^^ :laugh4: I want LP 6 to kick Adele's bootie!! (though I love her :heart:)

I want LP6 to have lots of words and music.

 

Don't forget Chris Martin singing some songs.

I'd like them to do a Duet record once, like Norah Jones did on ...Featuring.

 

this would drive me nuts.........and, I do not see the band interested in something like this. A song or two is okay, but not a full album

Here's what we think will happen on LP6 so far:

 

Chris will sing/play guitar

Will will play drums.

Guy will play bass.

Johnny will play guitar.

 

Hm... What else am I missing? :thinking:

Guy will sing!

Maybe they read this and he'll do it because we said he had to

 

ok no I'm dreaming :p

Guy will sing!

Maybe they read this and he'll do it because we said he had to

 

ok no I'm dreaming :p

 

Maybe they'll read this and think "No not enough drums".

Here's what we think will happen on LP6 so far:

 

Chris will sing/play guitar

Will will play drums.

Guy will play bass.

Johnny will play guitar.

 

Hm... What else am I missing? :thinking:

 

Where have you got this information from? Is there a link to an interview or something?

 

 

 

 

 

 

:lol:

Guy singing would be ridiculous. So would a bass solo. Its just not what coldplay's about.

 

But I do want Will to take a proper lead on a song a la Death Will Never Conquer.

 

People should give Chris some credit as a song writer though, which includes not just the lyrics, but also the central melody. At their core, Coldplay are melodic rockers, and they're very good at it

Why would Guy singing be ridiculous and Will not?

I agree on the bass solo thing :nod:

Obviously, there comes a time when we get an early review; the press are played the album for the first time and they make their judgement on it, track by track, and announce to the world what it sounds like. So I thought I'd make a prediction of what that album will sound like a little earlier than the "first listen". (The following is intended as a joke, just in case anyone doesn't realise. I am a fan of the band, honestly.)

 

 

 

1. 'Love is Good', 2:20

The first song from the new album will be a Hey Jude-paced chugger of shining guitar tones, crescendoing drums and synth stabs that drift in and out of consciousness, as Chris Martin sings "Love is good, ooh-woo-woo!" Just as the track really begins to gather some momentum though, it fades and winds down. Promising but disappointing.

 

2. 'Birds', 3:45

Chris's acoustic guitar on 'Love is Good' fades away into birdsong - recorded by the band themselves, dressed up as chickens for Apple's easter party - and we're away into the first single of the new album. Chris's lyrics talk about all the birds he sees, as he lists sparrows, kestrals and pigeons in Trafalgar Square, where "It's just not fair": the strings clear like fog from a mini-disco and Chris declares "You're the only bird for me." It's a heartfelt moment, and certainly a song that'll be played at weddings everywhere.

 

3. 'God Is In The Detail', 3:23

A Joshua Tree-era riff from Johnny Buckland, and it's as if the band have sniffed a gram of speed each! But they haven't, they're role models. Will hits the drums so hard, you can nearly hear him shout "Fuck" where he accidentally smacks his finger, and thanks to some Eno magic, some bright synths hover over the solo, showing us just how far the band have come since they were shoving synths all over X&Y.

 

4. 'La Chanson de la Salle de Bain', 3:00

Another foreign title, and a lovely little guitar sequence that Chris composed on the loo, with lyrics that speak of wanting "to finish what I started" and "not leave here dishearted". It's uncertain whether Chris is referring to a relationship, a job, or just the magazine he's been reading on the loo, but he sings it with such heart, and Will gives such lovely backing vocals, that it doesn't matter. This song could be about anything, it's beautiful. But don't forget that Chris wrote it while having a poo.

 

5. 'High', 3:50

Of course, Chris isn't singing here about drugs, he's singing about life: "Aye-i-i-i-i... I'm high... off life", he sings, as bells chime, strings ascends into a heavenly swell, and Will's drum pads (or he hitting the studio recycling bin?) deliver a sturdy and steady structure. Guy is perhaps most prominent, due to the fact that Will's drums sound so tinny, and Johnny draws inspiration from the Edge, with his solo. Brian Eno claims "It's so out of the box for the band. I'm there to encourage work like this: songs that work outside the box, take an allen key to the box, and reconfigured parts of said box into a chair or a gazebo or an alternative sculpture of a grazing mountain goat."

