ColdplayingfromKansas

So this electro-DJ guy is going to carry over to our Coldplay stream? D:<

20 minutes to go! :D

dp EDIT: Oh, and to answer your golf question: Uhh . . . well I don't remember what everyone's individual scores were (not even mine, although I think I had the worst score on our team xD ) but we had six girls and shot a 182 altogether 'Cause we're beastly like that :cool:

^ Here you go: [ame=http://www.youtube.com/watch?v=ZLwFvcA8eS4]http://www.youtube.com/watch?v=ZLwFvcA8eS4[/ame]

^ I think we will. Maybe they had technical issues last night that prevented them from playing it? :shrug:

Hmm . . . I'll give it a solid 8 at this point in time. The video quality makes it very difficult to hear the lyrics and the various instrumental parts (except for Will). I have to agree with Teco though, the reason I love Fix You, Amsterdam, Swallowed In The Sea, Everything's Not Lost, Christmas Lights, etc. is because there's that final kick at the end that really brings out the emotion. While I don't think the guys should have added an awesome Jonny-riff at the end of this one (it would wind up sounding much too similar to Fix You), I think there should be something more at the end instead of the final drum beat. Maybe because it was rush-recorded, they didn't have enough time to write a more complex instrumental setup? Aside from that, the only thing that bugs me about this song is that it has another one of those single phrases repeated / single word repeated choruses. It seems that every song from this era either has no chorus at all, or has a very short one that consists of few words. Still, it's one of the better songs so far from this era. I'd put it third, behind Major Minus and Moving to Mars :nod:

God Put A Smile Upon Your Face (any live version :wacky:) Seriously, why is this song so awesome live!?

Aww :hug: I'm Alex :D

18+ WHY.

^ Sorry, Robin :hug: official website says Germany can't view it :( Have any of you guys listened to Up In Flames!? :dazzled: :wideeyed:

dp

I'm guessing Up In Flames and DLIBYH :nod: Now that I've listened to UIF I'm getting excited for DLIBYH--I hope it's another good one :wacky:

School, I do not appreciate you. :blank:

Soo . . . videos soon? :sneaky:

Eeeeeeeee! It's gonna be on PBS! Not on some random cable-access channel :dance: :vuvuzela:

Also: 4,000th post right here :cool:

:curtain: Sorry, I'm spamming you guys with unwanted info about our golf team, but: GUESS WHOSE GOLF TEAM JUST SHOT A SCORE THAT'S IN THE TOP FIVE IN SCHOOL HISTORY :dance:

:wideeyed:

^ :lol:

^ I think it's the band that are giving Eno too much power now. I loved Viva, and I'm glad that Eno got them to expand their musical horizons, but based on what I've heard from this era everything is starting to sound a little overproduced. Viva was the perfect mixture: synth-y tracks like Viva, Yes, and Lovers In Japan and then more classic Coldplay tracks like Violet Hill and DaAHF. Except for Moving to Mars, the songs from this era sound too Eno-ish.

Clocks (Live in Toronto 2006) :wacky:

^ Maybe. That and there weren't very many lyrics. :nod: But yeah, I think the chorus was what did it for most people (that's what did it for me, I was enjoying it until then).

Yeah, I'm actually not that crazy about them, but saying that they suck is, well . . .

^ :dance: 12/14 ain't bad :cool:

Okay, I've changed my mind now. I'm going to listen to Up In Flames and DLIBYH on Friday, and then stay away from them until MX drops :nod: