Dejan

Oh,i feel sorry for these poor millionaires

You can't play in that catchment area 20 days/1 month before and after the festival,but for a big band like coldplay is not a big deal imho.

What's your feelings about these new songs by The veils ? [ame=http://www.youtube.com/watch?v=g9RqaiURywE]YouTube - The Veils - New Song[/ame]

With a lot of AWESOME music festivals between europe and u.s. the band has played only to a mediocre festival like the one in Pemberton. Do you think it's a coldplay's choice ?

i've just heard the new song,it's quite good

damn they got already a new album ?

They wanna sounds like the killer now,the way he sings is too much similar to brandon flowers

can you tell me what's good about their new song ?

the new song is embarrassing

cunt,check your first post on this thread and SHUT THE FUCK UP

Grammy Award winning rock band Wolfmother has announced the resignation of bass/keyboard player Chris Ross and drummer Myles Heskett effective immediately. Singer/guitarist Andrew Stockdale now plans to find other musicians over coming months and to then begin making a new Wolfmother album. Wolfmother toured the world virtually non-stop through 2006 and early 2007 on the back of their acclaimed self titled debut album. Longstanding frictions within the group then lead them to take an extended break during the second half of 2007 to consider their future. In early 2008 they regrouped and worked on new material. Initially encouraged by those sessions, they committed to a handful of live shows to ‘road test’ the new songs and to try to find a way forward. Those dates concluded with a headlining slot last Sunday at the Splendour In The Grass Festival in Australia’s Byron Bay where rumours circulated about possible lineup changes. Following that show Chris Ross decided to announce that he was leaving the band due to irreconcilable personal and musical differences. Myles Heskett has also decided to leave the band rather than continuing as part of a changed lineup. The pair has been working together on songs for some time and they plan to focus their energies on that new project in the future. Wolfmother’s self titled debut album is one of the most successful Australian rock releases this century. It has sold over 1.3 million copies and received multiple ARIA Awards and a Grammy – making them the first Aussie band to receive such an award in 25 years. Other highlights for the group have included appearances at just about every major music festival in the world, sharing stages with Pearl Jam, The Who and The Strokes, and a special performance inducting the legendary Led Zeppelin into the UK’s Rock’n'Roll Hall of Fame. Andrew Stockdale, Myles Heskett and Chris Ross will make no public statements at this time except to say that they are each really looking forward to making their new music over the years ahead. In the meantime they simply ask all Wolfmother fans to please understand that in spite of their best efforts over a long period of time, they just could not find a harmonious way to work together and that has lead to the decisions announced today.

die,idiot

(GOOD NEWS) Wolfmother to split? Wolfmother are rumoured to be splitting up after the band played a tense live show in Australia - and then their manager said that they would be releasing a statement about their status soon. The rockers played a show at the Splendour In The Grass festival in Byron Bay on Sunday (August 3), with fans reporting that the band looked tense and uncommunicative with each other. An anonymous source told Undercover.com.au that there had been issues between frontman Andrew Stockdale and the other band members, Chris Ross and Myles Heskett. The band's manager, John Watson, told the website that a statement would soon be issued about the band's status. He refused to confirm or deny whether the band were set to split up. "I can't make any comment other than to say as soon as the band has clear future plans they will issue a statement, and we hope to be able to do that in the next week or two," he said.

Coldplay will never top U2,in any way. Live ? We are talkin about two different universes

my favourite song is Set the fire to the third bar,this is one of the sweetest songs ever!

they don't share the same audience.....i can see a "battle" between kaiser and kasabian,but they'll not have an album out this year

If he doesn't like them,it's not a problem. And he's not full of himself,he has just replied to a question...

Kaiser Chiefs new album out 13th October Our new album is called 'Off With Their Heads', it is released worldwide on Monday 13th October 2008 (14th in USA). It will feature all of these songs, in this order: 1. Spanish Metal 2. Never Miss A Beat 3. Like It Too Much 4. You Want History 5. Can't Say What I Mean 6. Good Days Bad Days 7. Tomato In The Rain 8. Half The Truth 9. Always Happens Like That 10. Addicted To Drugs 11. Remember You're A Girl The album was produced by Mark Ronson & Eliot James at RAK & Eastcote Studios in London, and mixed by Andy Wallace (He did Nevermind and LCD Soundsystem), with a few tracks mixed by Cenzo Townshend. We started recording in February this year. We'd heard that Mark Ronson was keen to produce us and we had three new songs that we wanted to record. We also wanted to try working with someone who was relatively new in the producer world and Eliot James kept getting recommended to us. Due to the fact that time was not in abundance for anyone, we decided to all work together and see what happened. Those initial two weeks in February were so productive and enjoyable that we quickly had more songs and carried on, breaking off to write and rehearse back in Leeds and to see the world playing festivals. We never intended to make an album at first, in fact we were going to have a year off... Interesting Facts (Part One): Never Miss A Beat was the song that kicked it all off and will be the first single (released Monday 6th October). We wanted some female backing vocals at the end so asked Lily Allen and some members of New Young Pony Club. Lily also does backing vocals on the song 'Always Happens Like That'. Like It Too Much features string arrangements from everybody's favourite Bond theme guy, David Arnold. Half The Truth features a contribution from UK rapper Sway. He was literally passing and he knows Eliot so we asked him to make something up in a gap we had in the song and he delivered. We're now working on the artwork and the video and basically everything else, as well as doing festivals till the end of the summer. We're planning a tour for later on in the year and looking forward to hearing the first single on the radio soon. Mark Ronson has been bigging up the album in interviews for a while now which is nice because it sounds better coming from someone not in the band but we think it's our best album yet. Kaiser Chiefs

uh,arrogant because he didn't like and listen to the beatles and coldplay ? ..................................

