arushofjacktothehead

Here we go again... 1) 12- The 1975 (beautiful, spacious interlude which I've sometimes used to end certain playlists) 2) Charlie- RHCP (funky n shit, but this has always been a track that's never really clicked with me. sorry, Flea ;)) 3) Momentz- Gorillaz feat. De La Soul (great party track, like one of the MILLION tracks DLS appear on with Gorillaz lol) 4) We Don't Deserve Love- Arcade Fire (nice slow jam, and shits over nearly EVERYTHING else on that album) 5) Murder City- Green Day (not heard it much, so idk. hearing it now, it's pretty good but Green Day have done WAY better than this.) 6) Your Loves Whore- Wolf Alice (not heard this much either, but it's EXTREMELY good, 90's, all the good shit. main riff reminds me of Cherub Rock. fuck yeah Wolf Alice) 7) Fairly Local- TØP (UGH, i fucking HATE this TØP track. it's just not them, sorry) 8) Feel It Still (Gryffin Remix)- P.T.M (was mindblown and overwhelmed the original got as much mainstream play as it did. i originally discovered the song and put it on my own 'chart', never knowing it'd get all the attention it did. awesome. this remix is cool too) 9) Well I Wonder- The Smiths (classic. fun fact: i was listening to this song in Liverpool one night around the time i was ONLY on S2 of TWD. lol) 10) Euphoria- FMLYBND (one of the many songs that remind me of my trips to London. awesome song :))

'The words are coming out all weird', shit, I don't know. Actually I know, you could 'take a ride somewhere'. What are your plans for the rest of the day?

Miracles (SS) (even though, truth be told, from this point onwards, I like all the songs INCLUDING this one)

SJLT TM

Is this finished yet?

Wow. Wow. Holy fucking WOW. This era has been quite a ride. Sure, Coldplay may have released one of the worst albums of their whole career with AHFOD, but DAMN has this tour and aesthetic of this era mesmerised and fascinated me. Honestly, when LP7's buildup began (remember we were looking for clues about the record and all that excitement us thinking it would be a psychedelic record lol) I was hoping that this era would be magical. And indeed it was. The album may have been overproduced to shit and had some awful tracks (looking at you, XMTS, Army Of One, Amazing Day, HFTW) but it was full of some bloody good ones too (AOAL, Up&Up, Birds and of course, the title track) and it was also the album era where I saw the band live for the very first time and was there from start to finish. And yes, the Kaleidoscope EP blew my mind, so that too :) (To be 100% honest, Hypnotised completely restored my faith in the band making great music again, so that EP was what saved this era, for me anyways. It continued the magic which was nearly lost in late 2016.) I have absolutely loved coming on here to chat and stuff, and I tell you this: I ain't gonna stop here (LP8 hype train is pulling in at November station!) So to Chris, Jonny, Guy, Will, everyone on this forum and the crew... Thank you for making this era a memorable one, and I love y'all for being there with me. Now to see what the future will bring! Oh and of course: BELIEVE IN LOVE :) :p

we'e missing this one though: Metal ➡️ God Put A Smile Upon Your Face (LIVE) (personally I also think it should be Everything's Not Lost for Jazz)

Coldplay won an EMA and covered Rage while Tom Morello was at the actual awards ceremony. Yep. This happened. [MEDIA=twitter]929828953505837056[/MEDIA] Mobile Link: https://twitter.com/coldplaying/status/929828953505837056 but...there's absolutely nout wrong with this whatsoever. HOLY FUCK THEY STILL HAVE IT THEY STILL LIKE HEAVY MUSIC :dizzy::innocent:

HOLY SHIT WHAT IS THIS? Snow Patrol/Blink 182/Bring Me The Horizon soft rock/pop punk/metal? It's odd and kind of phony in places, but it's still kinda cool! 6.8/10 (why the hell has this not been a hit yet?)

