MENTIRAAAAAAAAAAAAAAAAA

AII MARTIN

TE ODIOO

ES MENTIRAA

YO NO SE LA MOSTRE A NADIEE

MENTIROSOO

 

 

AHH YO ESOTY ENOJADA CON EL

POR OTRA COSAA

YA VA A VERR!!

SISISISISISIS

 

¬¬

 

 

 

piña va piña viene

lo muchacho se'ntretiene! ?¿

Y no la saqe con cam digital porqe...

porqe el sr sacaba con una de las tradicionales

y no daba irse a ootro lado a sacarse la foto jajaja

creo que no hacia falta aclarar xD

piña va piña viene

lo muchacho se'ntretiene! ?¿

cuando lo vea lo mato.. ¬¬

Y no la saqe con cam digital porqe...

porqe el sr sacaba con una de las tradicionales

y no daba irse a ootro lado a sacarse la foto jajaja

 

 

en mi barrio se llama paja xD

creo que no hacia falta aclarar xD

jaja bueno por las dudas uno nucna sabee

cuando lo vea lo mato.. ¬¬

 

 

 

:wideeyed:

siempre malinterpretamos las cosas por foro :D ?¿

en mi barrio se llama paja xD

TENIA PAJA DE IR A OTRO LABORATORIOOO

 

Y QEE!?

 

 

:laugh4:

 

Freimchoo?

"Violet Hill": One of the strongest of the new songs, the band is considering giving it away as a special promotion in coming weeks and then leaving it off the album. Opening with a jagged distorted guitar riff, the song announces a new template: The stalking, bluesy beat fits nicely with Martin's earthy vocals and plaintive lyrics: "If you love me, won't you let me know?"

 

"42": The fact that the band is considering this song as the album's first real single underlines how far they're willing to a stray from their formula: It's an elaborate three-part piece, with swirling pianos, strings and beat loops that build to an uptempo climax, with some seriously stoner lyrics: "Those who are dead are not dead/They're just living in my head."

 

"Yes": Here, Martin's vocals take center stage like never before: Sounding more aggressive and strong than ever, they sit on top of an irresistible North African string-and-tablas arrangement and ache more convincingly than all the lilting falsetto in the world: "If you'd only, if you'd only say 'Yes'/I'm just so tired of this loneliness." It's the band's freshest song since "Parachutes."

 

"Death and All His Friends": A straight-up rock tune with a riff that sounds ripped from the Doobie Brothers, piano, and, in the last section, flute.

 

"Cemetaries of London": Notice the thematic pattern emerging from the title and lyrics? This one, with an electro loop and hand claps, doesn't sound as glum as its title portends.

 

"Life in Technicolor": Acoustic-guitar driven and jangly, this is one of the few tracks that seems built from the Coldplay template of songs like "Don?t Panic," only a bit more, well, panicked: "Baby it's a violent world," Martin sings.

 

"Chinese Sleep Chant": Opening with a jagged guitar riff, the song quickly settles into a propulsive dance-track loop with low-mixed, angelic vocals.

 

"Strawberry Swing": This is one of several potential album cuts with Afro-pop and high-life influences: Here, distortion-free finger-picked guitars which sound straight out of Mali mix with a heavy bassline and psychedelic synths. "My Mum comes from Zimbabwe, so I spent a lot of time there," says Martin. "I used to work in a studio where people played that."

 

"Reign of Love": A lovely layered composition of piano, bass and organ that backs fairytale lyrics.

 

Fuente: http://www.rollingstone.com/news/story/18915732/coldplay_at_work_on_something_different_for_upcoming_album/3

TENIA PAJA DE IR A OTRO LABORATORIOOO

 

Y QEE!?

 

 

:laugh4:

 

Freimchoo?

 

 

 

jajaja pero tal vez te podian sacar la foto otra vez...no te cobran por eso jajaja

 

 

 

freim........se habra ido a buscar algo para comer xD

:wideeyed:

jaja vos qeres qe corra sangre jajaja

vos desaprovechaste..

digo no..

cuando viniste lo podrias jaber hecho con otra personita no muy de tu agradoo.. :laugh4:

"If you love me, won't you let me know?"

