Dejan

[ame=http://www.youtube.com/watch?v=rABxLFPq7yM]YouTube - Foals - Cassius & Balloons Live at Reading Festival 2010[/ame]

[ame=http://www.youtube.com/watch?v=ehe7o8GN6dc]YouTube - Bon Iver - Blindsided (Myspace Transmissions)[/ame]

[ame=http://www.youtube.com/watch?v=HOUxAfQdNd0]YouTube - Bon Iver - Flume (Myspace Transmissions)[/ame]

[ame=http://www.youtube.com/watch?v=WPkYwIgtzpI]YouTube - Iron & Wine - Kiss Each Other Clean[/ame]

[ame=http://www.youtube.com/watch?v=BNt1o2TpyUE]YouTube - Bloc Party - One More Chance LIVE @ Glastonbury 2009 [HQ][/ame]

A LOT

[ame=http://www.youtube.com/watch?v=Eye6sz11BMc]YouTube - EDITORS - An End Has A Start (live @ T In The Park 2010)[/ame] [ame=http://www.youtube.com/watch?v=GloXnlOhrus]YouTube - Editors - Munich (Berlin Festival 2010)[/ame]

[ame=http://www.youtube.com/watch?v=cHPzrngyc94]YouTube - Editors - MTV Live - Fingers on the Factories[/ame]

IDIOT i've posted the videos after the 'article',STFU

When Sigur Rós frontman Jónsi canceled a string of in-store performances a couple weeks ago after an initial show at L.A.'s Origami Vinyl, we assumed that first in-store was something of a disaster. After all, Jónsi's management claimed it was "arguably the most uncomfortable experience of his ten years in the public eye." But now we have high-quality footage of two songs from the October 17 Origami performance, courtesy of the record store-- and it looks and sounds nothing short of amazing (albeit a little cramped). Too bad this won't happen again.

[ame=http://www.youtube.com/watch?v=G6LuWPmEfBM]YouTube - Biffy Clyro - Machines (MTV Live Sessions)[/ame] [ame=http://www.youtube.com/watch?v=yytPqLp3Tf0]YouTube - Biffy Clyro - Bubbles MTV Live Sessions[/ame] [ame=http://www.youtube.com/watch?v=XYeUJBTFBWY]YouTube - Biffy Clyro - That Golden Rule MTV Live Sessions[/ame] [ame=http://www.youtube.com/watch?v=2Ohxj0g6dCc]YouTube - Biffy Clyro - The Captain MTV Live Sessions[/ame] [ame=http://www.youtube.com/watch?v=6FLAs2Segek]YouTube - Biffy Clyro - Mountains MTV Live Sessions[/ame]

[ame=http://www.youtube.com/watch?v=LPxi1_cXj9Q]YouTube - Editors - Papillon / THEY SHOOT MUSIC[/ame] [ame=http://www.youtube.com/watch?v=EvT1QIbpJ1I]YouTube - Editors - Papillon acoustic live at De Laatste Show[/ame]