i don't know if exist a gayer band

The Streets new single: "The Escapist" I really like it,the music actually is on another level compared to his previous works

ok

(Prefix magazine review) RATING: 9 It's rare that someone as analytical and disinterested as I am is incapacitated by an album. But as soon as opener "Mister Jung Stuffed" staggered out of its knot of tape noise into a classic spy riff to begin Rabbit Habits, Man Man's third LP, my bodily vessel rebelled. The song jolted through any free joint or muscle it could conscript, pushing me off my chair and into a Lindy Hop with a desk lamp. Then Honus Honus and the rest of the gang unleashed "Hurly/ Burly," whose bass line managed twice the funk of its predecessor and whose xylophones and screaming kids carried me fondly back to Man Man's 2004 debut, The Man in a Blue Turban with a Face. By the midway point, the boys had completely hijacked my involuntary functions and were using my liver as a piñata. And bonus bonus points for the kazoos, which bring up the bile of their live show. Man Man has a knack for introducing its songs into the listener's body like new organs, unquestioned and vital. Even now, "Top Drawer" is rattling around in my head like a shriveled brain stem. What's more is that the band seems aware of this contagion; its lyrics are wrapped up in the unconscious, concerned with visceral attraction and dreamlike communication. Pieces like the appropriately titled opener read like black boxes from which erupt the most oblique but nightmarishly affecting noises and imagery. "Jung" turns the unconscious into a realm of espionage and intrigue as Honus Honus strains like an id toward the surface: "I've been locked down way too long/ Been locked down way too long." Later, in the gorgeous doo-wop of "Doo Right," he mutters about "collective memory," and in "Easy Eats" he describes a classically Freudian dream of teeth falling out into the street. Rabbit Habits struck me most where it rescues the jazziness that's sorely missing from 2006's Six Demon Bag. At the same time, though, the band continues to develop some productive tendencies from that sophomore outing. Thus, "Big Trouble" opens with a horn section that recalls the big-band gestures of The Man in a Blue Turban with a Face while evincing a melancholic tenderness that the debut never quite hit. The post-apocalyptic romance of "Rabbit Habits" achieves a similar marriage with its candid duet between piano and bassoon. In their ceaseless trek through novel territory, Man Man's cosmonauts often split and distill their inclinations instead of blending them into a normative "identity." Such surgery results in hallucinations like "El Azteca," which pushes the electronic leanings of their first album into Devo's absurd kingdom; like the numerous piano ballads that loft Six Demon Bag's airiness into even more stratospheric heights; like the guitar work that assumes a greater burden throughout this album, especially in the various riffs that underly the surprisingly affecting film noir of "Poor Jackie." And for the most part, these experiments succeed with miles to spare. Rabbit Habits's greatest aspect is this sundered, schizophrenic psyche. Honus Honus no longer feels the need to cloak his inclinations toward jazz and doowop in parody or behind cartoonish voices and instrumentation. Meanwhile, as the xylophone farce of "The Ballad of Butter Beans" attests, he doesn't shy away from unabashed cartooning either. After all, dreams and absurdist art deliver the greatest emotional impact when the line is blurred between sincerity and lightness. As I internalize all the mystifying symptoms of Rabbit Habits's lovelorn dogs and rotting zombies, I realize that what makes Man Man great is that its inspirations are not merely musical. They are bodily and avian, geological and cosmological, scientific and sorcerous.

(paste magazine) Following its pair of bizarrely excellent albums for tiny indie imprint Ace Fu, Man Man has signed to Anti- Records, and it feels like some sort of alien-to-mothership homecoming. After all, aside from the Philadelphia quintet being granted a larger platform from which to spew its raucous circus chants, Man Man is now labelmate to fellow shit-stirrers Nick Cave and Tom Waits. Some curmudgeonly purists will inevitably scream “sell out,” concerned that a larger imprint will corrupt such a weird young band. Not only is this scenario irrelevant (remember those labelmates?), Man Man is too gloriously oddball and defiant to be swept up in some puerile notion of what’s mainstream or accessible. To bastardize a Young Jeezy lyrical nugget, the closest the members of Man Man have ever been to commercial is when they watch TV. Of course, we must acknowledge the band’s songs. Those unassailably joyous songs—bursting with xylophone, bouncy piano, wailing horns, children’s toys and the gruff, occasionally mournful noises emanating from lead singer Honus Honus. Rabbit Habits traffics in familiar Man Man territory: namely, the strange playground where all of these elements not only cohabitate peacefully but actually collaborate. Indeed, it’s the same fertile, unpredictable soil from whence Waits, Captain Beefheart and Frank Zappa unearthed their muse—and these reference points are both apt and, unfortunately, overused in describing these Pennsylvanian knuckleheads. What isn’t said enough about Man Man is that the group creates damn fine compositions. Some of them are goofy, and many weird, but these are the songs trapped in our dreams—songs filled with notions most of us are too sheltered or terrified to indulge. These songs are unhinged and unself-conscious. They are what rock ’n’ roll is meant to be and, frankly, what most rock bands have forgotten altogether: These songs are fun.