 

6. 'Backpacking in Korea', 2:59

The third in the Far East trilogy, and a surprise guest spot from a certain Kim Jung Un who raps an entire middle eight. The song tells of Chris's failed plans to hike through North Korea's glorious mountains, as he had troubles in customs, how he shouldn't have smuggled forty litres of Jack Daniels into the country and how he was then sentenced to execution for his crimes. Unfortunately though due to time constraints on recent Coldplay songs, we never do find out how he escaped, but Un certainly implies we don't want to know, with the crassness of his verse.

 

7. 'A Tiger of Kindness', 2:20

A short piano song about about a tiger who came to tea. The band really excel on this one, with Guy putting in some lovely bass notes, and Will singing more harmonies. A skippable track, but one that can be tacked onto the end of 'Clocks' or something. Chris claims to have written it in five minutes, and wants to keep the energy of it. It's rumoured that he was watching Newsnight during the writing.

 

8. 'Best Time Ever', 3:30

'Best Time Ever', produced by RedOne, is a "the song we've always wanted to make" says Chris Martin, "ever since about three weeks ago". Bouncy, dancey, and drawing inspiration from such disparate sources as Lady Gaga, Katy Perry and Morrissey, the track is a step in a brand new direction from the band, as none of them play any instruments, until the finale, where Chris declares "We must make war with the supermarkets over their miscommunication with staff over tannoy systems" to a pounding rhythm from Will and Guy that resembles the footsteps of an unhinged murderer. A must listen, but not a must-listen-to-this-again.

 

9. '< / 3', 4:30

Apart from instrumentals, the world's first ever wordless ballad, '< / 3', or 'Heartbreak' as less pretentious fans will call it, consists solely of oohs and aahs, as organs wail and Johnny Buckland draws influence from guitarists closest to Bono. The song is an emotional rollercoaster, with some critics speculating that Chris Martin actually has a incomprehensible tantrum over Gwyneth not buying any Percy Pigs halfway through, but it's definitely the highlight of the album. Expect this one to appear on the X Factor whenever someone's lost a family member.

 

10. 'Black', 4:00

The final song on the album, and the last to be written, fills both the needs of being the "colour song" of the album and the completes the "B" trilogy of the record. Condemned by many as a racial slur, 'Black' is actually an acoustic eulogy that evolves into a joyous festival number like a bacteria into a fully-blown common cold. With a catchy chorus of "Nothing in this world, has to be black, life should white, that's a fact", this is definitely the song that Coldplay will use to close Glastonbury in the future and a song that will embed itself in the hearts of the nation as "another stick to use to beat Coldplay".

 

Album verdict: a nice concept of "Things that happened to Chris Martin", and a lot of very upbeat, energetic songs. Again, Will Champion comes to the fore when it matters, and it seems the band are finding new ways to release essentially the last two records over again, which is good really. A thoroughly enjoyable release for anyone who is a fan of colours, Lucozade, U2, nature and feeling rather content.

 

Why would Guy singing be ridiculous and Will not?

I agree on the bass solo thing :nod:

 

OK it wouldn't be ridiculous but its doesn't seem like something Guy would do. On the other hand, we've seen Will sing a lot.

Obviously, there comes a time when we get an early review; the press are played the album for the first time and they make their judgement on it, track by track, and announce to the world what it sounds like. So I thought I'd make a prediction of what that album will sound like a little earlier than the "first listen". (The following is intended as a joke, just in case anyone doesn't realise. I am a fan of the band, honestly.)

 

 

 

1. 'Love is Good', 2:20

The first song from the new album will be a Hey Jude-paced chugger of shining guitar tones, crescendoing drums and synth stabs that drift in and out of consciousness, as Chris Martin sings "Love is good, ooh-woo-woo!" Just as the track really begins to gather some momentum though, it fades and winds down. Promising but disappointing.