Very Foals-y, loving the whole song really. I dig Everything Everything (Distant Past is my personal fave) 8/10

August 2017 (Vapour Trail) Vapour Trail- Ride Wake Up- Arcade Fire Breathe This Air- Jon Hopkins Afterlife- Arcade Fire Transference- 2814 Here Comes The Night Time- Arcade Fire Million Dollar Question- Radiohead Pug- Smashing Pumpkins Before I Forget- Slipknot Run For Cover- The Killers Outro- M83 Uprising- Muse (me and Lou were failing at this on Guitar Hero ahah) Child's Play Theme- Joe Renzetti (because this was the first time I watched the film that scared me to death when I was younger lol) Car Radio- twenty øne piløts Holding On To You- twenty øne piløts Moving To Mars- Coldplay Papercut- LINKIN PARK One Step Closer- LINKIN PARK Somewhere I Belong- LINKIN PARK Faint- LINKIN PARK (RIP Chester :() Duality- Slipknot Figure.09- LINKIN PARK Hurt- Nine Inch Nails (around this time, I had a major panic attack and completely lost balance for a couple of hours. thanks to Lydia (my close best friend), I managed to calm down and eventually become happy again) ------------------------------------------------------------------------------ Crazy- Gnarls Barkley Waste A Moment- Kings Of Leon Homemade Dynamite- Lorde A Place For My Head- LINKIN PARK There Are Too Many Of Us- Blur Flow (Child Of Eden Theme)- Genki Rockets (I completed the video game around this time, that's why it's here) Shadow Of The Day- LINKIN PARK Luna Moth- Jon Hopkins Second Sense- Jon Hopkins Symmetry- Jon Hopkins 2 + 2 = 5- Radiohead Hit The Floor- LINKIN PARK Thought I Was A Spaceman- Blur Mirrorball- Blur Burnout- Green Day Right Here, Right Now- Fatboy Slim Flashbulb Eyes- Arcade Fire Low- Coldplay Reprise- Jon Hopkins ------------------------------------------------------------------------------ (The following songs were in my Falmouth playlist when I went on the drive to get there, I've only put a couple, not the whole thing lol) Square One- Coldplay Everything In Its Right Place- Radiohead Open Eye Signal- Jon Hopkins Dandelion Spheres- Simian Mobile Disco Fake Plastic Trees- Radiohead Water Silence- Solar Fields A Violent Noise- The xx treat- Kasabian Skyline To- Frank Ocean Daphne Descends- Smashing Pumpkins Translation- Waypoint If I Had A Gun- NGHFB Boat- Solar Fields Reptile- NIN R.U.R- John Tejada Animals- Coldplay 5AM- Amber Run After Glow- Foals Blue Moon Station- Solar Fields Bad (Live)- U2 (imho this song sounds better a key lower than the studio version) Somebody Told Me- The Killers Melts Into Air- Ulrich Schnauss Ground Zero- Lil Wayne (Idk really I liked the bassline and riff) The whole How Did We Get So Dark? album- Royal Blood Guerrilla Radio- RATM Home- Tall Ships (extremely sad they've broken up :() My Beautiful Blue Sky- Moby Headwind- Lusine Up On The Ladder- Radiohead ------------------------------------------------------------------------------ Love Will Tear Us Apart- Joy Division Into The Black- Chromatics New Rules- Dua Lipa Fetish- Selena Gomez feat. Gucci Mane You- Gold Panda Session- LINKIN PARK Held- Lowtide Bones- Polykite Til Kingdom Come- Coldplay (this was the moment this song clicked with me ;)) Four Cypresses- Grizzly Bear Keep The Car Running- Arcade Fire Sweater Weather- The Neighbourhood September, October playlists are coming eventually :p

Weird and sort of annoying in places, but cool bass line. Much prefer Polymorphing. 7/10 (imho one of the greatest covers ever, period)

Well, maybe not too soon, but eventually.

Yes, this was a long while ago, but I had to bring it up. It was around that time the forum became cluttered with people disagreeing on almost everything to do with the band

One of the greatest things that Netflix have ever done, period (tied with 13RW)

