to:

AaronAlfredoAnnaAreejCrisCrystalDarylEmreFelix GailJuliJuliaLívia LoreMagdaMarianaMichaela MiguelMina MoNicolas NigeNikRickRyanSallySeamus ShaunceSofiaTedValVaneWill

 

 

 

http://www.myspace.com/iris_coldplay

 

 

 

 

 

alyssa

 

Status: 1:10 Everything's Not Lost

 

 

 

Gender:

Age:14

Joined: 15 Jul 2005

Posts: 2828

Location: S. California

26788.55 Bling

[ Donate ]

 

 

 

 

Posted: Thu Dec 22, 2005 1:30 am

 

 

edit: for more bling!

 

edit again: you know if you edit the message and erase everything, you get about the same bling as you did when you posted it originally.

 

then post it again and you get bling again, haha

 

hahahahahha

 

oh yeah?!

 

WHAT IS COPYRIGHT?

Copyright is a form of protection provided by the laws of the United States (title 17, U.S. Code) to the authors of “original works of authorship,” including literary, dramatic, musical, artistic, and certain other intellectual works. This protection is available to both published and unpublished works. Section 106 of the 1976 Copyright Act generally gives the owner of copyright the exclusive right to do and to authorize others to do the following:

 

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In addition, certain authors of works of visual art have the rights of attribution and integrity as described in section 106A of the 1976 Copyright Act. For further information, request Circular 40, “Copyright Registration for Works of the Visual Arts.”

 

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WHO CAN CLAIM COPYRIGHT

Copyright protection subsists from the time the work is created in fixed form. The copyright in the work of authorship immediately becomes the property of the author who created the work. Only the author or those deriving their rights through the author can rightfully claim copyright.

 

In the case of works made for hire, the employer and not the employee is considered to be the author. Section 101 of the copyright law defines a "work made for hire" as:

 

(1) a work prepared by an employee within the scope of his or her employment; or

(2) a work specially ordered or commissioned for use as:

a contribution to a collective work

a part of a motion picture or other audiovisual work

a translation

a supplementary work

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answer material for a test

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if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire....

 

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Copyright in each separate contribution to a periodical or other collective work is distinct from copyright in the collective work as a whole and vests initially with the author of the contribution.

 

 

Two General Principles

Mere ownership of a book, manuscript, painting, or any other copy or phonorecord does not give the possessor the copyright. The law provides that transfer of ownership of any material object that embodies a protected work does not of itself convey any rights in the copyright.

Minors may claim copyright, but state laws may regulate the business dealings involving copyrights owned by minors. For information on relevant state laws, consult an attorney.

 

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COPYRIGHT AND NATIONAL ORIGIN OF THE WORK

Copyright protection is available for all unpublished works, regardless of the nationality or domicile of the author.

 

Published works are eligible for copyright protection in the United States if any one of the following conditions is met:

 

On the date of first publication, one or more of the authors is a national or domiciliary of the United States, or is a national, domiciliary, or sovereign authority of a treaty party,* or is a stateless person wherever that person may be domiciled; or

 

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The work is first published in the United States or in a foreign nation that, on the date of first publication, is a treaty party. For purposes of this condition, a work that is published in the United States or a treaty party within 30 days after publication in a foreign nation that is not a treaty party shall be considered to be first published in the United States or such treaty party, as the case may be; or

 

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The work comes within the scope of a Presidential proclamation.

 

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Copyright protects "original works of authorship" that are fixed in a tangible form of expression. The fixation need not be directly perceptible so long as it may be communicated with the aid of a machine or device. Copyrightable works include the following categories:

 

literary works;

musical works, including any accompanying words

dramatic works, including any accompanying music

pantomimes and choreographic works

pictorial, graphic, and sculptural works

motion pictures and other audiovisual works

sound recordings

architectural works

These categories should be viewed broadly. For example, computer programs and most "compilations" may be registered as "literary works"; maps and architectural plans may be registered as "pictorial, graphic, and sculptural works."

 

 

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WHAT IS NOT PROTECTED BY COPYRIGHT?

Several categories of material are generally not eligible for federal copyright protection. These include among others:

 

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Titles, names, short phrases, and slogans; familiar symbols or designs; mere variations of typographic ornamentation, lettering, or coloring; mere listings of ingredients or contents

 

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HOW TO SECURE A COPYRIGHT

Copyright Secured Automatically upon Creation

The way in which copyright protection is secured is frequently misunderstood. No publication or registration or other action in the Copyright Office is required to secure copyright. (See following Note.) There are, however, certain definite advantages to registration. See "Copyright Registration."

 

Copyright is secured automatically when the work is created, and a work is "created" when it is fixed in a copy or phonorecord for the first time. "Copies" are material objects from which a work can be read or visually perceived either directly or with the aid of a machine or device, such as books, manuscripts, sheet music, film, videotape, or microfilm. "Phonorecords" are material objects embodying fixations of sounds (excluding, by statutory definition, motion picture soundtracks), such as cassette tapes, CDs, or LPs. Thus, for example, a song (the "work") can be fixed in sheet music (" copies") or in phonograph disks (" phonorecords"), or both.

 

If a work is prepared over a period of time, the part of the work that is fixed on a particular date constitutes the created work as of that date.

 

 

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PUBLICATION

Publication is no longer the key to obtaining federal copyright as it was under the Copyright Act of 1909. However, publication remains important to copyright owners.

 

The 1976 Copyright Act defines publication as follows:

 

"Publication" is the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display constitutes publication. A public performance or display of a work does not of itself constitute publication.

 

NOTE: Before 1978, federal copyright was generally secured by the act of publication with notice of copyright, assuming compliance with all other relevant statutory conditions. U. S. works in the public domain on January 1, 1978, (for example, works published without satisfying all conditions for securing federal copyright under the Copyright Act of 1909) remain in the public domain under the 1976 Copyright Act.

Certain foreign works originally published without notice had their copyrights restored under the Uruguay Round Agreements Act (URAA). Request Circular 38b and see the "Notice of Copyright" section of this publication for further information.

 

Federal copyright could also be secured before 1978 by the act of registration in the case of certain unpublished works and works eligible for ad interim copyright. The 1976 Copyright Act automatically extends to full term (section 304 sets the term) copyright for all works, including those subject to ad interim copyright if ad interim registration has been made on or before June 30, 1978.

 

 

A further discussion of the definition of "publication" can be found in the legislative history of the 1976 Copyright Act. The legislative reports define "to the public" as distribution to persons under no explicit or implicit restrictions with respect to disclosure of the contents. The reports state that the definition makes it clear that the sale of phonorecords constitutes publication of the underlying work, for example, the musical, dramatic, or literary work embodied in a phonorecord. The reports also state that it is clear that any form of dissemination in which the material object does not change hands, for example, performances or displays on television, is not a publication no matter how many people are exposed to the work. However, when copies or phonorecords are offered for sale or lease to a group of wholesalers, broadcasters, or motion picture theaters, publication does take place if the purpose is further distribution, public performance, or public display.

 

Publication is an important concept in the copyright law for several reasons:

 

Works that are published in the United States are subject to mandatory deposit with the Library of Congress. See discussion on "Mandatory Deposit for Works Published in the United States."

 

Publication of a work can affect the limitations on the exclusive rights of the copyright owner that are set forth in sections 107 through 121 of the law.

 

The year of publication may determine the duration of copyright protection for anonymous and pseudonymous works (when the author's identity is not revealed in the records of the Copyright Office) and for works made for hire.

 

Deposit requirements for registration of published works differ from those for registration of unpublished works. See discussion on "Registration Procedures."

 

When a work is published, it may bear a notice of copyright to identify the year of publication and the name of the copyright owner and to inform the public that the work is protected by copyright. Copies of works published before March 1, 1989, must bear the notice or risk loss of copyright protection. See discussion on "Notice of Copyright" below.

 

 

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NOTICE OF COPYRIGHT

The use of a copyright notice is no longer required under U. S. law, although it is often beneficial. Because prior law did contain such a requirement, however, the use of notice is still relevant to the copyright status of older works.

 

Notice was required under the 1976 Copyright Act. This requirement was eliminated when the United States adhered to the Berne Convention, effective March 1, 1989. Although works published without notice before that date could have entered the public domain in the United States, the Uruguay Round Agreements Act (URAA) restores copyright in certain foreign works originally published without notice. For further information about copyright amendments in the URAA, request Circular 38b.

 

The Copyright Office does not take a position on whether copies of works first published with notice before March 1, 1989, which are distributed on or after March 1, 1989, must bear the copyright notice.

 

Use of the notice may be important because it informs the public that the work is protected by copyright, identifies the copyright owner, and shows the year of first publication. Furthermore, in the event that a work is infringed, if a proper notice of copyright appears on the published copy or copies to which a defendant in a copyright infringement suit had access, then no weight shall be given to such a defendant's interposition of a defense based on innocent infringement in mitigation of actual or statutory damages, except as provided in section 504©(2) of the copyright law. Innocent infringement occurs when the infringer did not realize that the work was protected.

 

The use of the copyright notice is the responsibility of the copyright owner and does not require advance permission from, or registration with, the Copyright Office.

 

Form of Notice for Visually Perceptible Copies

The notice for visually perceptible copies should contain all the following three elements:

 

1. The symbol © (the letter C in a circle), or the word "Copyright," or the abbreviation "Copr."; and

 

2. The year of first publication of the work. In the case of compilations or derivative works incorporating previously published material, the year date of first publication of the compilation or derivative work is sufficient. The year date may be omitted where a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or any useful article; and

 

3. The name of the owner of copyright in the work, or an abbreviation by which the name can be recognized, or a generally known alternative designation of the owner.

 

Example: © 2002 John Doe

 

The "C in a circle" notice is used only on "visually perceptible copies." Certain kinds of works--for example, musical, dramatic, and literary works--may be fixed not in "copies" but by means of sound in an audio recording. Since audio recordings such as audio tapes and phonograph disks are "phonorecords" and not "copies," the "C in a circle" notice is not used to indicate protection of the underlying musical, dramatic, or literary work that is recorded.

 

Form of Notice for Phonorecords of Sound Recordings*

* Sound recordings are defined in the law as "works that result from the fixation of a series of musical, spoken, or other sounds, but not including the sounds accompanying a motion picture or other audiovisual work." Common examples include recordings of music, drama, or lectures. A sound recording is not the same as a phonorecord. A phonorecord is the physical object in which works of authorship are embodied. The word "phonorecord" includes cassette tapes, CDs, LPs, 45 r. p. m. disks, as well as other formats.

 

The notice for phonorecords embodying a sound recording should contain all the following three elements:

 

1. The symbol (the letter P in a circle); and

 

2. The year of first publication of the sound recording; and

 

3. The name of the owner of copyright in the sound recording, or an abbreviation by which the name can be recognized, or a generally known alternative designation of the owner. If the producer of the sound recording is named on the phonorecord label or container and if no other name appears in conjunction with the notice, the producer's name shall be considered a part of the notice.

 

Example: 2002 A. B. C. Records Inc.

 

NOTE: Since questions may arise from the use of variant forms of the notice, you may wish to seek legal advice before using any form of the notice other than those given here.

 

 

Position of Notice

The copyright notice should be affixed to copies or phonorecords in such a way as to "give reasonable notice of the claim of copyright." The three elements of the notice should ordinarily appear together on the copies or phonorecords or on the phonorecord label or container. The Copyright Office has issued regulations concerning the form and position of the copyright notice in the Code of Federal Regulations (37 CFR Section 201.20). For more information, request Circular 3, "Copyright Notice."

 

Publications Incorporating U. S. Government Works

Works by the U. S. Government are not eligible for U. S. copyright protection. For works published on and after March 1, 1989, the previous notice requirement for works consisting primarily of one or more U. S. Government works has been eliminated. However, use of a notice on such a work will defeat a claim of innocent infringement as previously described provided the notice also includes a statement that identifies either those portions of the work in which copyright is claimed or those portions that constitute U. S. Government material.

 

Example: © 2002 Jane Brown. Copyright claimed in Chapters 7-10, exclusive of U. S. Government maps

 

Copies of works published before March 1, 1989, that consist primarily of one or more works of the U. S. Government should have a notice and the identifying statement.

 

Unpublished Works

The author or copyright owner may wish to place a copyright notice on any unpublished copies or phonorecords that leave his or her control.