 

2. 'Birds', 3:45

Chris's acoustic guitar on 'Love is Good' fades away into birdsong - recorded by the band themselves, dressed up as chickens for Apple's easter party - and we're away into the first single of the new album. Chris's lyrics talk about all the birds he sees, as he lists sparrows, kestrals and pigeons in Trafalgar Square, where "It's just not fair": the strings clear like fog from a mini-disco and Chris declares "You're the only bird for me." It's a heartfelt moment, and certainly a song that'll be played at weddings everywhere.

 

3. 'God Is In The Detail', 3:23

A Joshua Tree-era riff from Johnny Buckland, and it's as if the band have sniffed a gram of speed each! But they haven't, they're role models. Will hits the drums so hard, you can nearly hear him shout "Fuck" where he accidentally smacks his finger, and thanks to some Eno magic, some bright synths hover over the solo, showing us just how far the band have come since they were shoving synths all over X&Y.

 

4. 'La Chanson de la Salle de Bain', 3:00

Another foreign title, and a lovely little guitar sequence that Chris composed on the loo, with lyrics that speak of wanting "to finish what I started" and "not leave here dishearted". It's uncertain whether Chris is referring to a relationship, a job, or just the magazine he's been reading on the loo, but he sings it with such heart, and Will gives such lovely backing vocals, that it doesn't matter. This song could be about anything, it's beautiful. But don't forget that Chris wrote it while having a poo.

 

5. 'High', 3:50

Of course, Chris isn't singing here about drugs, he's singing about life: "Aye-i-i-i-i... I'm high... off life", he sings, as bells chime, strings ascends into a heavenly swell, and Will's drum pads (or he hitting the studio recycling bin?) deliver a sturdy and steady structure. Guy is perhaps most prominent, due to the fact that Will's drums sound so tinny, and Johnny draws inspiration from the Edge, with his solo. Brian Eno claims "It's so out of the box for the band. I'm there to encourage work like this: songs that work outside the box, take an allen key to the box, and reconfigured parts of said box into a chair or a gazebo or an alternative sculpture of a grazing mountain goat."

 

6. 'Backpacking in Korea', 2:59

The third in the Far East trilogy, and a surprise guest spot from a certain Kim Jung Un who raps an entire middle eight. The song tells of Chris's failed plans to hike through North Korea's glorious mountains, as he had troubles in customs, how he shouldn't have smuggled forty litres of Jack Daniels into the country and how he was then sentenced to execution for his crimes. Unfortunately though due to time constraints on recent Coldplay songs, we never do find out how he escaped, but Un certainly implies we don't want to know, with the crassness of his verse.

 

7. 'A Tiger of Kindness', 2:20

A short piano song about about a tiger who came to tea. The band really excel on this one, with Guy putting in some lovely bass notes, and Will singing more harmonies. A skippable track, but one that can be tacked onto the end of 'Clocks' or something. Chris claims to have written it in five minutes, and wants to keep the energy of it. It's rumoured that he was watching Newsnight during the writing.

 

8. 'Best Time Ever', 3:30

'Best Time Ever', produced by RedOne, is a "the song we've always wanted to make" says Chris Martin, "ever since about three weeks ago". Bouncy, dancey, and drawing inspiration from such disparate sources as Lady Gaga, Katy Perry and Morrissey, the track is a step in a brand new direction from the band, as none of them play any instruments, until the finale, where Chris declares "We must make war with the supermarkets over their miscommunication with staff over tannoy systems" to a pounding rhythm from Will and Guy that resembles the footsteps of an unhinged murderer. A must listen, but not a must-listen-to-this-again.

 

9. '< / 3', 4:30

Apart from instrumentals, the world's first ever wordless ballad, '< / 3', or 'Heartbreak' as less pretentious fans will call it, consists solely of oohs and aahs, as organs wail and Johnny Buckland draws influence from guitarists closest to Bono. The song is an emotional rollercoaster, with some critics speculating that Chris Martin actually has a incomprehensible tantrum over Gwyneth not buying any Percy Pigs halfway through, but it's definitely the highlight of the album. Expect this one to appear on the X Factor whenever someone's lost a family member.