I honestly think we've gotten to a point now where it's The Saviors vs Alexandria/Hilltop/The Kingdom (any of ye TWD fans out there will know what I mean) here on Coldplaying. I mean, people who have only just discovered the band thanks to AHFOD (or had after it came out) would go back and look at their old stuff (which is great), but considering the first exposure to them was that album, THAT is how they will remember Coldplay's sound as. Catchy and somewhat funky in places, but also very bland, basic, safe. Safer than MX. Safer than GS. Just plain safe. But during Kaleidoscope, the band themselves shuffled out of that safety zone a bit to create AICTAIY, A L I E N S and Hypnotised. Hell, small fractions (like the guitar solo on Up&Up) were fantastic on AHFOD, if it wasn't for the ANNOYING AS FUCK overproduction coming in to dim the spotlight on it. But that's the band. Us, as a fanbase on the other hand? Plenty of us are still in that 'safety zone' and as I said, will remember Coldplay as a pop band, or a rock band with a pop sound. That's not OUR Coldplay. The reason why I'm using TWD as a comparison? Well, it's kind of obvious. At the time of the AHFOD release, LOADS of people began to leave these forums. They HATED the way the band sounded. But when some people jumped ship, many came aboard. But these 'many' were somewhat MESMERISED by the album. They praised nearly all the songs and jumped all over Chris, basically. Nothing wrong with that, but that seems to have been the trend ever since. Hell, Oldplayers and Newplayers had a forum war for a while. Now, I'm not saying one group of people are better than the other. I enjoy being in both of those groups. As far as everything goes, it's not how new or how old things are that matter. The thing that REALLY matters is if the music is good. And I like a handful of Newplay songs, and lots of Oldplay songs. But really, they're all Coldplay songs. All of them. Ever since AHFOD, we've been split into two sides. Before, it was pretty much all civil. Now, it's much different. And let's face it, some of us have gotten way too angry or annoyingly overpraising at times, either ripping the band apart for not being who they used to be or drooling all over anything they put out. I mean, just look at the song for Mexico. You either hated it, or you loved it. There was only a ridiculously small fraction who were indifferent to either side. Yes, I may have been slightly towards not really liking it, but I gave it a CHANCE. Some people just don't give things a chance anymore. But it can also be the other way round, as in, some people don't give songs a CHANCE to resonate with them and just eat them up anyways for no other reason than OMG THATS AMAZING CHRIS! I just hope eventually, Coldplay drops a song like A L I E N S again , but not on an EP. On an album, as a single. That way, any angry fans would rejoice and any overpraising fans would have a reason to do praise the song. But for now, I guess, it's Oldplayers, Newplayers, and yes, a small fraction of us called Coldplayers.

I honestly think we've gotten to a point now where it's The Saviors vs Alexandria/Hilltop/The Kingdom (any of ye TWD fans out there will know what I mean) here on Coldplaying. I mean, people who have only just discovered the band thanks to AHFOD (or had after it came out) would go back and look at their old stuff (which is great), but considering the first exposure to them was that album, THAT is how they will remember Coldplay's sound as. Catchy and somewhat funky in places, but also very bland, basic, safe. Safer than MX. Safer than GS. Just plain safe. But during Kaleidoscope, the band themselves shuffled out of that safety zone a bit to create AICTAIY, A L I E N S and Hypnotised. Hell, small fractions (like the guitar solo on Up&Up) were fantastic on AHFOD, if it wasn't for the ANNOYING AS FUCK overproduction coming in to dim the spotlight on it. But that's the band. Us, as a fanbase on the other hand? Plenty of us are still in that 'safety zone' and as I said, will remember Coldplay as a pop band, or a rock band with a pop sound. That's not OUR Coldplay. The reason why I'm using TWD as a comparison? Well, it's kind of obvious. At the time of the AHFOD release, LOADS of people began to leave these forums. They HATED the way the band sounded. But when some people jumped ship, many came aboard. But these 'many' were somewhat MESMERISED by the album. They praised nearly all the songs and jumped all over Chris, basically. Nothing wrong with that, but that seems to have been the trend ever since. Hell, Oldplayers and Newplayers had a forum war for a while. Now, I'm not saying one group of people are better than the other. I enjoy being in both of those groups. As far as everything goes, it's not how new or how old things are that matter. The thing that REALLY matters is if the music is good. And I like a handful of Newplay songs, and lots of Oldplay songs. But really, they're all Coldplay songs. All of them. Ever since AHFOD, we've been split into two sides. Before, it was pretty much all civil. Now, it's much different. And let's face it, some of us have gotten way too angry or annoyingly overpraising at times, either ripping the band apart for not being who they used to be or drooling all over anything they put out. I mean, just look at the song for Mexico. You either hated it, or you loved it. There was only a ridiculously small fraction who were indifferent to either side. Yes, I may have been slightly towards not really liking it, but I gave it a CHANCE. Some people just don't give things a chance anymore. But it can also be the other way round, as in, some people don't give songs a CHANCE to resonate with them and just eat them up anyways for no other reason than OMG THATS AMAZING CHRIS! I just hope eventually, Coldplay drops a song like A L I E N S again , but not on an EP. On an album, as a single. That way, any angry fans would rejoice and any overpraising fans would have a reason to do praise the song. But for now, I guess, it's Oldplayers, Newplayers, and yes, a small fraction of us called Coldplayers.