 

Example: Unpublished work © 2002 Jane Doe

 

Omission of the Notice and Errors in Notice

The 1976 Copyright Act attempted to ameliorate the strict consequences of failure to include notice under prior law. It contained provisions that set out specific corrective steps to cure omissions or certain errors in notice. Under these provisions, an applicant had 5 years after publication to cure omission of notice or certain errors. Although these provisions are technically still in the law, their impact has been limited by the amendment making notice optional for all works published on and after March 1, 1989. For further information, request Circular 3, "Copyright Notice."

 

 

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HOW LONG COPYRIGHT PROTECTION ENDURES

Works Originally Created on or after January 1, 1978

A work that is created (fixed in tangible form for the first time) on or after January 1, 1978, is automatically protected from the moment of its creation and is ordinarily given a term enduring for the author's life plus an additional 70 years after the author's death. In the case of "a joint work prepared by two or more authors who did not work for hire," the term lasts for 70 years after the last surviving author's death. For works made for hire, and for anonymous and pseudonymous works (unless the author's identity is revealed in Copyright Office records), the duration of copyright will be 95 years from publication or 120 years from creation, whichever is shorter.

 

Works Originally Created before January 1, 1978, But Not Published or Registered by That Date

These works have been automatically brought under the statute and are now given federal copyright protection. The duration of copyright in these works will generally be computed in the same way as for works created on or after January 1, 1978: the life-plus-70 or 95/120-year terms will apply to them as well. The law provides that in no case will the term of copyright for works in this category expire before December 31, 2002, and for works published on or before December 31, 2002, the term of copyright will not expire before December 31, 2047.

 

Works Originally Created and Published or Registered before January 1, 1978

Under the law in effect before 1978, copyright was secured either on the date a work was published with a copyright notice or on the date of registration if the work was registered in unpublished form. In either case, the copyright endured for a first term of 28 years from the date it was secured. During the last (28th) year of the first term, the copyright was eligible for renewal. The Copyright Act of 1976 extended the renewal term from 28 to 47 years for copyrights that were subsisting on January 1, 1978, or for pre-1978 copyrights restored under the Uruguay Round Agreements Act (URAA), making these works eligible for a total term of protection of 75 years. Public Law 105-298, enacted on October 27, 1998, further extended the renewal term of copyrights still subsisting on that date by an additional 20 years, providing for a renewal term of 67 years and a total term of protection of 95 years.

 

Public Law 102-307, enacted on June 26, 1992, amended the 1976 Copyright Act to provide for automatic renewal of the term of copyrights secured between January 1, 1964, and December 31, 1977. Although the renewal term is automatically provided, the Copyright Office does not issue a renewal certificate for these works unless a renewal application and fee are received and registered in the Copyright Office.

 

Public Law 102-307 makes renewal registration optional. Thus, filing for renewal registration is no longer required in order to extend the original 28-year copyright term to the full 95 years. However, some benefits accrue from making a renewal registration during the 28th year of the original term.

 

For more detailed information on renewal of copyright and the copyright term, request Circular 15, "Renewal of Copyright"; Circular 15a, "Duration of Copyright"; and Circular 15t, "Extension of Copyright Terms."

 

 

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TRANSFER OF COPYRIGHT

Any or all of the copyright owner's exclusive rights or any subdivision of those rights may be transferred, but the transfer of exclusive rights is not valid unless that transfer is in writing and signed by the owner of the rights conveyed or such owner's duly authorized agent. Transfer of a right on a nonexclusive basis does not require a written agreement.

 

A copyright may also be conveyed by operation of law and may be bequeathed by will or pass as personal property by the applicable laws of intestate succession.

 

Copyright is a personal property right, and it is subject to the various state laws and regulations that govern the ownership, inheritance, or transfer of personal property as well as terms of contracts or conduct of business. For information about relevant state laws, consult an attorney.

 

Transfers of copyright are normally made by contract. The Copyright Office does not have any forms for such transfers. The law does provide for the recordation in the Copyright Office of transfers of copyright ownership. Although recordation is not required to make a valid transfer between the parties, it does provide certain legal advantages and may be required to validate the transfer as against third parties. For information on recordation of transfers and other documents related to copyright, request Circular 12, "Recordation of Transfers and Other Documents."

 

Termination of Transfers

Under the previous law, the copyright in a work reverted to the author, if living, or if the author was not living, to other specified beneficiaries, provided a renewal claim was registered in the 28th year of the original term.* The present law drops the renewal feature except for works already in the first term of statutory protection when the present law took effect. Instead, the present law permits termination of a grant of rights after 35 years under certain conditions by serving written notice on the transferee within specified time limits.

 

*The copyright in works eligible for renewal on or after June 26, 1992, will vest in the name of the renewal claimant on the effective date of any renewal registration made during the 28th year of the original term. Otherwise, the renewal copyright will vest in the party entitled to claim renewal as of December 31st of the 28th year.

 

For works already under statutory copyright protection before 1978, the present law provides a similar right of termination covering the newly added years that extended the former maximum term of the copyright from 56 to 95 years. For further information, request Circulars 15a and 15t.

 

 

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INTERNATIONAL COPYRIGHT PROTECTION

There is no such thing as an "international copyright" that will automatically protect an author's writings throughout the entire world. Protection against unauthorized use in a particular country depends, basically, on the national laws of that country. However, most countries do offer protection to foreign works under certain conditions, and these conditions have been greatly simplified by international copyright treaties and conventions. For further information and a list of countries that maintain copyright relations with the United States, request Circular 38a, "International Copyright Relations of the United States."

 

 

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COPYRIGHT REGISTRATION

In general, copyright registration is a legal formality intended to make a public record of the basic facts of a particular copyright. However, registration is not a condition of copyright protection. Even though registration is not a requirement for protection, the copyright law provides several inducements or advantages to encourage copyright owners to make registration. Among these advantages are the following:

 

Registration establishes a public record of the copyright claim.

 

Before an infringement suit may be filed in court, registration is necessary for works of U. S. origin.

 

If made before or within 5 years of publication, registration will establish prima facie evidence in court of the validity of the copyright and of the facts stated in the certificate.

 

If registration is made within 3 months after publication of the work or prior to an infringement of the work, statutory damages and attorney's fees will be available to the copyright owner in court actions. Otherwise, only an award of actual damages and profits is available to the copyright owner.

 

Registration allows the owner of the copyright to record the registration with the U. S. Customs Service for protection against the importation of infringing copies. For additional information, request Publication No. 563 "How to Protect Your Intellectual Property Right," from: U.S. Customs Service, P.O. Box 7404, Washington, D.C. 20044. See the U.S. Customs Service Website at http://www.customs.gov for online publications.

 

Registration may be made at any time within the life of the copyright. Unlike the law before 1978, when a work has been registered in unpublished form, it is not necessary to make another registration when the work becomes published, although the copyright owner may register the published edition, if desired.

 

 

 

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REGISTRATION PROCEDURES

Original Registration

To register a work, send the following three elements in the same envelope or package to:

 

Library of Congress

Copyright Office

101 Independence Avenue, S.E.

Washington, D.C. 20559-6000

 

A properly completed application form.

A nonrefundable filing fee of $30 for each application.

NOTE: Copyright Office fees are subject to change. For current fees, please check the Copyright Office Website at http://www.copyright.gov, write the Copyright Office, or call (202) 707-3000.

 

 

 

A nonreturnable deposit of the work being registered. The deposit requirements vary in particular situations. The general requirements follow. Also note the information under "Special Deposit Requirements."

If the work was first published in the United States on or after January 1, 1978, two complete copies or phonorecords of the best edition.

 

If the work was first published in the United States before January 1, 1978, two complete copies or phonorecords of the work as first published.

 

If the work was first published outside the United States, one complete copy or phonorecord of the work as first published.

 

If sending multiple works, all applications, deposits, and fees should be sent in the same package. If possible, applications should be attached to the appropriate deposit. Whenever possible, number each package (e. g., 1 of 3, 2 of 4) to facilitate processing.

 

What Happens if the Three Elements Are Not Received Together

Applications and fees received without appropriate copies, phonorecords, or identifying material will not be processed and ordinarily will be returned. Unpublished deposits without applications or fees ordinarily will be returned, also. In most cases, published deposits received without applications and fees can be immediately transferred to the collections of the Library of Congress. This practice is in accordance with section 408 of the law, which provides that the published deposit required for the collections of the Library of Congress may be used for registration only if the deposit is "accompanied by the prescribed application and fee...."

 

After the deposit is received and transferred to another service unit of the Library for its collections or other disposition, it is no longer available to the Copyright Office. If you wish to register the work, you must deposit additional copies or phonorecords with your application and fee.

 

Renewal Registration

 

To register a renewal, send:

 

A properly completed application Form RE and, if necessary, Form RE Addendum, and

A nonrefundable filing fee of $60 without Addendum; $90 with Addendum for each application. (See Note above.) Each Addendum form must be accompanied by a deposit representing the work being reviewed. See Circular 15, "Renewal of Copyright."

NOTE: Complete the application form using black ink pen or type. You may photocopy blank application forms. However, photocopied forms submitted to the Copyright Office must be clear, legible, on a good grade of 8-1/2-inch by 11-inch white paper suitable for automatic feeding through a photocopier. The forms should be printed, preferably in black ink, head-to-head so that when you turn the sheet over, the top of page 2 is directly behind the top of page 1. Forms not meeting these requirements may be returned resulting in delayed registration.

 

Special Deposit Requirements

Special deposit requirements exist for many types of works. The following are prominent examples of exceptions to the general deposit requirements:

 

If the work is a motion picture, the deposit requirement is one complete copy of the unpublished or published motion picture and a separate written description of its contents, such as a continuity, press book, or synopsis.

 

If the work is a literary, dramatic, or musical work published only in a phonorecord, the deposit requirement is one complete phonorecord.

 

If the work is an unpublished or published computer program, the deposit requirement is one visually perceptible copy in source code of the first 25 and last 25 pages of the program. For a program of fewer than 50 pages, the deposit is a copy of the entire program. For more information on computer program registration, including deposits for revised programs and provisions for trade secrets, request Circular 61, "Copyright Registration for Computer Programs."

 

If the work is in a CD-ROM format, the deposit requirement is one complete copy of the material, that is, the CD-ROM, the operating software, and any manual(s) accompanying it. If registration is sought for the computer program on the CD-ROM, the deposit should also include a printout of the first 25 and last 25 pages of source code for the program.

 

In the case of works reproduced in three-dimensional copies, identifying material such as photographs or drawings is ordinarily required. Other examples of special deposit requirements (but by no means an exhaustive list) include many works of the visual arts such as greeting cards, toys, fabrics, oversized materials (request Circular 40a, "Deposit Requirements for Registration of Claims to Copyright in Visual Arts Material"); video games and other machine-readable audiovisual works (request Circular 61); automated databases (request Circular 65, "Copyright Registration for Automated Databases"); and contributions to collective works. For information about deposit requirements for group registration of serials, request Circular 62, "Copyright Registration for Serials."

 

If you are unsure of the deposit requirement for your work, write or call the Copyright Office and describe the work you wish to register.

 

Unpublished Collections

Under the following conditions, a work may be registered in unpublished form as a "collection," with one application form and one fee:

 

The elements of the collection are assembled in an orderly form;

The combined elements bear a single title identifying the collection as a whole;

The copyright claimant in all the elements and in the collection as a whole is the same; and

All the elements are by the same author, or, if they are by different authors, at least one of the authors has contributed copyrightable authorship to each element.

An unpublished collection is not indexed under the individual titles of the contents but under the title of the collection.

 

NOTE: A Library of Congress Control Number is different from a copyright registration number. The Cataloging in Publication (CIP) Division of the Library of Congress is responsible for assigning LC Control Numbers and is operationally separate from the Copyright Office. A book may be registered in or deposited with the Copyright Office but not necessarily cataloged and added to the Library's collections. For information about obtaining an LC Control Number, see the following homepage: http://pcn.loc.gov. For information on International Standard Book Numbering (ISBN), write to: ISBN, R. R. Bowker, 630 Central Ave., New Providence, NJ 07974. Call (877) 310-7333. For further information and to apply online, see http://www.isbn.org. For information on International Standard Serial Numbering (ISSN), write to: Library of Congress, National Serials Data Program, Serial Record Division, Washington, D.C. 20540-4160. Call (202) 707-6452. Or obtain information from http://www.loc.gov/issn.