 

10. 'Black', 4:00

The final song on the album, and the last to be written, fills both the needs of being the "colour song" of the album and the completes the "B" trilogy of the record. Condemned by many as a racial slur, 'Black' is actually an acoustic eulogy that evolves into a joyous festival number like a bacteria into a fully-blown common cold. With a catchy chorus of "Nothing in this world, has to be black, life should white, that's a fact", this is definitely the song that Coldplay will use to close Glastonbury in the future and a song that will embed itself in the hearts of the nation as "another stick to use to beat Coldplay".

 

Album verdict: a nice concept of "Things that happened to Chris Martin", and a lot of very upbeat, energetic songs. Again, Will Champion comes to the fore when it matters, and it seems the band are finding new ways to release essentially the last two records over again, which is good really. A thoroughly enjoyable release for anyone who is a fan of colours, Lucozade, U2, nature and feeling rather content.

 

I don't know what to make of some of this (like backpacking in korea). But I like the first two songs as ideas.

Here's what we think will happen on LP6 so far:

 

Chris will sing/play guitar

Will will play drums.

Guy will play bass.

Johnny will play guitar.

 

Hm... What else am I missing? :thinking:

Chris better play piano. :whip:

Obviously, there comes a time when we get an early review; the press are played the album for the first time and they make their judgement on it, track by track, and announce to the world what it sounds like. So I thought I'd make a prediction of what that album will sound like a little earlier than the "first listen". (The following is intended as a joke, just in case anyone doesn't realise. I am a fan of the band, honestly.)

 

 

 

1. 'Love is Good', 2:20

The first song from the new album will be a Hey Jude-paced chugger of shining guitar tones, crescendoing drums and synth stabs that drift in and out of consciousness, as Chris Martin sings "Love is good, ooh-woo-woo!" Just as the track really begins to gather some momentum though, it fades and winds down. Promising but disappointing.

 

2. 'Birds', 3:45

Chris's acoustic guitar on 'Love is Good' fades away into birdsong - recorded by the band themselves, dressed up as chickens for Apple's easter party - and we're away into the first single of the new album. Chris's lyrics talk about all the birds he sees, as he lists sparrows, kestrals and pigeons in Trafalgar Square, where "It's just not fair": the strings clear like fog from a mini-disco and Chris declares "You're the only bird for me." It's a heartfelt moment, and certainly a song that'll be played at weddings everywhere.

 

3. 'God Is In The Detail', 3:23

A Joshua Tree-era riff from Johnny Buckland, and it's as if the band have sniffed a gram of speed each! But they haven't, they're role models. Will hits the drums so hard, you can nearly hear him shout "Fuck" where he accidentally smacks his finger, and thanks to some Eno magic, some bright synths hover over the solo, showing us just how far the band have come since they were shoving synths all over X&Y.

 

4. 'La Chanson de la Salle de Bain', 3:00

Another foreign title, and a lovely little guitar sequence that Chris composed on the loo, with lyrics that speak of wanting "to finish what I started" and "not leave here dishearted". It's uncertain whether Chris is referring to a relationship, a job, or just the magazine he's been reading on the loo, but he sings it with such heart, and Will gives such lovely backing vocals, that it doesn't matter. This song could be about anything, it's beautiful. But don't forget that Chris wrote it while having a poo.

 

5. 'High', 3:50

Of course, Chris isn't singing here about drugs, he's singing about life: "Aye-i-i-i-i... I'm high... off life", he sings, as bells chime, strings ascends into a heavenly swell, and Will's drum pads (or he hitting the studio recycling bin?) deliver a sturdy and steady structure. Guy is perhaps most prominent, due to the fact that Will's drums sound so tinny, and Johnny draws inspiration from the Edge, with his solo. Brian Eno claims "It's so out of the box for the band. I'm there to encourage work like this: songs that work outside the box, take an allen key to the box, and reconfigured parts of said box into a chair or a gazebo or an alternative sculpture of a grazing mountain goat."