I honestly think we've gotten to a point now where it's The Saviors vs Alexandria/Hilltop/The Kingdom (any of ye TWD fans out there will know what I mean) here on Coldplaying. I mean, people who have only just discovered the band thanks to AHFOD (or had after it came out) would go back and look at their old stuff (which is great), but considering the first exposure to them was that album, THAT is how they will remember Coldplay's sound as. Catchy and somewhat funky in places, but also very bland, basic, safe. Safer than MX. Safer than GS. Just plain safe. But during Kaleidoscope, the band themselves shuffled out of that safety zone a bit to create AICTAIY, A L I E N S and Hypnotised. Hell, small fractions (like the guitar solo on Up&Up) were fantastic on AHFOD, if it wasn't for the ANNOYING AS FUCK overproduction coming in to dim the spotlight on it. But that's the band. Us, as a fanbase on the other hand? Plenty of us are still in that 'safety zone' and as I said, will remember Coldplay as a pop band, or a rock band with a pop sound. That's not OUR Coldplay. The reason why I'm using TWD as a comparison? Well, it's kind of obvious. At the time of the AHFOD release, LOADS of people began to leave these forums. They HATED the way the band sounded. But when some people jumped ship, many came aboard. But these 'many' were somewhat MESMERISED by the album. They praised nearly all the songs and jumped all over Chris, basically. Nothing wrong with that, but that seems to have been the trend ever since. Hell, Oldplayers and Newplayers had a forum war for a while. Now, I'm not saying one group of people are better than the other. I enjoy being in both of those groups. As far as everything goes, it's not how new or how old things are that matter. The thing that REALLY matters is if the music is good. And I like a handful of Newplay songs, and lots of Oldplay songs. But really, they're all Coldplay songs. All of them. Ever since AHFOD, we've been split into two sides. Before, it was pretty much all civil. Now, it's much different. And let's face it, some of us have gotten way too angry or annoyingly overpraising at times, either ripping the band apart for not being who they used to be or drooling all over anything they put out. I mean, just look at the song for Mexico. You either hated it, or you loved it. There was only a ridiculously small fraction who were indifferent to either side. Yes, I may have been slightly towards not really liking it, but I gave it a CHANCE. Some people just don't give things a chance anymore. But it can also be the other way round, as in, some people don't give songs a CHANCE to resonate with them and just eat them up anyways for no other reason than OMG THATS AMAZING CHRIS! I just hope eventually, Coldplay drops a song like A L I E N S again , but not on an EP. On an album, as a single. That way, any angry fans would rejoice and any overpraising fans would have a reason to praise the song. But for now, I guess, it's Oldplayers, Newplayers, and yes, a small fraction of us called Coldplayers.

Fort Knox is beautiful.