 

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EFFECTIVE DATE OF REGISTRATION

A copyright registration is effective on the date the Copyright Office receives all the required elements in acceptable form, regardless of how long it then takes to process the application and mail the certificate of registration. The time the Copyright Office requires to process an application varies, depending on the amount of material the Office is receiving.

 

If you apply for copyright registration, you will not receive an acknowledgment that your application has been received (the Office receives more than 600,000 applications annually), but you can expect:

 

A letter or a telephone call from a Copyright Office staff member if further information is needed or

 

A certificate of registration indicating that the work has been registered, or if the application cannot be accepted, a letter explaining why it has been rejected.

 

Requests to have certificates available for pickup in the Public Information Office or to have certificates sent by Federal Express or another mail service cannot be honored.

 

If you want to know the date that the Copyright Office receives your material, send it by registered or certified mail and request a return receipt.

 

 

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CORRECTIONS AND AMPLIFICATIONS OF EXISTING REGISTRATIONS

To correct an error in a copyright registration or to amplify the information given in a registration, file a supplementary registration form--Form CA-- with the Copyright Office. The filing fee is $100. (See Note above.) The information in a supplementary registration augments but does not supersede that contained in the earlier registration. Note also that a supplementary registration is not a substitute for an original registration, for a renewal registration, or for recording a transfer of ownership. For further information about supplementary registration, request Circular 8, "Supplementary Copyright Registration."

 

 

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MANDATORY DEPOSIT FOR WORKS PUBLISHED IN THE UNITED STATES

Although a copyright registration is not required, the Copyright Act establishes a mandatory deposit requirement for works published in the United States. See the definition of "publication." In general, the owner of copyright or the owner of the exclusive right of publication in the work has a legal obligation to deposit in the Copyright Office, within 3 months of publication in the United States, two copies (or in the case of sound recordings, two phonorecords) for the use of the Library of Congress. Failure to make the deposit can result in fines and other penalties but does not affect copyright protection.

 

Certain categories of works are exempt entirely from the mandatory deposit requirements, and the obligation is reduced for certain other categories. For further information about mandatory deposit, request Circular 7d, "Mandatory Deposit of Copies or Phonorecords for the Library of Congress."

 

 

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USE OF MANDATORY DEPOSIT TO SATISFY REGISTRATION REQUIREMENTS

For works published in the United States, the copyright law contains a provision under which a single deposit can be made to satisfy both the deposit requirements for the Library and the registration requirements. In order to have this dual effect, the copies or phonorecords must be accompanied by the prescribed application form and filing fee.

 

 

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WHO MAY FILE AN APPLICATION FORM?

The following persons are legally entitled to submit an application form:

 

The author. This is either the person who actually created the work or, if the work was made for hire, the employer or other person for whom the work was prepared.

 

The copyright claimant. The copyright claimant is defined in Copyright Office regulations as either the author of the work or a person or organization that has obtained ownership of all the rights under the copyright initially belonging to the author. This category includes a person or organization who has obtained by contract the right to claim legal title to the copyright in an application for copyright registration.

 

The owner of exclusive right(s). Under the law, any of the exclusive rights that make up a copyright and any subdivision of them can be transferred and owned separately, even though the transfer may be limited in time or place of effect. The term "copyright owner" with respect to any one of the exclusive rights contained in a copyright refers to the owner of that particular right. Any owner of an exclusive right may apply for registration of a claim in the work.

 

The duly authorized agent of such author, other copyright claimant, or owner of exclusive right(s). Any person authorized to act on behalf of the author, other copyright claimant, or owner of exclusive rights may apply for registration.

 

There is no requirement that applications be prepared or filed by an attorney.

 

 

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APPLICATION FORMS

For Original Registration

Form PA: for published and unpublished works of the performing arts (musical and dramatic works, pantomimes and choreographic works, motion pictures and other audiovisual works)

Form SE: for serials, works issued or intended to be issued in successive parts bearing numerical or chronological designations and intended to be continued indefinitely (periodicals, newspapers, magazines, newsletters, annuals, journals, etc.)

Form SR: for published and unpublished sound recordings

Form TX: for published and unpublished nondramatic literary works

Form VA: for published and unpublished works of the visual arts (pictorial, graphic, and sculptural works, including architectural works)

Form G/DN: a specialized form to register a complete month's issues of a daily newspaper when certain conditions are met

Short Form/SE and Form SE/GROUP: specialized SE forms for use when certain requirements are met

Short Forms TX, PA, and VA: short versions of applications for original registration. For further information about using the short forms, request publication SL-7.

Form GATT and Form GATT/GRP: specialized forms to register a claim in a work or group of related works in which U. S. copyright was restored under the 1994 Uruguay Round Agreements Act (URAA). For further information, request Circular 38b.

 

For Renewal Registration

Form RE: for claims to renew copyright in works copyrighted under the law in effect through December 31, 1977 (1909 Copyright Act) and registered during the initial 28-year copyright term

Form RE Addendum: accompanies Form RE for claims to renew copyright in works copyrighted under the 1909 Copyright Act but never registered during their initial 28-year copyright term

 

For Corrections and Amplifications

Form CA: for supplementary registration to correct or amplify information given in the Copyright Office record of an earlier registration

 

For a Group of Contributions to Periodicals

Form GR/CP: an adjunct application to be used for registration of a group of contributions to periodicals in addition to an application Form TX, PA, or VA

 

How to Obtain Application Forms

See "For Further Information."

 

You must have Adobe Acrobat Reader ® installed on your computer to view and print the forms accessed on the Internet. Adobe Acrobat Reader may be downloaded free from Adobe Systems Incorporated through links from the same Internet site from which the forms are available.

 

Print forms head to head (top of page 2 is directly behind the top of page 1) on a single piece of good quality, 8-1/2-inch by 11-inch white paper. To achieve the best quality copies of the application forms, use a laser printer.

 

FILL-IN FORMS AVAILABLE

All Copyright Office forms are available on the Copyright Office Website in fill-in version. Go to http://www.copyright.gov/forms and follow the instructions. The fill-in forms allow you to enter information while the form is displayed on the screen by an Adobe Acrobat Reader product. You may then print the completed form and mail it to the Copyright Office. Fill-in forms provide a clean, sharp printout for your records and for filing with the Copyright Office.

 

 

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FEES

All remittances should be in the form of drafts, that is, checks, money orders, or bank drafts, payable to: Register of Copyrights. Do not send cash. Drafts must be redeemable without service or exchange fee through a U. S. institution, must be payable in U. S. dollars, and must be imprinted with American Banking Association routing numbers. International Money Orders and Postal Money Orders that are negotiable only at a post office are not acceptable.

 

If a check received in payment of the filing fee is returned to the Copyright Office as uncollectible, the Copyright Office will cancel the registration and will notify the remitter.

 

The filing fee for processing an original, supplementary, or renewal claim is nonrefundable, whether or not copyright registration is ultimately made.

 

Do not send cash. The Copyright Office cannot assume any responsibility for the loss of currency sent in payment of copyright fees. For further information, request Circular 4, "Copyright Fees."

 

Certain Fees and Services May Be Charged to a Credit Card

 

Some fees may be charged by telephone and in person in the office. Others may only be charged in person in the office. Credit card payments are generally authorized only for services that do not require filing of applications or other materials. An exception is made for fees related to items that are hand-carried into the Public Information Office.

 

Certifications and Documents Section: These fees may be charged in person in the office or by phone: additional certificates; copies of documents and deposits; searching, locating and retrieving deposits; certifications; and expedited processing.

 

Public Information Office: These fees may only be charged in person in the office, not by phone: standard registration request forms; special handling requests for all standard registration requests; requests for services provided by the Certifications and Documents Section when the request is accompanied by a request for special handling; search requests for which a fee estimate has been provided; additional fee for each claim using the same deposit; full term retention fees; appeal fees; Secure Test processing fee; short fee payments when accompanied by a Remittance Due Notice; in-process retrieval fees; and online service providers fees.

 

Reference and Bibliography Section: Requests for searches on a regular or expedited basis can be charged to a credit card by phone.

 

Records Maintenance Unit: Computer time on COINS, printing from the Optical Disk, and photocopying can be charged in person in the office.

 

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you should post here to get more bling :D

COLDPLAYING.COM - 4TH ALBUM NEWS :: US TOUR REVIEWS :: S.AMERICAN DATES 2006 February 8, 2006

 

 

 

 

 

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25 January: Key Arena, Seattle, WA

 

(3931 total words in this text)

(1222 Reads)

 

Coldplay was the biggest rock band on the planet last year. So what better time for the British foursome to cash in, say, by launching an arena tour in Seattle just months after the band conquered America’s amphitheaters?

Hence, Wednesday night’s headlining date at KeyArena, witnessed by about 13,000 ecstatic fans just months after Coldplay’s August stop at Auburn’s White River Amphitheatre. And for those who caught the latter but not the former, you really only missed out on three noteworthy perks.

 

One: You wouldn’t have had to endure the aneurysm-inducing traffic at White River, which caused last summer’s show to start late. Coldplay mouthpiece Chris Martin felt compelled to apologize about that Wednesday. “It took us, like, seven years to get home after that,” he quipped.

 

Two: You would have gotten to hear a new song. Well, not an entirely new song, but a nonalbum track released since the last show. The maudlin, midtempo number “How You See the World No. 2” – the song about how you “just wanna get it right sometimes” – was issued on the charity CD “Help: A Day in the Life” last October, for those who didn’t recognize it.

 

Three: Most importantly, you would have gotten to see comeback kid Fiona Apple deliver an intense, show-stealing set as the opener. More on that in a sec.

 

Besides that, it was pretty much the same production, right down to the crescent screen that backed the band, their outfits (black pants, black shirts and white tennis shoes) and Martin running out into the audience late in the set.

 

The songs were even played in nearly the same order. The band kicked off with “Square One,” the ethereal leadoff track to last year’s X&Y, with the band – also guitarist Jon Buckland, drummer Will Champion and bassist Guy Berryman – backlit by giant digital numbers.

 

Next, Martin sat down at a piano to pound out fan favorite “Politik” to flickering lights. Disturbingly, he still does those jerky and almost obscene pelvic thrusts on the bench, a practice that may still be illegal in most of Utah and parts of the Bible Belt.

 

Then Martin grabbed a guitar for “Yellow,” the anthem that introduced Coldplay to the masses back in 2000. Giant yellow balloons wafted down from the rafters, and this time fans busted them and were showered with gold confetti without Martin prompting them – a clear sign that plenty had showed up for both shows.

 

Late in the set, the band clustered at the front of the stage to “prove to people we can play without all the lights and (stuff),” to give Martin’s reason. And they dedicated “X&Y” closer “’Til Kingdom Come” to the late Johnny Cash before segueing into Cash’s “Ring of Fire.”

 

The band took a bow a few songs later with “Talk” before coming back for an encore that featured of “The Hardest Part,” “In My Place” and “Fix You.”

 

Yep, a pretty predictable affair if you saw last summer’s show. But at least Martin tailored his pandering for the new set.

 

“We just landed,” Martin said early in the set. “So can anyone tell us who is in the Super Bowl?”

 

He added, “Plus if anyone could tell us where to get a cup of coffee in this town,” changing the refrain to cheery “God Put a Smile on Your Face” to “God put a Starbucks on the corner of every (freaking) place” a moment later.

 

While Coldplay was decent Wednesday night, the real treat was seeing Apple, a woman who went on the comeback trail with last fall’s phenomenal “Extraordinary Machine” release.

 

Apple’s act is perhaps better-suited to a theater setting; in fact, she played Seattle’s Moore Theatre in November. But her beautiful, jazzy vocals were definitely big enough to fill the arena. Apple sat at a piano as she and her four-piece backing band kicked off with “Get Him Back” and “Better Version of Me” from the new album.

 

But she really hit her stride with ’90s hits “Shadowboxer” and “Criminal.” From then one, she lurched, twitched and stomped her way through songs in an affected way that suggested she needed to use every fiber of her being to get the words out – or that she might start speaking in tongues.

 

Later, she belted the angry refrain of “Limp” with such conviction that it was hard to believe the star, known to melt down on occasion, was in such a cheery mood.