you are boring

from Los Angeles,California. “…who else is weaving cantorial yearning through the tuneful electricity of Afro-Islamic jangle and the tribal antics of Adam & the Ants?” - L.A. Weekly Fool’s Gold is a Los Angeles collective that weaves together western pop aesthetics with African rhythms and melodies. The group started as a side project of two young LA musicians, vocalist/bassist Luke Top and lead guitarist Lewis Pesacov, who set out to explore their shared love of various forms of African music (specifically Congolese, Ethiopan, Eritrean and Malian), Krautrock, and 80s dance influenced pop music. They quickly wrote a few inspired songs and asked friends, friends of friends and even strangers to join them on stage. “We are serious students of these styles of music - the inherent polyrhythms, lilting yet catchy melodies and deep, driving beats,” says Pesacov. “There is definitely an element to our songs that makes people want to dance, but there is also something deeper and more purposeful going on, maybe even akin to the early spirit of The Smiths - kind of like as if Congotronics were fronted by Morrissey.” Lewis, although raised on reggae and world music, holds a degree in classical music theory and composition. He studied underneath American avant-garde expatriate composers Mark Randall-Osborn and Frank Cox in Berlin and has had pieces performed in halls throughout Europe. Luke, who was born in Israel (his mother is from Iraq/father from Russia) and moved to Los Angeles at the age of three, instinctively alternates verses between Hebrew and English, thus personalizing the songs and allowing a unique interplay between his deceptively simple soul melodies and a propulsive rhythmic backdrop. Not too long after their communal beginnings, Fool’s Gold developed organically into a full-time band. Although some of them met for the first time on stage, they soon became an air-tight collective. The cast of characters includes Garrett Ray (of Foreign Born) on drums, Jimmy Vincent and Matt Popieluch (of Foreign Born) on guitar, Amir Kenan (childhood friend of Luke's from Israel) sings backup vocals and plays keys, Brad Caulkins and Mark Noseworthy on saxophones/flute, and on percussion: Orpheo McCord (who studied percussion in Ghana as well as moonlighted as drummer for The Fall), Brazilian/Mexican visual artist Salvador Placencia, Argentinean pop star Erica Garcia, Michael Tapper (ex-drummer of We Are Scientists), all of whom play a beautiful array of hand-made instruments including: Ewe, Gungon and Djembe skinned drums; Gankogui, Bananna bells and claves; Kashishi, nut-rattles, goat-toe rattles, Chekeres, Axatse shell gourds and an over-sized tambourine Mizhar bought on the street in Cairo, Egypt. The songs for the forthcoming self-titled album were mostly recorded live over a two-day session at the Sunset Lodge recording studio in Los Angeles in 2008, to be later completed in closets and apartment living rooms in 2009. Lewis and Luke collaborated on the music, written over a three-year span. Luke would then weave in the Hebrew/English lyrics. The Hebrew initially tied him to a birthplace that he barely knew, but evolved to be the perfect vehicle to express the overarching themes of duality that are the heart of the songs. Leaving a land with a rich and tumultuous history for one that is constantly forgetting and reinventing laid a personal foundation for Luke’s lyrics, which often explore the tension between ones personal identity and the outside world. The songs resonate beyond just the immigrant experience to one that is understood by anyone who has struggled with dispelling illusions of the ego and the world. Although the melodies are jubilant, the irreverent and whimsical lyrics belie the tension of one exploring the existential and physical self. The track “Ha Dvash,” which means ‘honey,’ delves into how easy it is to be dissatisfied when one relies on dreams alone. The verse translates to “I have no time to kiss you; I only have time to fall apart. I have time to drink from the faucet and dream of the honey.” In “Poseidon,” the mythological earth-shaker ironically is so self-involved that he cannot move forward despite the abundance that lies beyond. The lyrics translate to, “There is someone knocking at my door, I hold my heart in my pocket, and let the voices crash like waves, against the cool summer moonlight.” “Yam Lo Moshech” is a song about the simple beauty of things going right, and how sometimes there is a strange sadness when everything seems ok. “The air is still; nothing frightens me. . . The tide is not pulling me in and the rain is not falling.” At first listen, it might be tempting to label Fool’s Gold as “world music,” but the band is, in its essence, a Los Angeles band; it is music made for hot nights in a sweltering desert. The multi-cultural group of players was born from a city that is a melting pot of neighborhoods and cultures. Fool’s Gold has shared bills with artists as diverse as Cat Power, Fujiya & Miyagi and the Senegalese kora master Youssoupha Sidibe. They headlined the Natural History Museum of Los Angeles and the Getty Center. They were recently profiled on the French music