 

6. 'Backpacking in Korea', 2:59

The third in the Far East trilogy, and a surprise guest spot from a certain Kim Jung Un who raps an entire middle eight. The song tells of Chris's failed plans to hike through North Korea's glorious mountains, as he had troubles in customs, how he shouldn't have smuggled forty litres of Jack Daniels into the country and how he was then sentenced to execution for his crimes. Unfortunately though due to time constraints on recent Coldplay songs, we never do find out how he escaped, but Un certainly implies we don't want to know, with the crassness of his verse.

 

7. 'A Tiger of Kindness', 2:20

A short piano song about about a tiger who came to tea. The band really excel on this one, with Guy putting in some lovely bass notes, and Will singing more harmonies. A skippable track, but one that can be tacked onto the end of 'Clocks' or something. Chris claims to have written it in five minutes, and wants to keep the energy of it. It's rumoured that he was watching Newsnight during the writing.

 

8. 'Best Time Ever', 3:30

'Best Time Ever', produced by RedOne, is a "the song we've always wanted to make" says Chris Martin, "ever since about three weeks ago". Bouncy, dancey, and drawing inspiration from such disparate sources as Lady Gaga, Katy Perry and Morrissey, the track is a step in a brand new direction from the band, as none of them play any instruments, until the finale, where Chris declares "We must make war with the supermarkets over their miscommunication with staff over tannoy systems" to a pounding rhythm from Will and Guy that resembles the footsteps of an unhinged murderer. A must listen, but not a must-listen-to-this-again.

 

9. '< / 3', 4:30

Apart from instrumentals, the world's first ever wordless ballad, '< / 3', or 'Heartbreak' as less pretentious fans will call it, consists solely of oohs and aahs, as organs wail and Johnny Buckland draws influence from guitarists closest to Bono. The song is an emotional rollercoaster, with some critics speculating that Chris Martin actually has a incomprehensible tantrum over Gwyneth not buying any Percy Pigs halfway through, but it's definitely the highlight of the album. Expect this one to appear on the X Factor whenever someone's lost a family member.

 

10. 'Black', 4:00

The final song on the album, and the last to be written, fills both the needs of being the "colour song" of the album and the completes the "B" trilogy of the record. Condemned by many as a racial slur, 'Black' is actually an acoustic eulogy that evolves into a joyous festival number like a bacteria into a fully-blown common cold. With a catchy chorus of "Nothing in this world, has to be black, life should white, that's a fact", this is definitely the song that Coldplay will use to close Glastonbury in the future and a song that will embed itself in the hearts of the nation as "another stick to use to beat Coldplay".

 

Album verdict: a nice concept of "Things that happened to Chris Martin", and a lot of very upbeat, energetic songs. Again, Will Champion comes to the fore when it matters, and it seems the band are finding new ways to release essentially the last two records over again, which is good really. A thoroughly enjoyable release for anyone who is a fan of colours, Lucozade, U2, nature and feeling rather content.

'Backpacking in Korea' :lol:

Obviously, there comes a time when we get an early review; the press are played the album for the first time and they make their judgement on it, track by track, and announce to the world what it sounds like. So I thought I'd make a prediction of what that album will sound like a little earlier than the "first listen". (The following is intended as a joke, just in case anyone doesn't realise. I am a fan of the band, honestly.)

 

 

 

1. 'Love is Good', 2:20

The first song from the new album will be a Hey Jude-paced chugger of shining guitar tones, crescendoing drums and synth stabs that drift in and out of consciousness, as Chris Martin sings "Love is good, ooh-woo-woo!" Just as the track really begins to gather some momentum though, it fades and winds down. Promising but disappointing.

 

2. 'Birds', 3:45

Chris's acoustic guitar on 'Love is Good' fades away into birdsong - recorded by the band themselves, dressed up as chickens for Apple's easter party - and we're away into the first single of the new album. Chris's lyrics talk about all the birds he sees, as he lists sparrows, kestrals and pigeons in Trafalgar Square, where "It's just not fair": the strings clear like fog from a mini-disco and Chris declares "You're the only bird for me." It's a heartfelt moment, and certainly a song that'll be played at weddings everywhere.