 

“I don’t like to talk on stage at all,” she said, sounding endearingly giddy early. “But there’s a nice feeling in here. I don’t like playing big places. It’s gotta be Coldplay.

 

“OK, I’ll shut up now.”

 

No, by all means; when you sound that incredible, ramble all you want.

 

 

 

Coldplay, Fiona Apple: Eye-popping show

 

If ever a show was a perfect fit for KeyArena, it was Coldplay's huge extravaganza there Wednesday night.

 

Opening a world tour, the British band went all out with busy lights, a massive curved video screen with impressive visuals, and an enormous, semicircular stage that matched the curves of the Key's interior.

 

Lead singer Chris Martin, rock's master of mellow, used everything in his bag of tricks to excite and involve the adoring crowd, which filled every seat in the house. He could barely keep himself on his stool as he banged on his upright piano, and was all over the stage when he sang or played guitar. At one point, he jumped from the stage, ran to the back — slapping hands along the way — and got up into the stands, where he was embraced by a pack of female fans, and he kept singing the whole time.

 

Flicking your Bic was replaced by turning on your cellphone. It looked like almost everyone in the 16,000-capacity hall was waving one during the big finale of "Fix You," and it was an impressive sight.

 

All that stage business — also including the dropping of huge yellow balloons (during the song "Yellow," natch) that burst over the crowd, sending out gold confetti — made for an eye-popping, fascinating show. And it helped obscure the lyrics, which often teetered on the edge of pretense, and occasionally fell in.

 

Martin strings together tired clichés and bad rhymes with astonishing hamminess. But fans don't seem to mind his clunky songwriting, because the music is so rich and romantic, and he's so sweet, playful and, well, mellow.

 

Opening act Fiona Apple was also a perfect fit, because her ego-centered lyrics also were marked by pretentiousness. Her songs were edgy and dramatic, and most of them were slow and brooding. That's probably why they didn't engage Coldplay's crowd.

 

Source: http://seattletimes.nwsource.com

 

 

 

Coldplay kicked off its latest North American concert tour last night with an explosive, entertaining concert at KeyArena that chased away the January gloom.

 

COLDPLAY AND FIONA APPLE

WHEN: Last night

WHERE: KeyArena

 

 

The show was the first in a 33-date concert trek that will include stops between now and April in every major U.S. and Canadian city — promising a great run for the band that has been lauded as the next U2 and ridiculed as a Radiohead knockoff.

 

Apologizing profusely for the nightmarish traffic congestion at the group’s concert in August at the White River Amphitheatre, dynamic lead singer Chris Martin teased the crowd about who was playing at the Super Bowl this year and where the band could find some good coffee in Seattle.

 

Martin performed as if he’d been shot from a cannon. He whirled around the stage like a man possessed. At the upright piano, he rocked back and forth on his stool, pounding away with manic energy.

 

The high-powered production included a giant video screen, light show, circular stage and plenty of room for Martin to dance and sing.

 

At the beginning, a giant on-screen digital clock counted down the show’s opening moments.

 

The current leg of the “Twisted Logic” tour, which crisscrossed North America last year, features many of the same songs as before.

 

The set opened with the melodic, crowd-pleasing “Square One,” the first song on the British pop-rock group’s hit album, “X&Y.”

 

The show featured a number of songs from the album.

 

“Yellow” was the most visually appealing song. Giant yellow balloons filled with gold confetti floated above the crowd. Concertgoers punctured each balloon, causing confetti to rain on the crowd.

 

The uplifting “God Put a Smile Upon Your Face” followed, inspiring the crowd to clap along. A special treat was “How You See the World,” from the “Help: A Day in the Life” charity album for the War Child organization. Previously, the song had only been available in Japan, but the latest version featured new lyrics by Martin, including the line, “Ooh, you just want to get it right sometimes.”

 

The four-piece band — each member was dressed entirely in black — repeated one of the more popular segments from the last “Twisted Logic” trek, gathering at the front of the stage for a stirring version of the Johnny Cash tune, “Till Kingdom Come,” followed by “Ring of Fire.” Martin called it a tribute to “a great American.”

 

Coldplay closed its main set with “Talk,” another immensely popular song from the current album. If the rest of the tour is as good as last night’s show, Coldplay stands a good chance of becoming one of the most successful touring acts of 2006.

 

Opening for Coldplay was singer-pianist Fiona Apple, who was thanking her lucky stars to be sharing a stage with the British supergroup.

 

“I’m going to die of smiling,” she said. “I’m so happy to be here.”

 

Gushing aside, Apple offered an impressive set of songs from her current album, “Extraordinary Machine,” a critical favorite that topped a number of “best of” lists for 2005.

 

Apple, dressed in a flowing black skirt and a green, off-the-shoulder top, often accompanied herself on piano, but she was at her best belting out songs from the front of the stage while her impressive band backed her up.

 

Concertgoers expressed their approval by yelling, “I love you, Fiona.”

 

Source: http://seattlepi.nwsource.com

 

 

 

after seeing them outdoors and indoors, I think that they are better outdoors…last summer just had a magical feel to it being outside and all - people were more free to really get down, scream, sing and jump around.

 

Tonight was still awesome.

 

Chris and Guy both are sportin some big fro growth. Johnny was ROCKIN OUT! I am serious he was like a total rockstar tonight.

 

The set list was similar to the summer but they threw some goodies in.

 

My favorite part was in Talk, he changed the words a bit…”You take a picture of something you see, in the future where will SHE be”

 

I can’t decide if that means Gwyneth, Apple or that they are having another girl.

 

Chris has really been doing the yoga too - he was doing these crazy moves on stage like backbends bouncing back up from the stage. Toward the end of the show he sprinted back to the far seats and up into the crowd. It was amazing - I was worried he was going to get mauled!

 

Then when he was done he sprinted - read it sprinted back to the stage…this man is freakin fast as lightening!

 

The songs were great - he changed the pacing on a lot of the lyrics so many of them had a bit of a different sound than you are used to hearing. I love this band, they are so great.

 

[Thanks percot]

 

 

 

hey all i just got back from the first show of the second leg of the twisted logic tour and i thought i’d give their playlist and a review. if you don’t want spoilers of the set and show do not read on. i’ll start with the straight up set list:

 

Square One

Politik

Yellow

Speed of Sound

God Put a Smile Upon Your Face

X & Y

How You See the World

White Shadows

The Scientist

(Acoustic Portion)

‘Til Kingdom Come

Ring of Fire

Trouble

(Back to Electric)

Clocks

Talk

 

Encore:

The Hardest Part

In My Place

Fix You

 

as you can see the set list is very similar to the first leg of the Twisted Logic tour and much of the lights and movie screen shots are the same. the show starts the same way with the rap song and then the countdown and up as well as other notable parts like the epileptic like lights during politik and the the bear during talk.

 

now for a run down of the specific things:

 

he introduced fiona apple at 8 PM sharp and congratulated the mothers that taught their children to never be late. he looks extra shaggy too.

 

once they started the lights went down and the rap song played for a few minutes and then they went on stage and the countdown started. they played the first two songs and then he told us that they had been in seattle for four days and joking asked about this football team that’s going to the superbowl.

 

then they started God Put a Smile… and he replaced one of the lyrics with “God put a Starbucks on every fucking street corner” and the crowd went nuts.

 

then a song or two later he congratulated the seahawks for being in the superbowl and the people loved that too. they did the balloons again during yellow and he tried to pop one with his guitar and it just bounced off but was able to pop one that had landed on the stage.

 

it was a nice surprise to hear x and y because i’ve wanted to hear it live but they didn’t play it at white river on the last tour. chris also mentioned about how bad the traffic was getting out to the middle of nowhere for white river and how it took them about seven years to get there.

 

how you see the world was awesome even though i’d never heard it before but i still really liked it.

 

they ended the scientist the same was with the sing along and then the backwards outro and set up for the acoustic part.

 

ring of fire wasn’t just a teaser like in some other cities it was pretty much the full song and everybody was singing along and clapping.

 

trouble was awesome for me because it’s one of my favorite songs by coldplay and will played the piano while chris sang but near the end they were both playing on the same piano and it was amazing. too bad it wasn’t the full length, they cut out the end part.

 

they did clocks the same way with the drumroll lead up and then the fast outro which chris and will have gotten much more coordinated at since i saw them in august.

 

during talk he was down at the front of the stage and the screen behind him had the bear in the corner walking around and a close up view of his face in the other corner and at one point he grabbed someone’s cell phone and was singing the part about “talking in a language i don’t speak” they all had their disposable cameras and took pics of the crowd before throwing them out.

 

once again in in my place chris ran through the crowd and at the key arena ran into the 100 seating area and finished the song there. the most amazing part was that when he went by us to get there i was on the aisle and i knew it was coming so i was able to touch him in true obsessive fan style and it was amazing. my friend also got a pic of his face as he ran back to the stage.

 

they ended again with fix you and they had the light that came down and chris swung around and that was about it.

 

all in all it was a good show. i’m kinda torn on it because it’s so similar to the white river and every other show of the twisted logic tour except indoors. it was amazing though to be so close to him and to touch him but the set list was very predictable which was kinda sad. but i do love coldplay and their level of playing was perfect as always it’s just kinda hard to justify 88 dollars for something that is mostly the same thing. another upside is that i was in row thirty on the floor instead of in the 200 section at white river so i had a much better view of the band.

 

let’s see.. the merch was mostly the same they still had the tour book and a couple of the same shirts though there were new ones that advertised the twisted logic tour 2006. there were a few sweatshirts that were ludicrously expensive as welll as a patch, mug, and button. the shirts were 35.

 

umm.. i think that is all for now. if you read that whole thing congratulations. i should be putting up some shitty camera phone/crappy digital camera pics in a day or two.

 

[Thanks dreads3213]

 

 

 

Coldplay Concert (Jim Keller)

Posted: 10:47:38 am on 1/26/2006 Modified: Never

 

Last night at Key Arena, Coldplay once again proved why they are one of the best live bands around, one of the few who really take their music to another level with their live show - with tons of energy, a flawless production, the musical and performance surprises - and aren’t content to just re-play their records. Among the many highlights of the first show on the second leg of their Twisted Logic Tour: their stage-front acoustic medley of two Johnny Cash songs; the amazing video (from outer space to DNA) that accompanied “The Scientist”; Chris Martin singing into a concert-goers cellphone during “Talk” or running deep into the Key crowd; the sheer joy of popping balloons pouring confetti over the fans during “Yellow”. And, Chris Martin’s funny. Sure, a lot of it was the same as their set last summer at White River, but it just seemed better in the midst of the dreariest January I can remember. What say you?

 

Re: Coldplay Concert (Courtney)

Posted: 11:01:01 am on 1/26/2006 Modified: Never

 

I thought the concert last night was amazing. It was my first time seeing Coldplay live and I could see why people would want to see them over and over again. Chris Martin was a ball of energy and the production was great. Fiona Apple did a fantastic job opening the show and even the pre-Coldplay music was enjoyable. Awesome show!!!

 

Re: Coldplay Concert (Shannon)

Posted: 2:46:57 pm on 1/26/2006 Modified: Never

 

I thought it was a phenomenal show though I did think the White River one was a slight bit better. It’s very hard to tell as I feel like the energy was the same on the band’s part in both shows. That was MY cell phone he sang into, by the way. I wish I could have had him call my voicemail so I could have the recording but I’ll take the fact that he only sang into mine as being pretty freaking awesome!

 

All in all, another great time was had by all. Two of my friends who were only so-so Coldplay fans are now in a concert after-glow and can’t wait to see them again!

 

-S

 

Re: Coldplay Concert (TGIRLIE)

Posted: 2:49:28 pm on 1/26/2006 Modified: Never

 

the show last night was amazing. cold play and fiona apple proved once again that they have what it takes! what wasn’t so great were the “fans.” seattle has no respect for the openers at most shows, it’s really sad. i consider fiona apple one of the most talented, beautiful, singer/songwriter/pianists ever. i was so excited to see her live again. i payed good money for row #17, floor seats so i could be up colse to sing and dance, yet i was told to “sit down.” i didn’t. everyone stood and sang along with cold play tho’ and im sure nobody was asked to sit down. Have some respect seattle. grow up!