 

 

 

:bigcry: :cry: :bigcry: .cry: :bigcry:

"Violet Hill": One of the strongest of the new songs, the band is considering giving it away as a special promotion in coming weeks and then leaving it off the album. Opening with a jagged distorted guitar riff, the song announces a new template: The stalking, bluesy beat fits nicely with Martin's earthy vocals and plaintive lyrics: "If you love me, won't you let me know?"

 

"42": The fact that the band is considering this song as the album's first real single underlines how far they're willing to a stray from their formula: It's an elaborate three-part piece, with swirling pianos, strings and beat loops that build to an uptempo climax, with some seriously stoner lyrics: "Those who are dead are not dead/They're just living in my head."

 

"Yes": Here, Martin's vocals take center stage like never before: Sounding more aggressive and strong than ever, they sit on top of an irresistible North African string-and-tablas arrangement and ache more convincingly than all the lilting falsetto in the world: "If you'd only, if you'd only say 'Yes'/I'm just so tired of this loneliness." It's the band's freshest song since "Parachutes."

 

"Death and All His Friends": A straight-up rock tune with a riff that sounds ripped from the Doobie Brothers, piano, and, in the last section, flute.

 

"Cemetaries of London": Notice the thematic pattern emerging from the title and lyrics? This one, with an electro loop and hand claps, doesn't sound as glum as its title portends.

 

"Life in Technicolor": Acoustic-guitar driven and jangly, this is one of the few tracks that seems built from the Coldplay template of songs like "Don?t Panic," only a bit more, well, panicked: "Baby it's a violent world," Martin sings.

 

"Chinese Sleep Chant": Opening with a jagged guitar riff, the song quickly settles into a propulsive dance-track loop with low-mixed, angelic vocals.

 

"Strawberry Swing": This is one of several potential album cuts with Afro-pop and high-life influences: Here, distortion-free finger-picked guitars which sound straight out of Mali mix with a heavy bassline and psychedelic synths. "My Mum comes from Zimbabwe, so I spent a lot of time there," says Martin. "I used to work in a studio where people played that."

 

"Reign of Love": A lovely layered composition of piano, bass and organ that backs fairytale lyrics.

 

Fuente: http://www.rollingstone.com/news/story/18915732/coldplay_at_work_on_something_different_for_upcoming_album/3

 

 

 

chinese sleep chant? life in technicolor? death and all his friends!?!?!?!

 

 

 

WTF!?!?!

Me lo traducís Romy, por favor... :shy:

che los nombres nuevoss

 

me encantann!!!

estan geniales

aii esa frse de Violet Hill

a mi sig..

 

AHORA!

Claro, estoy comiendo la RS... :P

Me lo traducís Romy, por favor... :shy:

Ufiss..

ok

I'll try it..

hay palabras tecnicas de la musica qe ni ahi cachoo

pero entiend olo qe qieren decir

aqi voy..

me van a tener qe esperar..

Ahhh.... unas ganas de terribles (nose imaginan cuanto) de escuchar el 4º disco!

 

DIOS!

 

:D

on several songs, Martin extends his vocal palette considerably beyond the falsetto that has largely defined him, exhibiting a lower, sexier mode that feels more personal and real.

 

 

 

no se xq me imagine eso jhajajaj

palabras tecnicas de la musica

 

Martín para que está?

 

:P

jajaja no usan tecnica romi....es facil :P a mi me da paja jajajajaj

 

 

 

che...entonces, en un par de semanas podemos tener un tema nuevo de coldplay para escuchar........

JAJAJAJAJAJAJAJA

claroooo

jajaja

 

 

Amo mi sig... :cry:

Amo cuando Chris

se manda esas frases qe me inspirann

aii porqe a mi? :(

with some seriously stoner lyrics: "Those who are dead are not dead/They're just living in my head."

 

 

esto es muuuuy arcade fire.....

"If you'd only, if you'd only say 'Yes'/I'm just so tired of this loneliness." It's the band's freshest song since "Parachutes."

 

 

 

que simple...........me suena onda green eyes que resalta mucho la voz de chris pero no tan guitarrera....xD