 

3. 'God Is In The Detail', 3:23

A Joshua Tree-era riff from Johnny Buckland, and it's as if the band have sniffed a gram of speed each! But they haven't, they're role models. Will hits the drums so hard, you can nearly hear him shout "Fuck" where he accidentally smacks his finger, and thanks to some Eno magic, some bright synths hover over the solo, showing us just how far the band have come since they were shoving synths all over X&Y.

 

4. 'La Chanson de la Salle de Bain', 3:00

Another foreign title, and a lovely little guitar sequence that Chris composed on the loo, with lyrics that speak of wanting "to finish what I started" and "not leave here dishearted". It's uncertain whether Chris is referring to a relationship, a job, or just the magazine he's been reading on the loo, but he sings it with such heart, and Will gives such lovely backing vocals, that it doesn't matter. This song could be about anything, it's beautiful. But don't forget that Chris wrote it while having a poo.

 

5. 'High', 3:50

Of course, Chris isn't singing here about drugs, he's singing about life: "Aye-i-i-i-i... I'm high... off life", he sings, as bells chime, strings ascends into a heavenly swell, and Will's drum pads (or he hitting the studio recycling bin?) deliver a sturdy and steady structure. Guy is perhaps most prominent, due to the fact that Will's drums sound so tinny, and Johnny draws inspiration from the Edge, with his solo. Brian Eno claims "It's so out of the box for the band. I'm there to encourage work like this: songs that work outside the box, take an allen key to the box, and reconfigured parts of said box into a chair or a gazebo or an alternative sculpture of a grazing mountain goat."

 

6. 'Backpacking in Korea', 2:59

The third in the Far East trilogy, and a surprise guest spot from a certain Kim Jung Un who raps an entire middle eight. The song tells of Chris's failed plans to hike through North Korea's glorious mountains, as he had troubles in customs, how he shouldn't have smuggled forty litres of Jack Daniels into the country and how he was then sentenced to execution for his crimes. Unfortunately though due to time constraints on recent Coldplay songs, we never do find out how he escaped, but Un certainly implies we don't want to know, with the crassness of his verse.

 

7. 'A Tiger of Kindness', 2:20

A short piano song about about a tiger who came to tea. The band really excel on this one, with Guy putting in some lovely bass notes, and Will singing more harmonies. A skippable track, but one that can be tacked onto the end of 'Clocks' or something. Chris claims to have written it in five minutes, and wants to keep the energy of it. It's rumoured that he was watching Newsnight during the writing.

 

8. 'Best Time Ever', 3:30

'Best Time Ever', produced by RedOne, is a "the song we've always wanted to make" says Chris Martin, "ever since about three weeks ago". Bouncy, dancey, and drawing inspiration from such disparate sources as Lady Gaga, Katy Perry and Morrissey, the track is a step in a brand new direction from the band, as none of them play any instruments, until the finale, where Chris declares "We must make war with the supermarkets over their miscommunication with staff over tannoy systems" to a pounding rhythm from Will and Guy that resembles the footsteps of an unhinged murderer. A must listen, but not a must-listen-to-this-again.

 

9. '< / 3', 4:30

Apart from instrumentals, the world's first ever wordless ballad, '< / 3', or 'Heartbreak' as less pretentious fans will call it, consists solely of oohs and aahs, as organs wail and Johnny Buckland draws influence from guitarists closest to Bono. The song is an emotional rollercoaster, with some critics speculating that Chris Martin actually has a incomprehensible tantrum over Gwyneth not buying any Percy Pigs halfway through, but it's definitely the highlight of the album. Expect this one to appear on the X Factor whenever someone's lost a family member.

 

10. 'Black', 4:00

The final song on the album, and the last to be written, fills both the needs of being the "colour song" of the album and the completes the "B" trilogy of the record. Condemned by many as a racial slur, 'Black' is actually an acoustic eulogy that evolves into a joyous festival number like a bacteria into a fully-blown common cold. With a catchy chorus of "Nothing in this world, has to be black, life should white, that's a fact", this is definitely the song that Coldplay will use to close Glastonbury in the future and a song that will embed itself in the hearts of the nation as "another stick to use to beat Coldplay".