 

Re: Coldplay Concert (LILKOCCO)

Posted: 4:33:26 pm on 1/26/2006 Modified: Never

 

This was an absolutely AMAZING show! I loved the energy of the fans and the band. Th elights and sounds were beyond belief!! I went and saw them at White River and it was real awesome show there as well. I guess I enjoyed this one a little better. I am so glad though that Coldplay recgnized the TERRIBLE parking and driving situation at the last venue (never go to White River again!!) They made the show personlized and they recognized the Seahawks…good times!!! I would go see them again in a heartbeat. they have proved to me again why they are still my favorite band!!!

 

Re: Coldplay Concert (LIZARDSTAR03)

Posted: 10:10:26 pm on 1/26/2006 Modified: Never

 

The show was straight amazing. The lights, energy, camera work, vocals and instramentals were perfect last night. Chris Martin really knows how to entertain a crowd what with his working in “I hope you win the super bowl” into one of the last lines of fix you and running out into the crowd and up the aisle where I was sitting. One of the best shows I’ve seen!

 

Re: Coldplay Concert (Monic6)

Posted: 5:11:51 pm on 1/27/2006 Modified: Never

 

I recently moved too the states from Ireland and decided that I had too go see Coldplay again on this tour and they didn’t dissapoint. I had seen them previously in Scotland and Ireland which was absolutely amazing. I thought that there performance on wednesday was just as good as any of there previous performances that I have seen but I was very dissapointed with the Seattle crowd. First of all nobody should be seated at a coldplay concert. Secondly the crowd should be going daft when chris martin trys to get a reaction from them, it took them to play a johnny cash song to get a reaction. He said several times for the crowd too join in but it just wasn’t happening. I thought this was one of the biggest musical citys in the world, I guess I was wrong! exclamation

 

coldplay is brilliant (kelly)

Posted: 6:00:48 pm on 1/30/2006 Modified: Never

 

well it seems as though very many coldplay goers are referring to the show as AMAZING! well, i am honestly referring to it as the most exhilerating concert i have ever attended. i have never been so moved in my life. It was the event of the year…..possibly even of all time…..i attend many small venues and i prefer them….but this is way out of the ordinary big venue style of show….it was eternally mind blowing….thank you readers

 

Re: Coldplay Concert (JJ )

Posted: 1:14:57 pm on 2/2/2006 Modified: Never

 

Fiona Apple is great and she put on a great show, but she is not stand up material. She is a sit down artist. Plus, she is the opening act. Seattle is just like everybody else, the opening act is really just an annoyance. I’m sorry, but it’s true. It is important for them to set the mood for the concert, but everyone wants them off the stage so that the headlining act can go. If everyone in the concert is sitting trying to listen and watch the concert, then you need to sit down. Period. Plus Coldplay was incredible and everyone stood up.

 

Re: Coldplay Concert (jesse)

Posted: 7:03:51 pm on 2/4/2006 Modified: Never

 

the concert was awesome, but i do agre with those who feel the crowd wasnt in to them. I was only able to get tickets for the upper level, and i wish i was on the floor. My friend and i were the only ones around standing taking the brilliant talent of coldplay in. They played as good as in white river, but i feel the crowd atmosphere was a lot better at the ampetheatre than the arena.

 

Source: http://1077theend.com

 

 

 

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Cold War: Postwar Estrangement

 

The Western democracies and the Soviet Union discussed the progress of

World War II and the nature of the postwar settlement at conferences in Tehran (1943), Yalta (February 1945), and Potsdam (July-August 1945). After the war, disputes between the Soviet Union and the Western democracies, particularly over the Soviet takeover of East European states, led Winston Churchill to warn in 1946 that an "iron curtain" was descending through the middle of Europe. For his part, Joseph Stalin deepened the estrangement between the United States and the Soviet Union when he asserted in 1946 that World War II was an unavoidable and inevitable consequence of "capitalist imperialism" and implied that such a war might reoccur.

 

The Cold War was a period of East-West competition, tension, and conflict short of full-scale war, characterized by mutual perceptions of hostile intention between military-political alliances or blocs. There were real wars, sometimes called "proxy wars" because they were fought by Soviet allies rather than the USSR itself -- along with competition for influence in the Third World, and a major superpower arms race.

 

After Stalin's death, East-West relations went through phases of alternating relaxation and confrontation, including a cooperative phase during the 1960s and another, termed dtente, during the 1970s. A final phase during the late 1980s and early 1990s was hailed by President Mikhail Gorbachev, and especially by the president of the new post-Communist Russian republic, Boris Yeltsin, as well as by President George Bush, as beginning a partnership between the two states that could address many global problems.

 

Telegram to President Truman

 

 

Cold War: Soviet Perspectives

 

After World War II, Joseph Stalin saw the world as divided into two camps: imperialist and capitalist regimes on the one hand, and the Communist and progressive world on the other. In 1947, President Harry Truman also spoke of two diametrically opposed systems: one free, and the other b

ent on subjugating other nations.

 

After Stalin's death, Nikita Khrushchev stated in 1956 that imperialism and capitalism could coexist without war because the Communist system had become stronger. The Geneva Summit of 1955 among Britain, France, the Soviet Union, and the United States, and the Camp David Summit of 1959 between Eisenhower and Khrushchev raised hopes of a more cooperative spirit between East and West. In 1963 the United States and the Soviet Union signed some confidence-building agreements, and in 1967 President Lyndon Johnson met with Soviet Prime Minister Aleksei Kosygin in Glassboro, New Jersey. Interspersed with such moves toward cooperation, however, were hostile acts that threatened broader conflict, such as the Cuban missile crisis of October 1962 and the Soviet-led invasion of Czechoslovakia of 1968.

 

The long rule of Leonid Brezhnev (1964-1982) is now referred to in Russia as the "period of stagnation." But the Soviet stance toward the United States became less overtly hostile in the early 1970s. Negotiations between the United States and the Soviet Union resulted in summit meetings and the

signing of strategic arms limitation agreements. Brezhnev proclaimed in 1973 that peaceful coexistence was the normal, permanent, and irreversible state of relations between imperialist and Communist countries, although he warned that conflict might continue in the Third World. In the late 1970s, growing internal repression and the Soviet invasion of Afghanistan led to a renewal of Cold War hostility.

 

Soviet views of the United States changed once again after Mikhail Gorbachev came to power in early 1985. Arms control negotiations were renewed, and President Reagan undertook a new series of summit meetings with Gorbachev that led to arms reductions and facilitated a growing sympathy even among Communist leaders for more cooperation and the rejection of a class-based, conflict-oriented view of the world.

 

With President Yeltsin's recognition of independence for the other republics of the former USSR and his launching of a full-scale economic reform program designed to create a market economy, Russia was pledged at last to overcoming both the imperial and the ideological legacies of the Soviet Union.

 

Hypermedia exhibit note: The following image is truncated in its original form for reasons unknown.

 

Exposing Imperialist Policies

 

 

Cold War: Cuban Missile Crisis

 

According to Nikita Khrushchev's memoirs, in May 1962 he conceived the idea of placing intermediate-range nuclear missiles in Cuba as a means of countering an emerging lead of the United States in developing and deploying strategic missiles. He also presented the scheme as a means of protecting Cuba from another United States-sponsored invasion, such as the failed attempt at the Bay of Pigs in 1961.

 

After obtaining Fidel Castro's approval, the Soviet Union worked quickly and secretly to build missile installations in Cuba. On October 16, President John Kennedy was shown reconnaissance photographs of Soviet missile installations under construction in Cuba. After seven days of guarded and intense debate in the United States administration, during which Soviet diplomats denied that installations for offensive missiles were being built in Cuba, President Kennedy, in a televised address on October 22, announced the discovery of the installations and proclaimed that any nuclear missile attack from Cuba would be regarded as an attack by the Soviet Union and would be responded to accordingly. He also imposed a naval quarantine on Cuba to prevent further Soviet shipments of offensive military weapons from arriving there.

 

During the crisis, the two sides exchanged many letters and other communications, both formal and "back channel." Khrushchev sent letters to Kennedy on October 23 and 24 indicating the deterrent nature of the missiles in Cuba and the peaceful intentions of the Soviet Union. On October 26, Khrushchev sent Kennedy a long rambling letter seemingly proposing that the missile installations would be dismantled and personnel removed in exchange for United States assurances that it or its proxies would not invade Cuba. On October 27, another letter to Kennedy arrived from Khrushchev, suggesting that missile installations in Cuba would be dismantled if the United States dismantled its missile installations in Turkey. The American administration decided to ignore this second letter and to accept the offer outlined in the letter of October 26. Khrushchev then announced on October 28 that he would dismantle the installations and return them to the Soviet Union, expressing his trust that the United States would not invade Cuba. Further negotiations were held to implement the October 28 agreement, including a United States demand that Soviet light bombers also be removed from Cuba, and to specify the exact form and conditions of United States assurances not to invade Cuba.

 

Khrushchev to John F. Kennedy

 

 

 

 

 

Please follow the guide back to the entrance hall or have a look at one of these showcases:

Intro: The Soviet Union and the United States

Early Cooperation

Soviet and American Communist Parties

World War II

When you have seen them all, walk down the stairs, back to the entrance hall.

Cold War: Postwar Estrangement

 

The Western democracies and the Soviet Union discussed the progress of World War II and the nature of the postwar settlement at conferences in Tehran (1943), Yalta (February 1945), and Potsdam (July-August 1945). After the war, disputes between the Soviet Union and the Western democracies, particularly over the Soviet takeover of East European states, led Winston Churchill to warn in 1946 that an "iron curtain" was descending through the middle of Europe. For his part, Joseph Stalin deepened the estrangement between the United States and the Soviet Union when he asserted in 1946 that World War II was an unavoidable and inevitable consequence of "capitalist imperialism" and implied that such a war might reoccur.

 

The Cold War was a period of East-West competition, tension, and conflict short of full-scale war, characterized by mutual perceptions of hostile intention between military-political alliances or blocs. There were real wars, sometimes called "proxy wars" because they were fought by Soviet allies rather than the USSR itself -- along with competition for influence in the Third World, and a major superpower arms race.

 

After Stalin's death, East-West relations went through phases of alternating relaxation and confrontation, including a cooperative phase during the 1960s and another, termed dtente, during the 1970s. A final phase during the late 1980s and early 1990s was hailed by President Mikhail Gorbachev, and especially by the president of the new post-Communist Russian republic, Boris Yeltsin, as well as by President George Bush, as beginning a partnership between the two states that could address many global problems.

 

Telegram to President Truman

 

 

Cold War: Soviet Perspectives

 

After World War II, Joseph Stalin saw the world as divided into two camps: imperialist and capitalist regimes on the one hand, and the Communist and progressive world on the other. In 1947, President Harry Truman also spoke of two diametrically opposed systems: one free, and the other bent on subjugating other nations.

 

After Stalin's death, Nikita Khrushchev stated in 1956 that imperialism and capitalism could coexist without war because the Communist system had become stronger. The Geneva Summit of 1955 among Britain, France, the Soviet Union, and the United States, and the Camp David Summit of 1959 between Eisenhower and Khrushchev raised hopes of a more cooperative spirit between East and West. In 1963 the United States and the Soviet Union signed some confidence-building agreements, and in 1967 President Lyndon Johnson met with Soviet Prime Minister Aleksei Kosygin in Glassboro, New Jersey. Interspersed with such moves toward cooperation, however, were hostile acts that threatened broader conflict, such as the Cuban missile crisis of October 1962 and the Soviet-led invasion of Czechoslovakia of 1968.

 

The long rule of Leonid Brezhnev (1964-1982) is now referred to in Russia as the "period of stagnation." But the Soviet stance toward the United States became less overtly hostile in the early 1970s. Negotiations between the United States and the Soviet Union resulted in summit meetings and the signing of strategic arms limitation agreements. Brezhnev proclaimed in 1973 that peaceful coexistence was the normal, permanent, and irreversible state of relations between imperialist and Communist countries, although he warned that conflict might continue in the Third World. In the late 1970s, growing internal repression and the Soviet invasion of Afghanistan led to a renewal of Cold War hostility.

 

Soviet views of the United States changed once again after Mikhail Gorbachev came to power in early 1985. Arms control negotiations were renewed, and President Reagan undertook a new series of summit meetings with Gorbachev that led to arms reductions and facilitated a growing sympathy even among Communist leaders for more cooperation and the rejection of a class-based, conflict-oriented view of the world.

 

With President Yeltsin's recognition of independence for the other republics of the former USSR and his launching of a full-scale economic reform program designed to create a market economy, Russia was pledged at last to overcoming both the imperial and the ideological legacies of the Soviet Union.

 

Hypermedia exhibit note: The following image is truncated in its original form for reasons unknown.

 

Exposing Imperialist Policies

 

 

Cold War: Cuban Missile Crisis

 

According to Nikita Khrushchev's memoirs, in May 1962 he conceived the idea of placing intermediate-range nuclear missiles in Cuba as a means of countering an emerging lead of the United States in developing and deploying strategic missiles. He also presented the scheme as a means of protecting Cuba from another United States-sponsored invasion, such as the failed attempt at the Bay of Pigs in 1961.

 

After obtaining Fidel Castro's approval, the Soviet Union worked quickly and secretly to build missile installations in Cuba. On October 16, President John Kennedy was shown reconnaissance photographs of Soviet missile installations under construction in Cuba. After seven days of guarded and intense debate in the United States administration, during which Soviet diplomats denied that installations for offensive missiles were being built in Cuba, President Kennedy, in a televised address on October 22, announced the discovery of the installations and proclaimed that any nuclear missile attack from Cuba would be regarded as an attack by the Soviet Union and would be responded to accordingly. He also imposed a naval quarantine on Cuba to prevent further Soviet shipments of offensive military weapons from arriving there.

 

During the crisis, the two sides exchanged many letters and other communications, both formal and "back channel." Khrushchev sent letters to Kennedy on October 23 and 24 indicating the deterrent nature of the missiles in Cuba and the peaceful intentions of the Soviet Union. On October 26, Khrushchev sent Kennedy a long rambling letter seemingly proposing that the missile installations would be dismantled and personnel removed in exchange for United States assurances that it or its proxies would not invade Cuba. On October 27, another letter to Kennedy arrived from Khrushchev, suggesting that missile installations in Cuba would be dismantled if the United States dismantled its missile installations in Turkey. The American administration decided to ignore this second letter and to accept the offer outlined in the letter of October 26. Khrushchev then announced on October 28 that he would dismantle the installations and return them to the Soviet Union, expressing his trust that the United States would not invade Cuba. Further negotiations were held to implement the October 28 agreement, including a United States demand that Soviet light bombers also be removed from Cuba, and to specify the exact form and conditions of United States assurances not to invade Cuba.

 

Khrushchev to John F. Kennedy

 

 

 

 

 

Please follow the guide back to the entrance hall or have a look at one of these showcases:

Intro: The Soviet Union and the United States

Early Cooperation

Soviet and American Communist Parties

World War II

When you have seen them all, walk down the stairs, back to the entrance hall.

U2 is een Ierse rockband met Bono (Paul David Hewson), zang en gitaar, The Edge (David Howell Evans) op gitaar, piano, zang en soms de bas, Adam Clayton op bas en soms gitaar, en Larry Mullen jr op drums. Deze bezetting is van het begin af altijd ongewijzigd gebleven, wat een unicum is in de popgeschiedenis. Zelfs de entourage van de groep - van manager en geluidstechnicus tot roadies en art directors - is in de loop der jaren bij U2 grotendeels dezelfde gebleven.

 

De band heeft de naam gekozen van de onderzeeër U-2 en het spionagevliegtuig U2. De band is politiek actief voor de mensenrechten en steunt vele goede doelen, onder andere door benefietconcerten en inzamelingsacties. Het benefietconcert Live Aid, op 13 juli 1985, vormde de definitieve doorbraak van de groep. In september 1997 speelde de band in het kader van de Popmart-toer in Sarajevo. Dit had een samenbindend effect op de diverse etnische bevolkingsgroepen in Bosnië-Herzegovina.

 

Geschiedenis

U2 begon in oktober 1976 op de Mount Temple School in Dublin onder de naam Feedback. De band bestond toen nog uit vijf leden; naast de uiteindelijke U2-bezetting was dat Dik Evans (de broer van The Edge) op gitaar. Begin 1978 veranderde de band zijn naam in The Hype. In die periode verliet Dik Evans de band. Vrijwel tegelijkertijd wijzigt de band op advies van de Ierse zanger en reclameman Steve Rapid zijn naam in U2.

 

U2 werd, evenals bijvoorbeeld de Schotse band Simple Minds, veelal tot de stroming new wave gerekend. De band ontwikkelde op de eerste albums, Boy (1980) en October (1981), evenwel een eigen en duidelijk herkenbare stijl. Na een korte stilte rondom de band werd in 1983 het album War uitgebracht. Twee nummers van dit album werden hits over de hele wereld: New Year's Day en het krachtige Sunday Bloody Sunday, dat teruggrijpt op het bloedbad op zondag 30 januari 1972 tussen demonstranten en het Britse leger in County Londonderry, Noord-Ierland (Bloody Sunday).

 

Na het album The Unforgettable Fire (1984) werd The Joshua Tree (1987) uitgebracht, door velen beschouwd als het hoogtepunt in het oeuvre van U2. Het album bereikte zowel in het Verenigd Koninkrijk als in de Verenigde Staten de eerste plaats in de hitlijsten en er werden wereldwijd meer dan 20 miljoen exemplaren van verkocht.

 

U2 hield zich hierna bezig met het album Rattle and Hum (1988) en de gelijknamige documentaire over de band. Rattle and Hum trekt niet de lijn door van de vorige albums, maar is een hommage aan Amerikaanse muziek. Het is een mengelmoes van covers en eigen nummers, zowel in studio's als bij concerten opgenomen. Onder meer B.B. King werkte mee aan dit album.

 

De band was op dat moment zo in de belangstelling dat de over-exposure bijna het einde betekende van U2. De bandleden trokken zich terug en sloegen, mede door een lang verblijf in Berlijn, een nieuwe weg in. Het resultaat van het verblijf in Berlijn, het album Achtung Baby (1991) , was veel experimenteler dan de vorige albums. De band zocht een nieuwe stijl: De Zoo TV-tour en het album Zooropa (1993) hadden als thema een parodie op de amusementsindustrie. Dit thema werd verder voortgezet met het album Pop (1997) en de daarop volgende groots opgezette Popmart-tour.

 

De Elevation-tour, volgend op het album All that you can't leave behind (2000), was veel kleinschaliger. Dit album was wel weer ouderwets succesvol. Er gingen bijna 12 miljoen exemplaren van over de toonbank. In Nederland scoorde U2 voor het eerst een nummer één hit. Sterker nog, ze scoorden er twee (Beautiful Day en Elevation).

 

Na Elevation werd het stil rond de band. Bono besteedde ondertussen veel tijd aan zijn nieuwe organisatie DATA, die onder meer streeft naar vermindering van de schuldenlast in Afrika. Op 22 november 2004 verscheen het volgende album van de band: How to Dismantle an Atomic Bomb. De eerste single hiervan, Vertigo, was vanaf 24 september 2004 op de Nederlandse radio te horen en was beschikbaar in de Nederlandse winkel vanaf 8 november 2004. Voor dit album kreeg U2 op 13 februari 2005 drie Grammy Awards. De tweede single "Sometimes you can't make it on your own" heeft Bono geschreven ten tijde dat zijn vader Bob Hewson stervende was aan de gevolgen van kanker. Dit nummer heeft Bono ook gezongen tijdens de begrafenis van zijn vader. Van HTDAAB zijn tot op vandaag (mei 2005) wereldwijd 9 miljoen exemplaren verkocht.

 

In een interview met Rolling Stone vertelt Bono dat een nog nieuwer album van U2 in 2006 zal uitkomen. Ze hebben 2 jaar in de studio gezeten en 24 nummers zouden eruit voortgekomen zijn, 12 zijn op HTDAAB gekomen. De rest wordt maart 2006 verwacht.

 

Op 14 maart 2005 is U2 opgenomen in de Rock and Roll Hall of Fame.

 

[bewerk]

Discografie

U2 heeft de volgende albums uitgebracht:

 

1980 - Boy

1981 - October

1983 - War

1983 - Under a Blood Red Sky (live)

1984 - The Unforgettable Fire

1987 - The Joshua Tree

1988 - Rattle and Hum

1991 - Achtung Baby

1993 - Zooropa

1995 - Original Soundtracks No. 1 (passengers)

1997 - Pop

1998 - The Best Of 1980 - 1990 & B-Sides (compilatie)

2000 - All That You Can't Leave Behind

2002 - The Best Of 1990 - 2000 & B-Sides (compilatie)

2004 - How to Dismantle an Atomic Bomb

Voor een uitgebreidere discografie van uitgebracht materiaal, inclusief een overzicht van Nederlandse album-/singlenoteringen, zie U2 (discografie).

 

[bewerk]

Tours

U23, 1979 - februari 1980

11 O´clock Tick Tock, mei - juli 1980

Boy, 1980 - 1981

October, 1981 - 1982

War, 1983

Under Australian Skies, 1984

The Unforgettable Fire, 1984 - 1986

The Joshua Tree, 1987

Love Town Tour, met B.B. King 1989 - 1990

ZooTV / Zooropa/ Zoomerang/ New Zooland, 1992 - 1993

Parodie op de moderne wereld van TV, rockmuziek, etc.

Popmart, 1997 - 1998

De tour was een enorm spektakel, met onder meer een 50 meter lang videoscherm.

Hoewel deze succesvol was, kwamen er ook vrij veel negatieve reacties:

veel mensen vonden dat U2 te ver was gegaan met de "ironische" aanpak.

Elevation, 2001

Deze tour, eenvoudiger van opzet dan de vorige, werd wederom een wereldwijd succes;

Alleen de tour Voodoo Lounge van de Rolling Stones was succesvoller.

Vertigo, 2005

Begon op 28 maart 2005 in de Verenigde Staten.

Europese tour is begonnen op 10 juni in het Koning Boudewijnstadion in Brussel, België.

13, 15 en 16 juli in de Amsterdam ArenA. Deze concerten bevatten nummers uit de hele carrière, van I Will Follow (hun eerste hit in Nederland) via New Year's Day en Running to Stand Still (opgedragen aan Theo van Gogh) tot en met een handjevol nummers van How to Dismantle an Atomic Bomb, waaronder op 13 en 15 juli zowel aan het begin als het eind van het concert de titelsong van deze tour. Ook werd er een nummer opgedragen aan Herman Brood. Opvallend is dat tijdens het optreden op 16 juli 2005 het nummer Miss Sarajevo werd gespeeld. Dit was pas de derde keer ooit dat dit nummer live werd uitgevoerd. Het stuk dat oorspronkelijk door operazanger Luciano Pavarotti werd ingezongen, werd in deze uitvoering door Bono zelf voor zijn rekening genomen.

De "3rd leg" van de vertigo tour begon op 9 september 2005 in Toronto en zal op 19 december in Portland zijn einde zien. Op 14 november 2005 ligt de dubbel DVD U2 - Vertigo 05 - Live from Chicago, in de winkel: een registratie van het concert van 9 en 10 mei 2005.

Robbie Williams is geboren in Stoke-on-Trent in Engeland.

 

[bewerk]

Take That

Robbie's carrière begon met Take That, de band die gevormd was door zanger/componist Gary Barlow. De band was opgericht in 1990 en bleek enorm succesvol, met 8 keer op 1 in het VK. Hun populariteit leidde tot een succes van gelijke bands in het Verenigd Koninkrijk. Hoewel het heel goed ging scheen Robbie totaal niet in de groep te passen en scheen hij veel ruzie te maken met de bandleden en het management. In 1995 vertrok Robbie Williams uit Take That. Dat riep bewondering en verwarring op want Take That was toen de beroemdste jongensband. De algemene opinie is dat hij de opgelegde 'schone' levenstijl die de jongens moesten volgen (niet drinken/roken/drugs/sex) niet langer kon volhouden. Dit mondde uit in uitgebreid drinken, vechten en zwartmaken van de band toen hij er eenmaal niet meer inzat.