not watched it yet but apparently

These tracks are the main tracks that I've been listening to March-October. Disclaimer: EXTREMELY long post incoming (i might have to spilt it into two parts). As you will know, I call the months 'eras', and name them after the topic I was most interested in that month. The reason April is called 'Untitled' is because I couldn't really think of a certain theme in particular that month, as it was pretty much a sandbox of themes. Oh, and yeah, the songs in bold are the songs that best repsented the month it was in. I've picked one main song for each month (except May and June where there is multiple tracks). anyways... March 2017 (Euphoria Era) Star Roving- Slowdive Hypnotised- Coldplay Only Shallow- My Bloody Valentine My Girls- Animal Collective Also Frightened- Animal Collective Green Light- Lorde Circles- Incubus Petrichor- Tall Ships Apartment- Young The Giant Ego- Milky Chance Teenage Angst- Placebo Loomer- My Bloody Valentine Strobe- Friendly Fires Oceans- Coldplay I Ain't The One- Spoon When Will You Come Home?- M83 Summertime Clothes- Animal Collective The Fast Lane- Lusine Girls- The 1975 Something Just Like This- Coldplay & The Chainsmokers True Love Waits- Radiohead Running Away- Friendly Fires Live Those Days Tonight- Friendly Fires McFearless- Kings Of Leon Battle Sirens- Knife Party & Tom Morello Extreme Ways- Moby Inquiries- Trent Reznor & Atticus Ross Canopy- Lusine Change (In The House Of Flies)- Deftones Liability- Lorde Atlantic Din- Big Noble Breathe- The Prodigy Duality- Slipknot When You Sleep- My Bloody Valentine Circle- Slipknot Firestarter- The Prodigy September- Earth, Wind & Fire Omen- The Prodigy Alison- Slowdive Machine Gun- Slowdive Lucky- Radiohead Wait And Bleed- Slipknot InfraRed- Placebo Spitfire- The Prodigy Livin' On A Prayer- Bon Jovi Before I Forget- Slipknot Warrior's Dance- The Prodigy Surfacing- Slipknot Eyeless- Slipknot We Will Rock You- Queen Blue Monday- New Order Serial Thrilla- The Prodigy Take Me To The Hospital- The Prodigy Spit It Out- Slipknot Smack My B*** Up- The Prodigy Danger...Keep Away- Slipknot Dig- Incubus Weather Experience- The Prodigy April 2017 (Untitled Era) Can I Sit Next To You- Spoon Let's Dance To Joy Division- The Wombats The Dying Of The Light- Noel Gallagher's High Flying Birds Road Not Taken- Tall Ships Will To Life- Tall Ships Lucille- Tall Ships Tear It Down- Spoon Saturnz Barz- Gorillaz feat. Popcaan Andromeda- Gorillaz feat. D.R.A.M. Sea Of Blood- Tall Ships Cave- Future Islands Guerilla Radio- Rage Against The Machine Hummer- Smashing Pumpkins Melon Yellow- Slowdive Day Glow Fire- Future Islands Settle For Nothing- Rage Against The Machine Who Feels Love?- Oasis Around The World- RHCP Noctorniquet- The Mars Volta Castle On The Hill- Ed Sheeran Clint Eastwood- Gorillaz Interference- Thom Yorke Nearly Lost You- Screaming Trees Subways- The Avalanches M62 Song- Doves Ether- Mogwai Tzar- Mogwai treat- Kasabian Petrol- Orbital The Widow- The Mars Volta The Window- Thrice The Halt- Daisyhead Continuation- S3A Strawberry Swing- Coldplay Separator- Radiohead People Of The Sun- Rage Against The Machine Ascension- Gorillaz feat. Vince Staples Paradise City- Guns N' Roses Born Slippy (NUXX)- Underworld Supersymmetry- Arcade Fire May 2017 (The Return To London Era) Intro- M83 feat. Zola Jesus Planet Telex- Radiohead Gravity- Coldplay Are You Looking For Action?- Kasabian Spectral Nation- Solar Fields Bodysnatchers- Radiohead Hyper Music- Muse Glass Of Water- Coldplay Runaway- Linkin Park The Bends- Radiohead How Soon Is Now?- The Smiths Dirty Harry- Gorillaz Feel Good Inc- Gorillaz Rhinestone Eyes- Gorillaz Twentyfourseven- Kasabian Treefingers- Radiohead Good Fight- Kasabian On Melancholy Hill- Gorillaz Down Is The New Up- Radiohead (Interlude: Elevator Going Up- Gorillaz) Strobelite- Gorillaz feat. Peven Everett Karma Police- Radiohead Heavydirtysoul- twenty øne piløts Fascination Street- The Cure ----------------------------------------------------------- Naïve- The Kooks Time- O Torvald Black Hole Sun- Soundgarden Children (Dream Version)- Robert Miles Only Teardrops- Emmelie De Forest Heroes- Måns Zelmerlöw Invisible- Linkin Park Dark Device- Young Georgian Lolitaz Kiwi- Harry Styles Told You So- Paramore Red Hill Mining Town- U2 I'm Not Alone- Calvin Harris From The Dining Table- Harry Styles ----------------------------------------------------------- Every Teardrop Is A Waterfall- Coldplay Skyline To- Frank Ocean White Ferrari- Frank Ocean Marks To Prove It- The Maccabees Shotgun Mouthwash- High Contrast Slow Slippy- Underworld Not Nineteen Forever- Courteeners Salt And Shadow- Thrice Falling Ashes- Slowdive June 2017 (Firelight Era) Wall Of Glass- Liam Gallagher Run- Foo Fighters Lights Out- Royal Blood Don't Look Back In Anger- Oasis Fix You- Coldplay One Last Time- Ariana Grande Live Forever- Oasis Hook, Line & Sinker- Royal Blood Fallowfield Hillbilly- Courteeners Form By Firelight- Jon Hopkins All I Can Think About Is You- Coldplay The Catalyst- Linkin Park Sober- Lorde Rock 'n' Roll Star- Oasis Black Thumbnail- Kings Of Leon The Man- The Killers Daydreaming- Radiohead Fake Plastic Trees- Radiohead Weird Fishes/Arpeggi- Radiohead Paranoid Android- Radiohead Chinatown- Liam Gallagher Sober II (Melodrama)- Lorde Blow Out- Radiohead July 2017 (v a p o r w a v e Era) Transference- 2814 恢复- 2814 新宿ゴールデン街- 2814 Resistance- Muse 心はシダであります- Nmesh This Body- 2814 Deadcrush- alt- J あなたの愛への憧れ- t e l e p a t h 最後にホーム- t e l e p a t h DARE- Gorillaz Sixteen Blocks- Kasabian 我的遗憾- Hong Kong Express 在雨中的悲伤- Hong Kong Express A Sea Of Love- Huerco S Man Of War- Radiohead Everything Is Working- Games Violet Hill- Coldplay Optimistic- Radiohead A L I E N S- Coldplay Jelly- Kyle Gabler Years Of Work- Kyle Gabler Lannoy Point- Ride Graphic Processing Unit- Kyle Gabler Resonance- Home Come Back Down- Home Wait- M83 Less Than- Nine Inch Nails Miracles (Someone Special)- Coldplay Get Lucky- Daft Punk feat. Pharrell Williams & Nile Rodgers American Idiot- Green Day This Is Gospel- Panic! At The Disco Mr Brightside- The Killers The Pretender- Foo Fighters Throne- Bring Me The Horizon Fluorescent Adolescent- Arctic Monkeys Dirty Day- U2 London Thunder- Foals 8- Olan Mill She Moves In Her Own Way- The Kooks Speed Of Sound- Coldplay Transatlanticism- Death Cab For Cutie Black Star- Radiohead Appels + Oranjes- Smashing Pumpkins Black & White Town- Doves Don't Stop Me Now- Queen All Fired Up- Interpol Berzerk- Eminem Unfinished Business- Hong Kong Express 独自一人，一起- Hong Kong Express ----------------------------------------------------------------------------------- Swings And Waterslides- Viola Beach Everything Now- Arcade Fire Run For Cover- The Killers Infinite Content- Arcade Fire Infinite_Content- Arcade Fire Electric Blue- Arcade Fire Pounding- Doves (August-October coming soon...)