television program “Tracks” and featured in the Los Angeles Times Magazine. On September 29th they will release their debut record on IAMSOUND Records. Remixes will soon be available from Micachu & The Shapes, Kevin Barnes of Of Montreal, Sizzla, Acid Girls and Phaseone. “Their sound, rustic tropical rhythms that have been grown, harvested, dried, ground, and mixed with Luke Top's vocals, fried every molecule in the room." – Los Angeles Magazine online - Continuously compared to Vampire Weekend, Fools Gold are a Californian 12 piece that consist of members from all over South America as well as former We Are Scientists drummer Michael Tapper. What separates Fools Gold from fellow Californians Vampire Weekend is singer and bass player Luke Tops decision to mainly sing in Hebrew, adding an original touch to an already eclectic sound. Fusing Afro beat with synths and 60s guitars is a mix that looks erratic on paper but actually comes together in a most surprisingly joyous way. Yam Lo Moshech, which consists of tribal drums and spiky guitar riffs, is a perfect example of Fools Gold mixing their musical ingredients competently. Surprise Hotel makes for a joyous opener with its looping drums and guitar riff, whereas Nadine provides a required increase in pace in terms of drumming as well as a helping of Columbian horns. Poseidon provides the album with its most popish sounding track, adding funky guitars and a melodic chorus which is backed up brilliantly by a backing group of singers. However, it's on stand out track Ha Dvash that Fools Gold show their true class. It can't be easy standing out when in a 12 piece band but guitarist Lewis Pesacov manages just that with his insane playing on the track. His playing is at times so fast that its gives the impression that you're listening to a Hindu God with eight arms. Perhaps it really was after all? One thing that's certain after listening to Fools Gold's debut, is that they don't deserve to be labelled as bandwagon jumpers, attaching themselves to a genre of music that's currently 'fashionable'. As it's clear from their ability and genuine style that Fools Gold are a band that feel passionately about this style of music and go about proving it in the form of their exciting debut album. *************************************************************************** Full disclosure: there are a dozen members of Fool’s Gold credited on this record, and all of them seemingly play with several other L.A. bands. Point being: if you have your tiptoes in the L.A. music world, you probably won’t have to play Six Degrees to connect yourself to the band. In my case, I’m a friend and colleague of keyboardist/backing vocalist Amir Kenan. I’m aware that disclosures are very 20th century and old-school print journalism, but I feel better now nonetheless. Moving on… The two principals behind Fool’s Gold are guitarist/songwriter Lewis Pesacov (Foreign Born) and singer/songwriter Luke Top. It’s been mentioned elsewhere, so the secret is out, but Pesacov especially is a major talent, and the rare guitarist (indie or otherwise) who has a signature sound and a defining vision. He’s not the only one looking to Afropop for inspiration, of course, but he’s among the ones who have the best ideas about what to do with the inspiration beyond homage. He’s also one of the pre-eminent feel-good forces around; it takes about three seconds for Fool’s Gold’s “Surprise Hotel” or Foreign Born’s “Early Warnings” to sail off on a sea of good vibes. It’s probably true that Pesacov is more serious about African music than some of his contemporaries who huddle under the same umbrella – and, no, I’m actually not talking about Vampire Weekend here. But Fool’s Gold isn’t a serious or ponderous record in the least; it’s an album for the body, not the brain. For non-Hebrew listeners, this will be even more the case, as Israeli-born Luke Top largely sings in Hebrew. But even if you’re privy to the translation, the lyrics largely seem like abstractions, intended more to provoke moods or interpretations. Jubilation rules the day for Fool’s Gold. “Surprise Hotel” is as winsome an opener as imaginable, immediately making perfect sense of the band’s seemingly curious fusion of African pop music and expressive Hebrew vocals. The track is anchored by effervescent riffs from Pesacov, and it even comes accompanied by the rare video that captures the mood of the song perfectly (a pool party featuring bikini babes, weird lizards, and old dudes spraying themselves with fizzy soda… oh, and the band). Instead of just regurgitating that formula, though, Fool’s Gold mix things up as the album plays out, highlighted by the tranquil tribal chanting of “Ha Dvash” and the cacophonous, aptly titled “Night Dancing.” [ame=http://www.youtube.com/watch?v=Es-SyYrpg2c]YouTube - Fool's Gold - "Suprise Hotel" - SXSW 2010 Showcasing Artist[/ame] [ame=http://www.youtube.com/watch?v=Mbkl-GzVYbI]YouTube - Fool's Gold - "Nadine" (Official Video)[/ame] [ame=http://www.youtube.com/watch?v=MAK-AI3KJbo]YouTube - Fool's Gold - Surprise Hotel (Live on KEXP)[/ame] [ame=http://www.youtube.com/watch?v=RpBiZOahNJI]YouTube - Fool's Gold - Nadine (Live on KEXP)[/ame]