 

[bewerk]

Solocarrière

[bewerk]

Na Take That

Nadat hij Take That verlaten had leek Williams zich meteen in de Rock & Roll levensstijl te gooien samen met de band Oasis. Dit zorgde voor een groot gevecht tegen de verslaving. Na een probleem samen met Oasis noemde Noel Gallagher hem alleen nog maar "Die dikke danser van Take That".De media dacht niet dat er nog iets normaals zou komen van Robbie. Er was meer aandacht gegeven aan ex-bandlid Gary Barlow en een iets minder bekend ex-bandlid Mark Owen.

 

[bewerk]

Life Thru A Lens

In 1996 was Robbie klaar om te starten met een nieuwe carrière. Zijn eerste single "Freedom", een cover van George Michael uit 1990, kwam uit in augustus 1996. Na een tijd in een afkickkliniek kwam in 1997 de single "Old Before I Die". Beide singles waren grote successen in Engeland. Dit zorgde voor de komst van zijn eerste soloalbum, Life Thru A Lens, later dat jaar.

 

Life Thru A Lens bevatte zijn single "Old Before I Die" en flopte behoorlijk omdat de rest (bijv. "Lazy Days", "Angels en "South of the Border" niet echt goed ontvangen werd.

 

[bewerk]

Angels

Het laatste lied dat van Life Thru A Lens, uitgebracht zou worden was "Angels". Dit lied zorgde voor de echte internationale comeback van Robbie.

 

"Angels" is in februari 2005 door de Engelsen, tijdens de Britse muziekprijzen, gekozen tot beste lied van de afgelopen 25 jaar.

 

Williams werd gelijk een celebrity in de Europa terwijl hij in de VS amper doorbrak. Millennium, gebouwd rondom de James Bond theme "You Only Live Twice" was in Europa in 1998 een grote hit maar behaalde in Amerika maar nr. 72.

 

[bewerk]

I've Been Expecting You

Zijn 2e album "I've Been Expecting You" kwam uit in 1998. In 1999 werkte hij samen met Tom Jones voor een cover van Lenny Kravitz' lied ”Are You Gonna Go My Way“ dat op het album Reload kwam.

 

[bewerk]

Sing When You're Winning

Het album dat werd uitgebracht in 2001 bevatte de hit "Rock DJ". De clip zorgde voor kritiek vanwege de gewaagde striptease die Robbie deed. De clip werd een grote hit, maar haalde in ons land slechts een 6e plaats in de top 40. Het lied sloeg aan, maar Robbie haalde nog steeds niet de bekendheid, zoals hij in Europa had. Omdat de clip zo schokkend was werd dit gezien als het tijdelijke einde van Robbie's einde van zijn carrière in de VS, hoewel de clip wel werd genomineerd voor de MTV Video Music Award.

 

De clip werd in veel landen zo schokkend gevonden dat hij door veel zenders, vooral Amerikaanse, vroegtijdig werd gestopt. Deze clip was echter niet de enige keer dat Robbie naakt in het openbaar verscheen. Hij zou hierna nog vele malen naakt optreden en poseren.

 

[bewerk]

Swing When You're Winning

In 2001 bracht Robbie nog een cd uit. In deze cd coverde hij vele nummers uit de jaren 50 en 60. Op de cd stonden nummers als "Ain't That A Kick In The Head" en "Mack The Knife". Er stond ook een duet op, origineel gezongen door Frank Sinatra en Nancy Sinatra, genaamd "Something Stupid". Robbie zong dit samen met Nicole Kidman. De cover van Bobby Darlin's "Beyond the Sea werd de soundtrack van de film Finding Nemo en zorgde dat Robbie weer in de spotlights kwam van de Amerikaanse pers.

 

[bewerk]

Escapology

In 2002 stopte Robbie de samenwerking met zijn schrijver Guy Chambers. Dit was echter maar voor korte duur, want een half jaar later werkten ze alweer samen aan Robbie's nieuwe album Escapology, het album dat in 2002 uitkwam. De eerste single ervan, "Feel", was een enorme hit in Europa. Dit was deels door de mooie zwart-wit clip, waarin ook de mooie Darryl Hannah. Het album verkocht echter veel slechter dan verwacht.

 

De clip van de volgende "Escapology" single, "Come Undone", werd enorm gecensureerd door MTV Networks Europe, omdat Robbie in de clip sex had met twee vrouwen, hoewel ze wel aangekleed waren. Er waren reptielen en insecten te zien die in de mond van de vrouwen lagen. De plotselinge wending kwam waarschijnlijk door de breuk tussen Williams en Guy Chambers.

 

[bewerk]

Intensive Care

Dit album kwam uit in Berlijn op 9 oktober 2005. Het kwam op tv en is uitgezonden vanaf speciale plaatsen, zoals bioscopen en theaters. Tijdens het optreden heeft Williams gezegd dat er misschien een vaccature is voor de titel "King of Pop".

 

Hoewel het album eerst niet in de VS uit zou komen had iTunes het toch mogelijk gemaakt om hem te bestellen, vanwege het grote succes in Europa.

 

[bewerk]

Huidige carrière

In 2002 werd Robbie door de Britten gekozen tot een van de 100 grootste Britten ooit. Later zou hij op plaats 17 eindigen in Channel 4's lijst van verschrikkelijkste Britten ooit.

 

Een biografie over Robbie, geschreven door Chris Heath, genaamd "Feel", werd uitgebracht in 2004. In 2003 gaf Robbie optredens samen met Duran Duran en ex-Take That lid Mark Owen.

 

Sinds de breuk met Chambers heeft Robbie laten zien dat hij er niet op achteruit was gegaan. Hij ging gelijk aan de slag samen met ex-Duran Duran-zanger Stephen Duffy om de enorme successen "Radio" en "Misunderstood" te schrijven.

 

Beide nummers kwamen op het album :"Greatest Hits", dat uitkwam op oktober 2004. In februari 2005 werd het nummer "Angels" gekozen tot beste lied van de afgelopen 25 jaar en kreeg hiervoor de British music industry's award.

 

Williams trad ook op tijdens Live 8. Hij deed het nummer "Feel", dat niet echt bekend was op Hyde Park, maar hij grapte zich er goed uit en maakte er toch nog een mooi optreden van. Hij zong ook nog het lied "We Will Rock You", zoals Freddie Mercury dat 20 jaar eerder deed.

 

[bewerk]

Williams levensstijl

Robbie is momenteel single en woont in een gigantisch huis in Los Angeles. Robbie komt vaak in het nieuws, vooral vanwege zijn seksleven. Robbie wilde graag gezien worden als een womaniser en zoende daarom ook regelmatig vrouwen uit het publiek tijdens een optreden. Hij probeert het nu wat rustiger aan te doen en zich wat meer te settelen

 

Hij is in het Verenigd Koninkrijk ambassadeur voor UNICEF.

In the sun news ;)

 

Michael Stipe and Chris Martin Team Up for Charity

February 03, 2006 12:27 AM

 

REM's Michael Stipe has teamed up with Coldplay's Chris Martin for a charity single to continue aid for Hurricane Katrina victims.

 

This Sunday, following the Super Bowl (February 5) Stipe's duet with Martin on the Joseph Arthur-penned song 'In the Sun' will premiere on US television drama 'Grey's Anatomy'.

 

The following day it will be available for purchase solely on iTunes, with proceeds going to benefit Mercy Corps.

 

"The news cycle has moved on and I don't want the public to forget about those who were affected by Katrina or to believe that everything is fine now," Stipe said in a statement yesterday.

 

He added: "It's a unique place, not only to this country but to the world. I had to do something as a Southerner. I had to do something as a public figure. The one thing I can do is sing, and it's probably the best way to get people to pay attention."

 

The song features piano by Fountains Of Wayne's Adam Schlesinger and production by Stipe with ex-Smashing Pumpkins guitarist James Iha.

 

In addition to the duet with Martin, the single will be available in a number of formats on iTunes, including a live version recorded by Coldplay and Stipe at the Texas music festival Austin City Limits earlier this year, as well as a remix by Justin Timberlake and Black Eyed Peas star will.i.am.

 

'In The Sun' will also be featured in a documentary film of the same name, which airs on US cable network the Sundance Channel later this year. Stipe, Martin and a number of hurricane survivors are interviewed in the picture.

 

The full track listing of 'In the Sun' is:

 

Michael Stipe - In the Sun (Gulf Coast Relief) (Feat. Chris Martin)

Michael Stipe - In the Sun (JAW Breakers Remix) (Feat. Chris Martin, Mix by Justin Timberlake and will.i.am)

Michael Stipe - In the Sun (Feat. Joseph Arthur)

Michael Stipe - In the Sun (Michael Stipe)

Michael Stipe - In the Sun (w/ Coldplay) (Recorded Live at Austin City Limits)

Michael Stipe - In the Sun (Free Acoustic Couch Rehearsal) (Michael Stipe/Joseph Arthur)

Source: NME

December 12th 2005 - Six years ago today...

Exactly six years ago, this webpage saw the light for the very first time. Since then, more than 140.000 people have visited, there is an active forum with close to 400 members keeping eachother updated on everything related to the band, and Madrugada are more successful than I (or, probably, anyone else) could ever have imagined all those years ago - just yesterday the band performed "The Kids Are On High Street" and "Lift Me" at the Nobel Peace Prize concert that could be seen on television by up to one billion people!

 

Six years and a month ago, I saw Madrugada for the very first time, in a small room in the basement of a hotel with about one hundred people in attendance. A few weeks ago, I saw Madrugada live again in Berlin, in front of fifteen hundred people who all knew the lyrics to their songs, the second-to-last one of these songs being "The Frontman." After the concert, Frode asked me what I thought of the performance of that song, telling me he remembered that it was my favorite song.

 

What he probably does not know is that "The Frontman" is also the very reason this page exists. Six years ago they performed that song in the small basement, two years before it would be released, and the song and the incredibly cool working-title - "Captain, The Men Are Exploding!" - got stuck in my head. Searching the Internet for information about this song did not yield any results, so I decided that if no one else were going to provide me with information about the band, I might as well have to do it myself. And this page was born.

 

Six years later I am still updating this page, and in two days Madrugada will finally release the live-album that we have been waiting for for so many years - "Live At Tralfamadore" - as one of Norway's biggest and, undoubtedly, best bands. Unfortunately without "The Frontman" on the tracklist, but that probably would have been just too weird.

 

"Let's do it right.

Right now."

 

November 27th 2005 - Live At Tralfamadore?

Lots of things have happened in the Madrugada world over the past few months, unfortunately I have not been able to stay on top of things and update this news page regularly. Hopefully everyone has checked out the discussion forum, a lot of people make sure to post all the necessary new information there, including reviews and setlists from nearly every show on the current European tour.

 

Undoubtedly the most exciting thing to happen lately is the news about a forthcoming Madrugada live CD. It is expected to be out in record stores by mid-December, and rumours are making the rounds regarding what it will contain. A recent promo single of the Ane Brun and Madrugada collaboration "Lift Me" included the snippet that the track would be performed live at Oslo Spektrum early next month, and would be available on the forthcoming live album. CDON.com recently put up a pre-order for the album, referring to it as being live from Oslo Spektrum, "Live, Oslo Spektrum 02.12.2005" and being released December 14th, but added that this is 'to be confirmed.'

 

But for a full performance to be played and then released on an official album by a major label only twelve days after the fact seems quite unrealistic. Some believe that it could contain a performance with the Bodø Sinfonietta, but not the forthcoming one at Oslo Spektrum, but rather the one in Bodø in August this year. That performance was professionally recorded, and the band were later quoted saying that they considered the material for official release. But at the same time, work on the next studio album "Ivory Town" is also remoured to include a collaboration with the Sinfonietta, how likely is it that they will release two albums with the Sinfonietta within such a short span of time?

 

The Norwegian record chain-store Platekompaniet have now put the album up for pre-order, with the same release date as CDON, December 14th. But they label it with the mysterious title "Live At Tralfamadore" - indicating that it will not contain the Oslo Spektrum performance. Tralafamadore 'is the fictional home planet of aliens from several novels by the American author Kurt Vonnegut. The planet's name is an anagram of "or fatal dream," a reoccuring concept in Vonnegut's novels.' The character Billy Pilgrim from Grit's "Come Back Billy Pilgrim" is also taken from a Kurt Vonnegut book, so it could be a red thread continuing with this live album.

 

The earliest rumours regarding a live album were that it would be a compilation taken from many different sources, and a title such as "Live At Tralfamadore" could lend credit to it being a compilation rather than one performance. Time will tell, what seems definite though is the December 14th release-date, and the fact that we will finally see a long-awaited official Madrugada live album release.

