I smashed my phone screen attempting to hit the like button.
Jk
But seriously, well written post. One thing I have to say, THANK YOU THANK YOU THANK YOU SO MUCH for including MX in the good albums. It is criminally underrated by most Oldplayers in the forum and I'm glad you're not one of them. :D
One thing though, I also agree with @coldplayisawesome's post, currently they have A Head Full Of Dreams right now :D
I do kind of agree, especially during this era it had absolutely been beaten to death but yours is acceptable because you're praising MX.
I really like those eras too. The more I think about it, the more it seems they were special and this is gravitating towards a radio friendly sound a bit much...
I know right! I first joined the forum during the first real hype event, when those pics were leaked from India that turned out to be the HFTW video. We started going crazy with ideas that they might explore diverse influences once more and that this is the real Coldplay album and this is the return to VLVODAAHF and that all was going to be okay! One person however, @Saket, was hinting otherwise though, saying stuff like "the song had the opposite of X&Y track in it" (we now know it's the opposite of Low) and that there was a famous female singer involved here he thought (later revealed to be Beyoncé). And here we were, still daydreaming about what it could be, going as far as to say they'd be exploring 432hz (I seen someone comment this so yeah...) Then Nov 6 rolls around and these hopes and dreams were shattered for some people, hearing about Stargate and Beyoncé and that crap... Massive let down to those of us who thought it would be VLV 2.0. And we were so silly to imagine them exploring the alternate 432hz deal! What were we thinking? :laugh3:
I agree, Stargate was an awful choice for producer. Now we have no B sides from the era which we even had at least one from the eras before. Some absolutely beautiful and epic songs id be willing to bet got thrown away for not sounding "commercial" or "poppy" enough. (Just imagine, some work of art like Moving to Mars or Atlas could have been completely trashed and burned, never to be seen or even thought about again in favor of X Marks The Spot (Army Of One for you especially...) :bigcry: :bigcry: :bigcry:)
I actually like HFTW but for the most part it is not strong artistically. Lyrically it is very weak for our standards based on Coldplay's past work and honestly sounds much too commercial and cheap for such a more capable band to be making overall. I will say that there are elements that do set it apart from most other mainstream tracks tho, like the glass tapping and that weird guitar thing Jonny does at the end... Those would never have any chance of appearing in another mainstream track. Overall even though it isn't nearly as good as truly diverse stuff it just had this exotic flavor to it, for some reason I can't explain... These are Things That I Don't Understand!!! :D it's like Coldplay's version of cheap mainstream top 40 electro bubble gum pop sprinkled with exotic influences that we thought would appear but not as subdued... It makes the track more fun and listenable for me besides it just being a fun thing in the first place for me personally. But I could see why you would hate it... After all, the original lyric was "drinks on me" and inspired by the fact that Coldplay apparently doesn't have a late night club song that today you need to have to be percieved as "cool"... When Coldplay doesn't need to have one to be loved. Sucks though that they get their inspiration from songs like "Turn Down For What" instead of the music from Radiohead and such now. (BTW, I used to act like your typical young idiot and go blast it in people's faces with my dad as we drove by them... I still do kind of like it but admit artistically it's one of the worst songs I've heard.)
I wouldn't quite say that. He still acknowledges influences outside of the mainstream (though don't get me wrong, most of it is plastic throwaway pop acts nowadays it seems) I also wouldn't agree with that they're writing flat stale boring melodies. In my opinion they definitely are not what they once were (I mean come on there are only so many melodies, maybe that's why music is crap nowadays, because all of the good stuff had been used up... :() But they still frequently write nice melodies as they've always done, which is why I still do like the album. Lyrically speaking, it's gone down a bit as well especially with songs like Hymn but it's still not that bad especially when compared with most chart songs today...I mean just look at them, Coldplay isn't obviously mentioning anything bad are they? An exception being Hymn but other than that?
True that. If anyone thinks AHFOD is bad play any random song on the charts. Typically a million times worse easily. Wish we could turn back time, to da good ol days... (Quote from an actually good song that is an exception from what we're talking about here.)
I agree with everything here. Want to especially make a comment on MX. I do agree with that you've said!! It was a pop rock, you know dare I say it alternative pop rock with art influences album (look at the background of some tracks, you'll see what I'm talking about, it sounds truly outstanding...) Which was really exciting for me. The colourfulness of the synths, all the elements blended together so perfectly... This is definitely the album where they were the best at making pleasing melodies and chord progressions, that's for sure.. It feels so good. It rocked hard and hit harder. Real music. It sounded different, wild even, the MX era was epic. Wish I was around for it, I discovered them in between the Viva and MX eras. Ughhhhhh want to slap myself for not getting truly into them sooner!!!!! :( It was a form of pop rock that was different. A very unique alternative rock form of it. I hate when people say MX is pop because it simply isn't true with the exception of a couple songs. It was surely their first with a bigger and admittedly popp-ier sound. But not "pop". No. It isn't true. I love it so much for these reasons And totally agree agree with you. AHFOD is MX with added Stargate pop overproduction and minus the rock edge and complete awesomeness. Least Brian Eno was there for MX, probably the whole reason it was awesome for those epic sounds in the background. The new album in comparison feels watered down and to be honest dull and boring. Let the music EXPLODE!!!! That was what MX is about. They held back to much on AHFOD as many songs do, trading it in for catchiness instead like many songs nowadays. That is why MX works. It actually blows up and does not hold back.
Good, at least your not leaving. While writing this post I thought I better ask you to not leave (don't leave..... Don't leave.... By the way, how would you react if all of a sudden Coldplay released a song like the one just referenced?? Surely wouldn't leave then :D :D :D that would be EPIC!!!
They need to follow the lights which will also ignite their bones. And we need to try.... To fix you, Chris Martins musical tastes :D :D :D