When White Lies said to The Fly, for an In The Studio piece back in July, that the follow-up to their debut was “a lot more morbid and depressing than the first one,” we weren’t sure we were ready to hear it. The main themes running through ‘To Lose My Life’ – the clue’s in the title – were about as uplifting as a night in watching Buried with Leonard Cohen, but White Lies established a knack of making the morose sound monumental. New album ‘Ritual’ – out in Jan – sees them perfect that fine art. Sure, at the centre of their second record lies some hefty subject matter about love, life and, well, the point of EVERYTHING, but it’s shrouded in such dramatic euphoria and a truckload of sensory-squatting melodies that make it a stunningly gripping listen. In a track-by-track guide, Niall Doherty finds the trio on the sort of form that’ll put those Editors-lite accusations in a six-feet-under coffin once’n’for all… ‘Is Love’ Beginning with a rusty, industrial stomp, ‘Is Love’ is all epic elegance. “She stares into the mirror/Youth fading with the sun,” goes Harry McVeigh’s melancholic croon as synths and electro-harps creak into life around him. The first chorus – “she says the only thing I’ve ever found/That’s greater than it always sounds/Is love” – gives way to a bass-heavy second verse groove that wouldn’t sound out of place on U2’s ‘Zooropa’. Guitars explode as the song slides into a stadium-sized chorus proper – you get the impression most of the stuff on here will be stadium-sized. The dense grit of Alan Moulder’s production seems to have laid the stepping stones for White Lies to sound as big as their ambition is skyscraping. A jaw-dropping opener. ‘Strangers’ The straight-arrowed epic-rock of ‘Strangers’ ensures ‘Ritual’ continues the adrenaline'd vein of its opener. “I’ve got a sense of urgency/I’ve gotta make this happen/No stone unturned,” sings McVeigh over chugging riffs and rolling drums before the ‘Strangers’ ginormo hook takes the song by the scruff of the neck and marches it towards the end, which, after one final holler of the chorus, comes screechingly sudden. ‘Streetlights’ A spiky, jagged collision of bass and synth introduces the menacing march of ‘Streetlights’. A clatter of echoing guitars give way to the chorus, an exasperated McVeigh singing, “Can anybody hear me/Is anybody out there?/Not a soul in the streetlights” over a syncopated, urgent beat. Not as immediate as the opener, ‘Streetlights’ strength lies in its brilliance creeping slowly – this isn’t strictly my First Listen – and by the fourth time of listening, the desolate grandeur of its chorus hits home dramatically. ‘Bigger Than Us’ A throbbing electro thump kicks off ‘Bigger Than Us’, again the production impossible to see to the bottom of – subtle soundscape etched over subtle soundscape, a driving, accelerating drumbeat behind McVeigh’s booming baritone. There’s nothing subtle about ‘Bigger Than Us’’ gargantuan chorus, though – it’s as melodically big and riff-heavy as anything they’ve ever done, guitars drenched in fuzz and a hook catchy enough to headline Glasto by itself. ‘Peace & Quiet’ The stark, shimmering synths and lo-fi electro beat at the beginning of ‘Peace & Quiet’ are as stripped-down as anything on ‘Ritual’. Soon, more synths join in, tip-toeing around McVeigh’s lone vocals. Then comes the chorus, a soulful choir of voices pleading “I feel this great pressure coming down on me...” Like everything else so far, guitars are used sparingly, but make their presence felt. ‘Peace & Quiet’ is an album track, for sure, but one that underlines the intricately-weaved songcraft at the heart of White Lies’ weaponry. ‘Holy Ghost’ The irascible, distorto-thrum of ‘Holy Ghost’ is the heaviest thing on ‘Ritual’, its industrial – yep, that word again - Depeche Mode-y throb one of the best things they’ve done, and as far from the likes of ‘Death’ as it gets. “Maybe some day I can move like you/I’m not looking for a holy ghost,” goes the fevered, fuzzy chorus before the righteous, juddering outro, where synths, robotic harmonies and a surging drumbeat swirl around each other ‘til the whole thing implodes. ‘Turn The Bells’ When describing ‘Turn The Bells’ to The Fly in the summer, White Lies bassist and lyricist Charles Cave said that “it’s anything is more Nine Inch Nails, then that one is quite industrial with a half-time feel to it.” Indeed, this song especially sums up the industrial grit at the heart of ‘Ritual’, funereal keyboards and a caustic, creeping rhythm section at its centre. If that makes it sound rather dirgey – which it is, excellently so – then the chorus sends it skywards in a slo-mo blast of swirling harmonies and McVeigh’s achingly downbeat vocals. Stunning. ‘The Power & The Glory’ This, together with ‘Turn The Bells’, is the centrepiece of ‘Ritual’. Not so much a song as a series of big fuggin’ choruses, ‘The Power & The Glory’ – dodgy title alert aside – begins with a forlorn vocal against a backdrop of glacial synths. Just as it appears it’s about to get going, though, it takes an electronica sidestep, all of a sudden resembling the austere electro of Nine Inch Nails’ ‘The Fragile’. “I gave you back your power/I gave you back your glory” goes the singalong coda at the middle of it as it builds momentum, via a series of synthy twists’n’turns, towards its Killers-esque climax. Utterly beguiling. ‘Bad Love’ A slow, descending groove drives ‘Bad Love’’s crumpled anguish, its chorus once again making use of the guitar pedal marked MASSIVE. Again, there’s a Killers resemblance in its mass-crowd baiting “If I’m guilty of anything/It’s loving you too much…” chorus. ‘Come Down’ Beginning with claustrophobic beats and chiming, dramatic pianos, ‘Come Down’ is in the same vein as ‘Peace & Quiet’ and ‘The Power & The Glory’, slow-building and suspenseful towards an expertly-executed outro. Like on ‘Peace & Quiet’, McVeigh’s baritone is replaced with choir of voices, falsettos gliding over Blade Runner atmospherics, an exhilaratingly epic second album ending on the sound of 'Come Down''s laser synths winding down.