 

(Thanks to The Lodger and SivertFan for the latest info.)

 

August 10th 2005 - Classical Madrugada and news about "Ivory Town"

Dagbladet today writes that Madrugada's concert at Nordland Musikkfestuke in Bodø, Norway tonight will see the band featuring 20 extra members on stage. The festival asked Erlend Skomsvoll to arrange some some of Madrugada's most well-known songs for classical instruments, and the concert will see Madrugada perform with 11 members of Bodø Sinfonietta and some other classical musicians.

 

Eight songs have been arranged for orchestra, four old and four new, including "Majesty." But the band says that some of the extra members will stay on stage for the entirety of the concert, and that it will be "Madrugada like you have never seen us before."

 

Madrugada have been in Bodø since Sunday, and Frode says most of the days have been spent rehearsing, as "this is pretty complicated stuff," and that it is not just rock plus orchestra in a traditional for like many have done before them. He calls the project "incredibly challenging and ambisious, and definitely something very special."

 

It is also revealed that this project is an important test for the forthcoming concept-album "Ivory Town," with some interesting news about the album. It is scheduled for release in about a year, and 20 songs are ready to be recorded, out of which seven or eight are definitely going to be on the album. Frode and Sivert call the album a side-project, a "Madrugada 4 1/2," but that it could end up as their best album ever. And that the band's hardcore-fans will love it, that they are making it for them - and for themselves.

 

Sivert says the sound of the music for the new album is typical Madrugada, but dramatic, almost theatrical. Frode explains that with "Ivory Town" they will manage what they always aim for but never manage, to create just one mood. He says the songs are sung crooner-like, that they have a lot of blues, and twangy country-guitars.

 

When it comes to the songs that are being prepared for the album, some old gems can be expected. Some of them have been played live every now and then, and the band have been tempted to put some of them on the previous records already, but they have managed to save them for this album. They say "the fans think they are forgotten classics."

 

The reason for the news about the new album being unveiled at the same time as the project at Nordland Musikkfestuke is that Erlend Skomsvoll might also be asked to arranged the music on the new album. And when the "Ivory Town" project is going on the road after the album release, the band says they dream about doing maybe just 20 concerts in the biggest Norwegian cities, and playing in places like theatres, partly with an orchestra in support.

 

When it comes to the title-track of the album, the brilliant "Ivory Town," they say it is the first song they recorded for the album. They made it at their rehearsal space right before "Industrial Silence" was released, and that the textual concept of the song and the record is life in a typical small Norwegian city.

 

Thanks to Dabladet for the information. Read the entire article here (in Norwegian).

 

August 10th 2005 - Confirmed European tour this Autumn

Some dates for the European tour this Autumn have now been confirmed, and posted on the official Madrugada page. The ones confirmed so far are the following:

 

09/03/05 - Huntenpop, Varsselder, The Netherlands

09/04/05 - Tivoli, Utrecht, The Netherlands

09/06/05 - Nalen, Stockholm, Sweden

11/14/05 - Voxhall, Århus, Denmark

11/15/05 - Loppen, Copenhagen, Denmark

11/19/05 - Effenaar, Eindhoven, The Netherlands

11/20/05 - Patronaat, Haarlem, The Netherlands

11/21/05 - Vera, Groningen, The Netherlands

11/22/05 - Botanique, Brussels, Belgium

11/25/05 - Volkshaus, Zürich, Switzerland

12/16/05 - TBA, Thessalonika, Greece

12/17/05 - TBA, Athens. Greece

12/18/05 - TBA, Athens, Greece

 

A couple of German dates in November were also published, and later removed. Expect these to be added, and possible more, as soon as they are confirmed.

 

June 10th 2005 - First Autumn European Tour date confirmed

It seems confirmed that Madrugada will perform at Tivoli in Utrecht, The Netherlands on Sunday September 4th 2005. This confirms the band's comments that there would be another full-blown European Tour coming up later this year, so we should be able to expect more confirmed dates to be released in the near future. Thanks to Mohawk for the information.

 

June 10th 2005 - Tonight's Southside performance streamed online

Madrugada's concert tonight at the Southside Festival in Germany will be streamed live online tonight. It seems like it will be streamed as video, and the band is scheduled to perform between 19:00 and 19:45. You can click here to go to the page where you will find a link to the stream and a schedule for the other performances that will also be streamed, including acts such as Beck, Oasis and Dinosaur Jr.

 

If you are having problems getting the stream to work properly, please take a look at this thread at the discussion forum. Thanks to DASDING.de and The Girl In The Red Shirt for the information.

 

June 3rd 2005 - News updates

I got to sit down and talk a bit with the band when they were in Berlin two weeks ago, and Sivert could tell that they are very happy with the recent success they have been enjoying. Especially in Norway they notice that a lot of younger people seem to be discovering their music, with all of their back-catalogue having been on the Top 40 list since the release of "The Deep End." This time around, they will use the success to as a platform for touring as much as possible, something he admitted they have not been very good at in the past. The Norwegian tour is over with, and the European tour is getting wrapped up these days. But there will be little time to rest, with about twenty festival appearances confirmed this Summer. If that was not enough, Sivert could also tell that they are working on booking another European tour for the end of the year and another Norwegian tour in the Winter.

 

In the near future, the song "Stories From The Streets" will be released as a single. At least in Europe, it may be that another song is picked as a single to be released only Norway (rumours are pointing at "Hold On To You"). The single version will feature Steve Stevens, who has played with Billy Idol amongst others, on flamenco guitar. The new album is still not out in places like Great Britain and America, but there are plans to do something with that. Sivert says he is very satisfied with how the limited edition bonus track "Life In The City" turned out, and that he likes it better than some of the songs that ended up on the actual album. In the UK, the album might be released in a new version, with "Life In The City" as one of the regular album tracks.

 

A music video for "Stories From The Streets" was recorded in Madrid the week before the European tour started, which turned out to not exactly be an excellent idea. A lot of dry ice was used for the video shoot, which resulted in Sivert getting a bad throat, and the first concert in Sweden getting cancelled and the second one getting cut short. This was not an ideal situation, as this was at the beginning of a big and important tour, but also because the band have not been very popular in Sweden in the past, and this was the first time a lot of interest in the band was being shown in Sweden - the cancelled concert in Stockholm was sold out. They were very sorry to have to let people down, and are hoping to re-schedule the cancelled concert for some time during the Summer.

 

Additionally, with the video shoot in Madrid and two concerts at the weekend before the European tour kicked off, the band found themselves in a position where they had a new drummer for the tour, Bert Nummelin, but they had had far too little time to rehearse together. So the first couple of concerts on the tour had to serve as practice sessions for the new guy, who was also struggling a bit with getting into the Madrugada-style of drumming, especially the older songs that Jon had added his own special touches to. In Berlin, a few weeks into the tour, things were finally starting to work out very well with the integration of Bert as the drummer. Additionally, light technician Neil McNasty said that he thinks the rest of the band are all performing a lot better than ever before, Robert has developed into a proper rockstar-guitarist, and Frode is also adding a lot of fine details to the band's sounds.

 

Some background on Bert Nummelin: He is originally from Sweden, and moved to Norway about ten years ago. He started out playing rock when he was younger, then got a jazz education, and when he moved to Oslo he got to know a lot of people from the hip-hop movement, and has been playing with hip-hop bands for some time. He says he is very aware of the fact that there are a lot of dedicated Madrugada fans, who want to hear the songs played a certain way and can be very picky about it, so when he plays Madrugada songs he plays them his own way, but he tries to maintain the original mood of the songs. With some songs he says he just goes with the flow, an example of that is "Got You" which was jammed on at soundcheck once, and then added to the setlist in a drastically different form than when it was released. Here the whole band wanted to do something different, and Bert says he is aware of the existance of the recorded version of the song, but he does not know what that version sounds like.

 

The Madrugada drummer situation has not been solved, though. For the Summer festival appearances coming up, Erland Dahlen, who played on about half of "The Deep End" and the Norwegian tour, will be back behind the drum kit, and fans and band alike will have to get used to something new, and quickly get up to pace. And towards the end of the Summer festivals, it seems like Bert will have to step in again. The reason Erland could not play on the European tour was because he got a son some time ago, and he has spent time at home. But he is the primary drummer of the band at the moment, something both drummers have an understanding for. But Erland also plays in another band, Exploding Plastics, and will sometimes be occupied with them, which is why Bert will most likely step in at the end of the Summer shows (and also had to do performance at Først & Sist on NRK television as a one-off).

 

To end this update is a funny tidbit about the band's current rider. The rider is presented to every organizer, and is a list of demands for equipment and additional goods like amounts of drinks and food that the band requires to play a concert. This time around, instead of drinking cheap local beer, the band have been overwhelmed by the amounts of expensive wine from all over the world that they have been presented with, so much that they were driving around with a bus loaded full of unopened bottles. The reason for this was that efore the tour started, Frode went to fancy Kampen Bistro in Oslo, sat down with a pen and a piece of paper, and copied their list of expensive wines onto the band's rider. It was supposed to be a joke, but everywhere except for at Melkweg they have gotten bottles from their exclusive list.

 

May 29th 2005 - Concert Updates

Setlists and info from five of the six last concerts have been added to The Concert Chronology. Thanks to all the people who pay attention at the concerts and take their time to submit the info. There are lots of concert reviews by enthusiastic fans posted at the discussion forum, so be sure to check them out.

 

May 27th 2005 - Site re-designed

This site has finally gotten a long-needed overhaul, and with that a complete re-design. Some stuff might not work perfectly to begin with, as it is still work-in-progress. A short preview of these news updates are now displayed on the front page, which should help people keep an overview of what is happening with the band, and there are also links to the latest threads on the discussion forum. Please note that this does not work ideally now to begin with, it only shows the latest threads created. This will hopefully be fixed soon, in the meantime make sure you visit the forum main page to catch all the newest posts!

 

May 13th 2005 - Massive update to Concert Chronology

Dates and information for the entire European tour and Summer festival tour has been added to The Concert Chronology. The tour started in Sweden this week, be sure to go and see them if they make their way anywhere close to you!

 

Also, make sure you visit the Madrugada Discussion Forum to stay up-to-date on everything that is happening with the band.

 

March 9th 2005 - New Madrugada album, "The Deep End"

Last Monday, February 28th, Madrugada's fourth album, "The Deep End" was released in Norway. The album was recorded in legendary Sound City studios in California at the end of last year by George Drakoulias, and expectations upon its release were very high. Madrugada have debuted high on the album charts with all previous album releases, but few would have expected the phenomenal first week of sale, where "The Deep End" broke Norway's sales records for fastest selling album, beating major bands like U2. Platinum sales in Norway are for 40.000 shipped copies, which "The Deep End" passed after only two days of sales!

 

The record sales were somewhat unexpected – the band expected good strong sales, but this was beyond what anyone could have predicted. The band also appeared on Norway's most-viewed talkshow - Først & Sist with Fredrik Skavlan - last Friday, performing the radio single "The Kids Are On High Street" and with Sivert doing an interview. This appearance was seen by roughly half the record-buying Norwegian public, so record sales will hopefully stay at a high level in the coming weeks.

 

Last week was indeed a great one for Norwegian music on the whole, as Madrugada debuted on the Number One spot on the Norwegian VG Topp 40, fellow North-Norwegians Jim Stärk debuted at number two and Espen Lind at number three. All three albums were released on February 28th. Espen Lind co-wrote "Venn" with Lene Marlin, the tsunami-relief charity song that Sivert Høyem participated on.

 

For those who want to keep up-to-date on Madrugada, please be aware that the discussion forum is full of life, with more than 120 registered members. Everything you would want to know about the band is posted in the forum, so please be sure to check it out, members from all over the world make sure that you always stay updated!

 

Though this news page has not been very updated lately, the rest of the page has been reflecting the release of "The Deep End" over the last couple of months. Be sure to check out Info About New Album for everything you need to know about "The Deep End," the discography, and the concert chronology for all upcoming Madrugada performances.

 

Also, the band themselves are doing a great job at keeping the official page at madrugada.net up-to-date, be sure to check it out for the latest news, directly from the band.

Wow... it IS about Madrugada, so I would advise you to read it :P but otherwise, fairly useless

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