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Radiohead

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the kid a video was lovely,i have never heard it live before,and thom looks so at peace performing it.

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  • Lol I haven't been here in 5 years but I decided to pop my head back in for some nostalgia. Seems like this was my last post so here's an update... I finally saw Radiohead live in Manchester in 2017 a

I never saw him entertaining the public so much.

Oh yeah its good :D I love it to see Collin jumping :lol:

 

He sings 'very special' :P But its ok.. hmm..actually.. its fucking bad :P He ruined the song..very different :(

oh..you rememered me of glasto 2003 :heart: i just loove when he's saying he's goodbye's and waves like a little kid ..uber cute...

He IS a little kid :nice: i wish he was a bit younger :rolleyes: :lol:

as far as i consider..he's getting younger :lol:

yeah, he's looking better now than in 1994 :D

^^ yea, i think he looks so much better than he did say ten years ago.that would of been like just before ok computer period,wow how scary.

^^ yea' date=' i think he looks so much better than he did say ten years ago.that would of been like just before ok computer period,wow how scary.[/quote']

 

yeah thats right :D But he know now what 'style' is :P But i like him here too, with that blond hair :blush: :heart:

i guess Lera requested this some time ago:

 

Children draw Radiohead

 

---------------

It is no longer possible to have an original opinion on Radiohead.

 

You've absorbed the deified albums, quarreled over the rock critic pontifications, frowned at the guarded, combative interviews. Thom Yorke's ugly-stick-beaten mug has peered at you from the pages of every magazine known to man; his every word and every note has ignited its own individual Internet flame war. Mass media has bombarded us with Radiohead critique, rendering us unable to generate an unfiltered opinion of our own.

 

When you listen to Radiohead, you're no longer actually listening to Radiohead -- you're listening to everyone's opinion about Radiohead. It's impossible to separate what you hear from what you've read. You are betrayed by what you know, and you know way too much.

 

Thus, in order to solicit an honest, undiluted opinion about Radiohead, you'd have to find the proverbial People Living Under Rocks. As People Living Under Rocks are unavailable, let's use fifth graders.

 

Specifically, Mitsi Kato's fifth-grade class at Roosevelt Elementary in San Leandro.

 

Mitsi has consented to a simple experiment: We will play a career-spanning selection of Radiohead songs; the kids, equipped with Sharpies and blank sheets of paper, will simply draw whatever the music suggests to them. We don't even give them the name of the band. They don't know anything about Radiohead, the mountain of criticism, the mythology. Their thoughts and interpretations are pure, unsullied, literally unique.

 

They are also extremely bizarre.

 

The kids consent to this experiment, if only because Mitsi tells them to. They do, however, immediately request that we play Sean Paul or 50 Cent instead.

 

"This is not hip-hop," Mitsi says. "I'm not asking if you like it."

 

She doesn't have to ask. They don't.

 

We begin with Hail to the Thief, Radiohead's latest, a critically adored and hopelessly muddled platter of art rock weirdness. The kids shift restlessly as "2+2=5" sputters into guitar-and-drum-machine gear.

 

When Thom Yorke's famously tortured croon first surfaces, the whole room starts giggling.

 

Giggling.

 

For the first few songs, the kids hardly move, scarcely even changing facial expressions. One girl plants her head on her desk face-first. The "hold your head in your hands and look completely confused" look is extremely popular.

 

But slowly, they begin drawing. One kid starts scrawling a guitar; the girl next to him immediately begins copying -- an apt metaphor for music criticism.

 

To dispel the room's chilly vibe, we switch to 2000's slightly less clinical Kid A; the warm keyboards of "Everything in Its Right Place" thaw the kids out a bit. The kid who specifically requested Sean Paul begins drawing what looks like a giant stalk of asparagus.

 

But let's not peek. So as not to lord over the artists, we snoop around Mitsi's classroom a bit, particularly the official rules for Room 14. Thom Yorke would be in blatant violation of several of these, including "Don't fidget," "Be helpful," and particularly "Keep negative ideas to yourself."

 

After the droning, horn-blasted dirge of "The National Anthem," we throw caution to the wind and toss on OK Computer's truly psychotic guitar freakout "Paranoid Android," which leads to The Bends' far sweeter "High and Dry," which the class seems to like the best. We consider playing Radiohead's debut fluke alt-rock smash "Creep," but the kids might recognize it, and it's profane besides. Instead, perhaps "Anyone Can Play Guitar" will inspire them.

 

Unlikely. Returning to Hail to the Thief for the grand finale, Mitsi's announcement that "Sail to the Moon" will be our last song earns a chorus of "Yessss" and several robust fist-pumps. Thom has made few fans.

 

Ah, but the experiment yields about thirty stark, black-and-white Radiohead interpretations that represent the purest, most honest take on the band you'll find anywhere. The kids will now take over; for the rest of you, Radiohead is playing Shoreline Amphitheater Tuesday night. Call ahead before bringing art supplies.

 

pictures (no bigger resolution available):

 

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Hay that's it. Thank you Nik, these pictures made my day :wacko:

Cool pictures, cheers Nik.

 

The world's greatest mysteries can be answered in a child's drawing..

Some pics are a little bit depressing isnt it :rolleyes:

But great pics :D

image10lh0.gif

 

 

Aren't those kinda like the mountains on Kid A's art? Wierd...

Yeah they make me think of some drawings you can see in Kid A and Amnesiac booklets

scary! :o

I wonder what de kid on the drawing says..

haha i wonder with which song that was :P

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