[ame=http://www.youtube.com/watch?v=iUPaEpphMQ4]YouTube - Band Of Horses - Compliments (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=y0C_eP1ZXx0]YouTube - Band Of Horses - Factory (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=jLzbzEavi4U]YouTube - Band Of Horses - Is There A Ghost (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=1iDGgmeheaQ]YouTube - Band Of Horses - Funeral (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=ZCHsOBOpYGc]YouTube - Band Of Horses - Infinite Arms (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=a2mDtC6FGgU]YouTube - Band Of Horses - No One's Gonna Love You (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=eiOmh5PzsSs]YouTube - Band Of Horses - Evening Kitchen (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=QrM5nZpcemA]YouTube - Band Of Horses - The Great Salt Lake (Live from Grand Central Terminal, NY) (Lyrics)[/ame] [ame=http://www.youtube.com/watch?v=vlg0KJxZTnU]YouTube - Band Of Horses - Marry Song (Live from Grand Central Terminal, NY) (Lyrics)[/ame]

[ame=http://www.youtube.com/watch?v=zGDH5h_TSQ0]YouTube - Band Of Horses Lowlands live 01[/ame] [ame=http://www.youtube.com/watch?v=b4BpWKBz64s]YouTube - Band Of Horses Lowlands live 02[/ame] [ame=http://www.youtube.com/watch?v=ptz-fBhqC48]YouTube - Band Of Horses Lowlands live 03[/ame] [ame=http://www.youtube.com/watch?v=TvjPeyB9RYU]YouTube - Band Of Horses Lowlands live 04[/ame] [ame=http://www.youtube.com/watch?v=-JyM9e5EwBI]YouTube - Band Of Horses Lowlands live 05[/ame] [ame=http://www.youtube.com/watch?v=oCR58OIIJtg]YouTube - Band Of Horses Lowlands live 06[/ame] [ame=http://www.youtube.com/watch?v=DAvXUBSQw-0]YouTube - Band Of Horses Lowlands live 07[/ame] [ame=http://www.youtube.com/watch?v=NIlZjWEqWMU]YouTube - Band of Horses Lowlands live 08[/ame] [ame=http://www.youtube.com/watch?v=-mvVDnPQ9NM]YouTube - Band of Horses Lowlands live 09[/ame] [ame=http://www.youtube.com/watch?v=YCprcjofaxk]YouTube - Band of Horses - Am I a good man[/ame] [ame=http://www.youtube.com/watch?v=aQgkfDnxjq4]YouTube - Band of Horses Marry song[/ame] [ame=http://www.youtube.com/watch?v=uFGUT9-nMX8]YouTube - Band Of Horses - The Funeral - Lowlands 2010 SDC[/ame] [ame=http://www.youtube.com/watch?v=pvca_jZzlzg]YouTube - Band Of Horses - 3onStage - Green Box[/ame]