 

Album verdict: a nice concept of "Things that happened to Chris Martin", and a lot of very upbeat, energetic songs. Again, Will Champion comes to the fore when it matters, and it seems the band are finding new ways to release essentially the last two records over again, which is good really. A thoroughly enjoyable release for anyone who is a fan of colours, Lucozade, U2, nature and feeling rather content.

 

Thanks for this, I actually kinda pictured what each song would of sounded like. :wacko: LP6 here we goooo :laugh3:

guy looks a little bit bigger muscle and chest wise in that video (which gave me goosebumps) and a little stoned

GUYS GUYS GUYS GUYS GUYS :omgomg:

 

Davide Rossi is working with Coldplay again!!! Das right we're gettin some sweet strings on LP6 :awesome:

 

Davide Rossi ‏@rossidavide 3 min

In studio me and Chris talking about our favourite band [ame=

]

[/ame]

 

Davide Rossi ‏@rossidavide 2 min

Awesome couple of weeks ahead... Mastering Black Submarine on Tuesday and the beginning of a new Coldplay adventure.

 

:omgomg:

Davide Rossi ‏@rossidavide 9m

Awesome couple of weeks ahead... Mastering Black Submarine on Tuesday and the beginning of a new Coldplay adventure.

 

I wanna go on a Coldplay adventure

...the beginning of a new Coldplay adventure.:omgomg:

 

Woohooo!!! :happy:

I guess this means they are really working on something (as in starting to record stuff) :wacko:

Obviously, there comes a time when we get an early review; the press are played the album for the first time and they make their judgement on it, track by track, and announce to the world what it sounds like. So I thought I'd make a prediction of what that album will sound like a little earlier than the "first listen". (The following is intended as a joke, just in case anyone doesn't realise. I am a fan of the band, honestly.)

 

 

 

1. 'Love is Good', 2:20

The first song from the new album will be a Hey Jude-paced chugger of shining guitar tones, crescendoing drums and synth stabs that drift in and out of consciousness, as Chris Martin sings "Love is good, ooh-woo-woo!" Just as the track really begins to gather some momentum though, it fades and winds down. Promising but disappointing.

 

2. 'Birds', 3:45

Chris's acoustic guitar on 'Love is Good' fades away into birdsong - recorded by the band themselves, dressed up as chickens for Apple's easter party - and we're away into the first single of the new album. Chris's lyrics talk about all the birds he sees, as he lists sparrows, kestrals and pigeons in Trafalgar Square, where "It's just not fair": the strings clear like fog from a mini-disco and Chris declares "You're the only bird for me." It's a heartfelt moment, and certainly a song that'll be played at weddings everywhere.

 

3. 'God Is In The Detail', 3:23

A Joshua Tree-era riff from Johnny Buckland, and it's as if the band have sniffed a gram of speed each! But they haven't, they're role models. Will hits the drums so hard, you can nearly hear him shout "Fuck" where he accidentally smacks his finger, and thanks to some Eno magic, some bright synths hover over the solo, showing us just how far the band have come since they were shoving synths all over X&Y.

 

4. 'La Chanson de la Salle de Bain', 3:00

Another foreign title, and a lovely little guitar sequence that Chris composed on the loo, with lyrics that speak of wanting "to finish what I started" and "not leave here dishearted". It's uncertain whether Chris is referring to a relationship, a job, or just the magazine he's been reading on the loo, but he sings it with such heart, and Will gives such lovely backing vocals, that it doesn't matter. This song could be about anything, it's beautiful. But don't forget that Chris wrote it while having a poo.

 

5. 'High', 3:50

Of course, Chris isn't singing here about drugs, he's singing about life: "Aye-i-i-i-i... I'm high... off life", he sings, as bells chime, strings ascends into a heavenly swell, and Will's drum pads (or he hitting the studio recycling bin?) deliver a sturdy and steady structure. Guy is perhaps most prominent, due to the fact that Will's drums sound so tinny, and Johnny draws inspiration from the Edge, with his solo. Brian Eno claims "It's so out of the box for the band. I'm there to encourage work like this: songs that work outside the box, take an allen key to the box, and reconfigured parts of said box into a chair or a gazebo or an alternative sculpture of a grazing mountain goat."

