Sorry for not color coding and stuff guys. Too busy right now...
It also makes it official that there will be completely new songS coming out. And completely new, not just leftovers. Exciting times my friend :D
Well both LiTii and Glass of Water both had that upbeat sound that would come to dominate the MX era. Those, and the title track to an extent, are also using more synths to create sort of an electronic rock atmosphere, especially with GoW, when it explodes you can hear that synth sound thingy in the background, just a really dense explosive song that would be explored in the following era. Lost+ explored collaborating with big name artists which they did with Rihanna in the following album, I think that song could have paved the way for PoC which I personally like (and surprisingly you do too to an extent...) (So underrated!!! As is the whole MX era...) Seriously, LiJ seriously reminds me of MX, especially that sound at the beginning that sounds like a higher pitched, less "rocky", and lighter version of the sound in that one really epic section of Major Minus (before the guitar solo... starts around 2:05) Just everything about it, sounds like a Coldplay evolving into their next sound but still kind of within the dominant sound at the time. Seriously, if it were placed in MX I don't think it would sound that out of place. Now My Feet Won't Touch The Ground is reminiscent of the acoustic songs in MX. I know this was just released 6 months after Viva but I think even in that timeframe some sort of evolution in their sound can happen. As for the era as a whole hinting towards a poppier theme, I noticed that the title of Lovers in Japan/Reign of Love is inspired off of one of the names of Justin Timberlake's albums, where it's also a split title like that. (FutureSex/LoveSounds) Around this time he started becoming friends with big pop acts, all the while the band only seeing to explore more diversity in their music. And of course they did the thing with Jay Z. Overall as the band progressed, from one album to the next, ever since Parachutes their sound has gotten bigger and louder, not counting anything after Mylo, which was their peak (I even think it's more explosive than AHFOD, which is a good thing. If you're going to make uplifting music, don't try to hide it a bit. Go all out! That's what they missed in AHFOD. It's what made MX so good for me.)
Actually, they said they're working on new songs so maybe the songs other than the originals could be the leftovers...
All good points, I agree! And this EP will actually come out later than a year too. If PM hinted at new styles with the more synths and upbeat sounds on LiT and GoW, I can only imagine what this will show off, since it's been more than twice that long now. That soundcheck was interesting, and the fact they said more guitar based songs are on the way makes me even more excited. Hopefully this time will be the time where a lot of the people here are going to be pleasently surprised!!!!! :D
I really love the colorful songs Coldplay has done. But as we all know Coldplay don't quite do things three times. Really colorful songs they did on MX and AHFOD. So I wouldn't really expect that.
And who knows, hopefully we'll be pleasently surprised and get some really good stuff :D
...huh?
I don't hear how MX production is worse than AHFOD, I mean it sounds just so much nicer, and it really isn't overly watered down and electronic like this era can be... Correct production for the style. Quite a few layers, yes. But it makes it interesting... I don't know, Eno I guess did a really good job on it, it sounded so nice, especially the small instrumental sections before some of the songs... It's amazing...
GS is beautiful production wise. In contrast to the era before it it allowed some breathing room for the sounds in that era in most songs. They weren't afraid ot silence in parts. And really the better songs of the era are so beautiful and atmospheric... really a wonderful job in that era by them...
My opinion here..
I know right? For creativity especially the Viva era was their peak. Truly original stuff, I mean look at The Goldrush or A Spell A Rebel Yell as well. How one can think of those songs... beyond me. A lot of the songs are like that, if they were by any normal band they'd sound much more "normal" and restricted, here they really expand in diversity...
I agree about Thom Yorke as well.... absolute genious.
Yeah, he's what made MX actually good. AHFOD and MX are similar albums. The difference? One produced by Eno and one by Stargate. What sounds truer, more genuine and overall better fitting to Coldplay's actual sound and for creativity sake? Eno's production on MX. I bet without him that would have been a worse album... I mean there's so many layers and stuck down far in the mix is some really cool stuff, and I like it down there because over time when you listen to the song you discover these things, for example there's this really neat background synth sound in Charlie Brown that's easier to hear with the instrumental, I really noticed it when making an extended version of it. Little things like that ya know. Every song on the album IMO is just wonderfully produced. A really atmospheric upbeat pop rock album. And the rocky side at that. Some "pop rock" is really overly poppy, MX ain't like that really... :D
Jon Hopkins and Eno would be extremely fun again. Both absolute geniouses what they do. Them together... amazing
What?!!? Sorry but MX isn't "modern pop" (if I'm reading your statement correctly). Stargate watered down AHFOD a lot, and even with the super high quality files I got which is a massive improvement and allows me to hear some things much better than the leaked version I still had before that, I still prefer MX's production and is probably my favorite production out of any album. I don't see anything wrong with it.. suits Coldplay's style, and the style of the music to truly bring out what's best in it. More info on why I like it above, this whole post is long enough already...
Ouchhhhhhhhhhhhhhhh. Stargate in Coldplay's earliest albums? Don't even get me started thinking about it! Nonononoononon!!!!!!!!!!!!!!!
I'm not mad at the vocal snippets like some people are here. I think they fit the song really well and it's just something cool I guess... BTW from my above post don't think I'm getting mad at Stargate, I think he did good too but completely wrecked Up&Up (seriously, it sounds like there are tracks missing in there at points).
Don't know too much about Ryan Tedder...