lol this is similar to when Noel said 'If Thom Yorke shit into a lightbulb, it'd still get a 10/10'

Holy Mountain is the one song this year (for me, anyways) which jumped from ABYSMAL to GREAT. Word of advice: let songs grow on you, it's the best way to enjoy more music.

sort of long post incoming... Well, as I've found out with NG's track Holy Mountain, songs take a while to grow on you. And this song (although it is for charity, yes) is one of those tracks which took FOREVER for me to like. Certainly the most cliché Coldplay song. I mean, if someone asked me to define what 'generic new era Coldplay' would be, I'd give them this song as the main definition. It's got a catchy guitar hook and melody (but lets face it, it's EERILY similar to Ed Sheeran's Castle On The Hill). It's got some decent lyrics here and there (but HOLY FUCK is it predictable right from the getgo). And that title, JESUS. (Oh) Beautiful World would have been better than Life Is Beautiful, because that title stinks of CLICHÉ. But as it stands, it's a charity single, so obviously I'll give it a pass. Besides, the band seem to be straying away from R&B beats and shit (although that sort of music can work quite well merged with rock when done right e.g. Beck, Radiohead, Posty, Frank Ocean) so that's good, as it never suited them AT ALL. And there is a really positive message behind it, so that is also good. But the band has recorded much more INCREDIBLE charity songs in the past (like How You See The World, for example) so I'm just saying they maybe could have tried harder with this one. Let's get on the runway to leave the AHFOD era behind, guys.

All I Can Think About Is You Paradise (w/ Remix) Talk Every Teardrop Is A Waterfall The Scientist B Stage Clocks Strawberry Swing Always In My Head A L I E N S Return to main stage... Midnight Violet Hill GPASUYF (w/ stage destruction from MX) Charlie Brown/Life Is For Living Lovers In Japan High Speed Viva La Vida Adventure Of A Lifetime Politik C Stage Don't Panic (Jonny on vox.) Us Against The World Such A Rush Finale main stage Cemeteries Of London Fix You Twisted Logic A Sky Full Of Stars/Moving To Mars Atlas O (Reprise) (did more than 10, but fuck it, it doesn't matter, Atlas will always be the song I want to hear LIVE again most)