 

6. 'Backpacking in Korea', 2:59

The third in the Far East trilogy, and a surprise guest spot from a certain Kim Jung Un who raps an entire middle eight. The song tells of Chris's failed plans to hike through North Korea's glorious mountains, as he had troubles in customs, how he shouldn't have smuggled forty litres of Jack Daniels into the country and how he was then sentenced to execution for his crimes. Unfortunately though due to time constraints on recent Coldplay songs, we never do find out how he escaped, but Un certainly implies we don't want to know, with the crassness of his verse.

 

7. 'A Tiger of Kindness', 2:20

A short piano song about about a tiger who came to tea. The band really excel on this one, with Guy putting in some lovely bass notes, and Will singing more harmonies. A skippable track, but one that can be tacked onto the end of 'Clocks' or something. Chris claims to have written it in five minutes, and wants to keep the energy of it. It's rumoured that he was watching Newsnight during the writing.

 

8. 'Best Time Ever', 3:30

'Best Time Ever', produced by RedOne, is a "the song we've always wanted to make" says Chris Martin, "ever since about three weeks ago". Bouncy, dancey, and drawing inspiration from such disparate sources as Lady Gaga, Katy Perry and Morrissey, the track is a step in a brand new direction from the band, as none of them play any instruments, until the finale, where Chris declares "We must make war with the supermarkets over their miscommunication with staff over tannoy systems" to a pounding rhythm from Will and Guy that resembles the footsteps of an unhinged murderer. A must listen, but not a must-listen-to-this-again.

 

9. '< / 3', 4:30

Apart from instrumentals, the world's first ever wordless ballad, '< / 3', or 'Heartbreak' as less pretentious fans will call it, consists solely of oohs and aahs, as organs wail and Johnny Buckland draws influence from guitarists closest to Bono. The song is an emotional rollercoaster, with some critics speculating that Chris Martin actually has a incomprehensible tantrum over Gwyneth not buying any Percy Pigs halfway through, but it's definitely the highlight of the album. Expect this one to appear on the X Factor whenever someone's lost a family member.

 

10. 'Black', 4:00

The final song on the album, and the last to be written, fills both the needs of being the "colour song" of the album and the completes the "B" trilogy of the record. Condemned by many as a racial slur, 'Black' is actually an acoustic eulogy that evolves into a joyous festival number like a bacteria into a fully-blown common cold. With a catchy chorus of "Nothing in this world, has to be black, life should white, that's a fact", this is definitely the song that Coldplay will use to close Glastonbury in the future and a song that will embed itself in the hearts of the nation as "another stick to use to beat Coldplay".

 

Album verdict: a nice concept of "Things that happened to Chris Martin", and a lot of very upbeat, energetic songs. Again, Will Champion comes to the fore when it matters, and it seems the band are finding new ways to release essentially the last two records over again, which is good really. A thoroughly enjoyable release for anyone who is a fan of colours, Lucozade, U2, nature and feeling rather content.

 

La Chanson de la Salle de Bain, best song title ever :lol:

 

OK it wouldn't be ridiculous but its doesn't seem like something Guy would do. On the other hand, we've seen Will sing a lot.

 

:nod: indeed, that's why I want to hear Guy

I'd rather hear Will than Guy singing.

Woohooo!!! :happy:

 

WOOHOO:D

YES FINALLY SOMETHING "OFFICIAL"

La Chanson de la Salle de Bain, best song title ever :lol:

 

Not sure if it should be "de la" or "du" :thinking:

 

And shamefully, one of those songs actually shares a title with one I wrote :\

There hasn't been any news on LP6 since February. I am dying to hear SOMETHING. . . ANYTHING! :whaaat:

There hasn't been any news on LP6 since February. I am dying to hear SOMETHING. . . ANYTHING! :whaaat:

 

What about the news that Davide Rossi will be working with them again? Check the post on top of this page : )