http://www.stubru.be/programmas/club69/herbeleefthenationalinclub69

(the audio quality is fantastic) [ame=http://www.youtube.com/watch?v=oI9c6abL7GY]YouTube - Muse LIVE@Rock am Ring 2010 ! BLISS[/ame] [ame=http://www.youtube.com/watch?v=B8cWcKI-ynY]YouTube - MUSE - United States Of Eurasia Rock Am Ring 2010[/ame] [ame=http://www.youtube.com/watch?v=IuIpmm0_c10]YouTube - MUSE - Stockholm Syndrome Live Rock Am Ring 2010[/ame] [ame=http://www.youtube.com/watch?v=D1cFCVzbXw4]YouTube - MUSE - Knights of Cydonia Rock Am Ring 2010[/ame] [ame=http://www.youtube.com/watch?v=IM58pZh38X4]YouTube - MUSE - LIVE AT ROCK AM RING 2010 [HD][/ame]

[ame=http://www.youtube.com/watch?v=9ECT8SOtv1k]YouTube - Editors - what it's like being on tour with Muse[/ame]

[ame=http://www.youtube.com/watch?v=4mhMqGX0qQ4]YouTube - Editors - Bullets (Berlin Festival 2010)[/ame] [ame=http://www.youtube.com/watch?v=Z5c3-kkV4m8]YouTube - Editors - Escape the nest (Berlin Festival 2010)[/ame] [ame=http://www.youtube.com/watch?v=hFZH9u3D7GY]YouTube - Editors - Smokers outside the hospital doors (Berlin Festival 2010)[/ame] [ame=http://www.youtube.com/watch?v=Ht-B2k-SSfQ]YouTube - Editors - Papillon (Live @ Berlin Festival 2010 - HD 3sat Recording)[/ame] [ame=http://www.youtube.com/watch?v=tSAPi8KQvrk]YouTube - Editors - Fingers In The Factories (Live @ Berlin Festival 2010 - HD 3sat Recording)[/ame] [ame=http://www.youtube.com/watch?v=UUX2qSODU1E]YouTube - Editors - You Don't Know Love (Live @ Berlin Festival 2010 - HD 3sat Recording)[/ame] [ame=http://www.youtube.com/watch?v=Y62FR4ZQEn8]YouTube - Editors - Bricks and Mortar (Live @ Berlin Festival 2010 - HD 3sat Recording)[/ame] [ame=http://www.youtube.com/watch?v=zeeRdzyEJMk]YouTube - Editors - The Racing Rats (Live @ Berlin Festival 2010 - HD 3sat Recording)[/ame] [ame=http://www.youtube.com/watch?v=D_bU4o1Fmco]YouTube - Editors - Bones (live Rock Werchter 2010)[/ame] [ame=http://www.youtube.com/watch?v=9mwbUUfoJ-I]YouTube - Editors - Papillon (live Rock Werchter 2010)[/ame] [ame=http://www.youtube.com/watch?v=KHqL1zvl6CE]YouTube - Editors - Papillon (Live Rock Am Ring 2010)[/ame] [ame=http://www.youtube.com/watch?v=x5zRFUR096o]YouTube - Editors No sound but the Wind LIVE@ROCK AM RING 2010 ![/ame] [ame=http://www.youtube.com/watch?v=Ng-xPOC3k5Q]YouTube - Editors - Bricks And Mortar (Live Rock Am Ring 2010)[/ame] http://www.youtube.com/view_play_list?p=254B9845ED36562F http://www.youtube.com/view_play_list?p=5DAAC05680D512C5

for Spinner, the Interface in Los Angeles on May 25, 2010 [ame=http://www.youtube.com/watch?v=prpw4nfSpxE]YouTube - The National - Lemonworld (HQ)[/ame] [ame=http://www.youtube.com/watch?v=gAK_LhmpvTU]YouTube - The National - Afraid Of Everyone (HQ)[/ame] [ame=http://www.youtube.com/watch?v=L-qVDENt_xM]YouTube - The National - Terrible Love (HQ)[/ame] [ame=http://www.youtube.com/watch?v=lfYrx7tYXSE]YouTube - The National - England (HQ)[/ame]

[ame=http://www.youtube.com/watch?v=NSwtX3zZS54]YouTube - Biffy Clyro - Reading 2010 (1 of 3)[/ame] [ame=http://www.youtube.com/watch?v=q51ryDOwuV4]YouTube - Biffy Clyro - Reading 2010 (2 of 3)[/ame] [ame=http://www.youtube.com/watch?v=x4xnXosZTFY&feature=related]YouTube - Biffy Clyro - Reading 2010 (3 of 3)[/ame] [ame=http://www.youtube.com/watch?v=vt8qb32GcgA]YouTube - Biffy Clyro's Simon Neil - the blonde bombshell![/ame] [ame=http://www.youtube.com/watch?v=-FbzF2BbDLs]YouTube - Leeds Festival 2010 - Biffy Clyro Walk Onto Main Stage[/ame]

LOWLANDS 2010 [ame=http://www.youtube.com/watch?v=PYIqS7HKq6E]YouTube - The National - Afraid Of Everyone[/ame] [ame=http://www.youtube.com/watch?v=rNasQXr6sZg]YouTube - The National - Fake Empire - Lowlands 2010 - HD1080i[/ame] SPIN's 25th anniversary [ame=http://www.youtube.com/watch?v=Gvs1K7kTvP4]YouTube - The National - Abel (Live)[/ame] [ame=http://www.youtube.com/watch?v=sr9-scsYjmE]YouTube - The National - Runaway (Live)[/ame] [ame=http://www.youtube.com/watch?v=AZyvpH121Jo]YouTube - The National - Fake Empire (Live)[/ame] [ame=http://www.youtube.com/watch?v=ytcVl3-Q2bY]YouTube - The National - Lemonworld (Live)[/ame] [ame=http://www.youtube.com/watch?v=BcYE7RStiu8]YouTube - The National - Terrible Love (Live)[/ame] [ame=http://www.youtube.com/watch?v=L_xAFjzr5dE]YouTube - The National - Afraid of Everyone (Live)[/ame] [ame=http://www.youtube.com/watch?v=P6O6WEe3VI0]YouTube - The National - Conversation 16 (Live)[/ame] [ame=http://www.youtube.com/watch?v=ncjQai8gfF4]YouTube - The National - Bloodbuzz Ohio (Live)[/ame] [ame=http://www.youtube.com/watch?v=nwLeuVdt5_8]YouTube - The National - Mr. November (Live)[/ame] [ame=http://www.youtube.com/watch?v=6OLqcZ4BwPw]YouTube - The National - Vanderlyle Crybaby Geeks (Live)[/ame] [ame=http://www.youtube.com/watch?v=_29S2W3ImZA]YouTube - The National - Start a War (Live)[/ame] [ame=http://www.youtube.com/watch?v=vM-CgKaDfjY]YouTube - The National - Apartment Story (Live)[/ame] [ame=http://www.youtube.com/watch?v=iTppcmJrKdY]YouTube - The National - England (Live)[/ame] [ame=http://www.youtube.com/watch?v=QjS-SmacC1w]YouTube - The National - Squalor Victoria (Live)[/ame] [ame=http://www.youtube.com/watch?v=bQZL4IpWFWg]YouTube - The National - Mistaken for Strangers (Live)[/ame] [ame=http://www.youtube.com/watch?v=Gvs1K7kTvP4]YouTube - The National - Abel (Live)[/ame] [ame=http://www.youtube.com/watch?v=P-SaSz8IkKA]YouTube - The National - Brainy (Live)[/ame] [ame=http://www.youtube.com/watch?v=h-BNtGye-Y8]YouTube - The National - Anyone's Ghost (Live)[/ame]

For your mother , for example AH AH AH